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Impact of rock n roll on civil rights movement
The development of rock n' roll
The history of rock and roll
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Rock music has come a long way since its development in the early 20th century. The genre, defined “as a merger between rhythm&blues and country” (Scaruffi, The History of Rock Music:1955-1966), started out more as an underground market, but ended up becoming a significant aspect of American popular music history. Rock-n-Roll music produce many legendary artists who will for ever be known as innovators of the genre. Elvis Presley and Chuck Berry were some of the many artists in Rock-n-Roll who will always live on in their music.Many teenagers were also to identify it due to its rebellious nature their disapproval of the cold war. Towards the end of the 1950s, Rock-n-Roll was ending on a particularly bad note, with a brief decline: “Chuck berry was on the verge of being convicted for having transported a minor across state lines; Elvis was in the army; Little Richard had left popular music for the ministry, Jerry Lee Lewis had effectively been black listed for having married his 13 year old cousin, and Buddy Holly, Richie Valens, and the Big Bopper had died in a plane crash.” (Bracket, Pg 131). On top of all of this, alarmists subdued rock labels and their performers. Blacks were also of their backlash, claiming that they were “poisoning white youth with “primitive” and “jungle music” and who were skillfully battling segregation “(Farber and Bailey,Pg 288). I agree with Starr and Waterman when they described the 1960s, as a “violent and controversial decade American History”. The assassination of John F. Kennedy and Martin Luther King Jr. shocked the nation. The decade was also going through the process of a great social change; the civil rights movement. “Members of the first generation who grew up listening to Rock-n-Roll b... ... middle of paper ... ... and Soul Reader. Oxford: Oxford University Press. Farber, D., & Bailey, B. (2001). America in the 1960s. New York: Columbia University Press. Lull, J. (1982). Popular Music:Resistance to New Wave. Journal of Communication , 11. Madani, J. (1998). Pop and Rock Music in the 60s. Retrieved May 8, 2014, from SPectropop: http://www.spectropop.com/hmadanibrief.html Scaruffi, P. (2009). The Counterculture 1965- 66. Retrieved May 1, 2014, from The History of Rock Music: 1955-1966: http://www.scaruffi.com/history/cpt16.html Starr, L., & Waterman, C. (2010). American Popular Music. Oxford: Oxford University Press. Stillman, P. A. (2010, April 3). 1960s Folk/Rock and the Youth Counterculture Movement. Retrieved 8 May, 2014, from Music of Revolution Blog: http://musicofrevolutionblog.wordpress.com/2010/04/03/folk-and-rock-music-in-the-1960s-youth-counterculture-movement/
What emerged after the explosion of rock and roll in the 1950s abandoned the roll and has now come to be known just as classic rock. This rock that was created following the decade of The King became a completely unique and different sound that changed the musical landscape and what was once a single, unified genre gave way for multitudes of variation in its sounds. These new sounds, that came mostly from abroad, had been notably influenced by the American rock of the 1950s, such as Elvis, Buddy Holly and Chuck Berry. These pioneers of rock came to be the essential reason for the arrival of the British Invasion and other sounds that defined the decade of the 1960s.
The book depicts the story of culture conflicts of the music, which arose from the introduction of the foot-tapping, hip-swaying music now known as rock n' roll (Graarrq). The outcome of rock n’ roll coincided with tremendous uproar in the movement to grant civil rights to African American. Trapped in the racial politics of the 1950s, rock n’ roll was credited with and criticized for promoting integration and economic opportunity for blacks while bringing to “mainstream” cloture black styles and values (Altschuler). Black values were looked over and kind of not important to whites. Whites were very much so well treated then blacks were, however no one spoke out until the outcome of rock n’ roll.
Rock n - roll In the 1950s rock-n-roll established its own mark in history. It spread throughout the decade in a thrilling, substantial, and even livid manner to those Americans trying to get rid of all sorts of conflicts and challenges that occurred during this time period. As exciting as this music was, the novel “All Shook Up” portrays how rock-n-roll brought many changes to the American culture and later to the sixties. It expresses many concerns such as race relations, moral decay, and communism, but in ways that are partially true.
After many of World War II’s harmful effects, the 1950s served as a period of time of musical change that reflected the dynamic of society as well as the traditional norms and values. Many factors contributed to this transformation. For example, the civil rights movement heightened many racial tensions, and the music produced consequently manifested this tension in itself. Rock-n-roll and R&B music universalized music typically associated with African-Americans, and many African-American musicians gained fame; however, as with any relatively-widespread success, there were many musicians as well who missed their opportunities due to the same racial segregation. While “radical” genres such as R&B and rock-n-roll laid the foundation for music future forms of music, the standard pop, jazz, and country music adhered to traditional values, and thus continued to maintain popularity amidst phenomena such as the Elvis craze.
The birth of Rock and Roll Music was a mixture of popular music and African American country blues and hillbilly music. However, Rock and Roll music was influence since the 1950’s by two particular African American artists like Muddy Waters and Howlin` Wolf. Through their distinct voices, style, deliverance, and performances that helped the music in the 1950’s give rise to this new style of music genre Rock and Roll. During the World War II era, this style of music was looked at; as traditional music and, through the music people could tell their story, not just about their struggles but the real struggles going on around them, like, isolation between black and white people. Most artists were sharing their values and trying to associate through
V. To make this short I will start in the 50’s the golden age of rock and roll, continue to the 60’s with beatlemania, on to the 70’s with disco and punk rock, then the 80’s on through today.
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.
The United States, during the 1960’s was a very progressive time for our country; the way people lived there life changed dramatically and has not been the same since. The sixties counterculture is the leading role in this progressive time period; from a wide spread of drug use, to the British invasion of music, and very importantly, feminism. After the Korean War, the CIA came across information that prisoners were being brainwashed with a “truth serum.” They acted quickly and started during human research; the research was called MKULTRA. They gave LSD and other hallucinogens to their test subjects. After the research was finished, Ken Kesey and the Merry Pranksters, started doing testing of their own; this testing included close friends and family. The popularization came from their, acid tests, which included many more people. Following the new drug scene, it played an important role in music. The sixties changed the classical rock the new psychedelic rock. This new form of music came from the drug use and people wanting art music, versus the normal rock. The first large wave of feminism came from the flappers; in the sixties the second wave came and it was larger...
In the duration of one year, 1968, the American national mood shifted from general confidence and optimism to chaotic confusion. Certainly the most turbulent twelve months of the post-WWII period and arguably one of the most disturbing episodes the country has endured since the Civil War, 1968 offers the world a glimpse into the tumultuous workings of a revolution. Although the entire epoch of the 1960's remains significant in US history, 1968 stands alone as the pivotal year of the decade; it was the moment when all of the nation's urges toward violence, sublimity, diversity, and disorder peaked to produce a transformation great enough to blanket an entire society. While some may superficially disagree, the evidence found in the Tet Offensive, race relations, and the counterculture's music of the period undeniably affirm 1968 as a turning point in American history.
The ‘60s were the age of youth, as millions of children’s from post World War II became teenagers and rebelled against the conservative fifties. Denying civil rights to African-Americans and liberation to teenagers in previous decades and Vietnam War, created a vortexes which lead to massive rebellion against the status qua. Music of the 1960s was characteristic of the revolution that was going on during the decade. It was a time of rebellion and counter-culture in which the teenagers and college students were critical of government, business, religious institution and other various aspects of life. Era marked by civil rights movement, Vietnam War, environment of drug abuse and sexual freedom formed new music like: folk rock, soul and psychedelic rock. These genres starkly contrast the teen idol music of ‘50s pop mainstream. Writes John Covach; “World was exploding, and rock musicians were listening more closely than ever.”(Covach, 152) Such stark contrast in pop music directly relay to changing social culture in America, which further echo’s the relationship between music and culture.
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
The rise of rock and roll into the limelight is to a large extent attributed to the teenagers of the 1950’s. Early rock music listened to by teenagers during the 1950’s was formed by blending together Rhythm and blues with country music. This kind of ...
Rock and Roll was the start of a new revolution in America. It introduced the world to many of the famous artists that continue to be a part of our lives today. "Artists who became popular in the 1950s such as Elvis, began to pave the way for others such as Jerry Lee Lewis and Buddy Holly" (The History of Rock 'n' Roll until 1960). With the introduction of rock 'n' roll, there came many new changes to the lives of many Americans. Rock and Roll was a major contributor for the change in teens' behavior in the 1950s because it encouraged new freedoms for teenagers, encouraged new fads among teenagers, and caused a generation gap.
Rock 'n' roll came from a type of music called rhythm and blues (R&B), which consisted of doo-wop and gospel music. It was popular mostly in the south during the 40’s but it soon grew to urban cities. It was Les Paul’s invention of the electric guitar in 1952 that added a new sound and made rhythm and blues into the rock 'n' roll we all know and love today. Most of the artists from R&B were African American, and in their song they would reference sexual matters. So together it gave a bad connotation towards the music and their race, therefore both were never fully accepted in the north. The term “rock” was slang mostly used by African Americans meaning a form of music that was easily danced to. Meanwhile “roll” was usually a euphemism for sex, such as “a roll in the hay”. It was Alan Freed who first popularized the term “rock and roll” for this gen...
1 Gass, Bryan "A History of Rock Music: The Rock and Roll Era" World Book. Ed. 6. 1994.