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History of photography; photojournalism
importance of photojournalism
History of photography; photojournalism
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Recommended: History of photography; photojournalism
“I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated” (Nachtwey). Photojournalism is the art or practice of communicating news by photographs, especially in magazines. Photojournalism has evolved immensely from the beginning to the present. Photojournalism developed during the Crimean War, submitted to its evolution throughout the course of the Golden Age, and eventually settled on its present-day existence today.
Photojournalism was started during the Crimean war by a gentleman named Carol Szathmari. Szathmari was born on January 11th, 1812 as a noble descent. He first studied as a painter but then became a very enthusiastic traveler. He first began to experiment with photography in 1848, soon after filled a wagon his supplies and followed the war, capturing many battles and important moments. Roger Fenton was another photojournalist who took pictures of the Crimean War. His mission was to captured evidence that contradicted the description of William Russell who was a war correspondent. Russell was condemning the militaries failure to provide sanitary living conditions for the soldiers. Roger Fenton faced many challenges while photographing the war for four months. Having to develop all of his photos on wet-collodion plates with unclean water proved very demanding in the sweltering heat. He proved to be very successful and came back to London with 360 snapshots of the war between Turkey, Russia, and England. The Crimean War established the base for photojournalism and started a tradition that will live on into the future.
The Golden Age of Photojournalism was when photos started to make a large presence in magazines. The Golden Ag...
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...the potential of these horrifying situations and allowing to see the truth of the matter.
Works Cited
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"Photojournalism." Encyclopedia Britannica Online. Encyclopedia Britannica, n.d. Web. 23 Nov. 2013. .
"The Future Of Photojournalism." Forbes. Forbes Magazine, n.d. Web. 23 Nov. 2013. .
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
Born of Irish immigrants in 1823 in a little place called Warren County, New York; Mathew Brady is known as “The Father of Photojournalism.” While a student of Samuel Morse and a friend of Louis Daguerre (inventor of the “Daguerreotype,” a method of photography that the image is developed straight onto a metal coated surface), in which he had met while under the study of Morse, Brady took up his interest in photography in the year of 1839, while only seventeen years of age. Brady took what he had learned from these two talented and intellectual men to America where he furthered his interest in the then-growing art of photography.
Tolmachev, I. (2010, March 15). A history of Photography Part 1: The Beginning. Retrieved Febraury 2014, from tuts+ Photography: http://photography.tutsplus.com/articles/a-history-of-photography-part-1-the-beginning--photo-1908
5 Light, Ken. Tremain, Kerry. Witness in our Time: Working Lives of Documentary Photographers. Washington and London: Smithsonian Institution Press, 2000.
In the chapter, “The Mirror with a Memory”, the authors, James Davidson and Mark Lytle, describe numerous things that evolved after the civil war, including the life of Jacob Riis, the immigration of new peoples in America, and the evolution of photography. The authors’ purpose in this chapter is to connect the numerous impacts photography had on the past as well as its bringing in today’s age.
Rosenblum, Naomi . A History of Women Photographers . New York, NY: Abbeville Press Publishers, 2000.
Bajac, Quentin, Elizabeth Siegal, and Francesco Zanot.Photography: The Origins 1839-1890. Milan, Italy: Skira Editore, 2010.
William Eugene Smith was an American photographer who produced photographic projects that changed how photographs were portrayed. Rather than a photo being a photo, he told stories through his photographs, through a practice called photojournalism. His photographic projects depicted people in their everyday lives, but in different situations. The photographs he took did not hide anything that he saw from the audience no matter how graphic the scenery may appear to be. His photography methods differed from traditional methods, in that traditional photographs/photographic projects were a distortion of reality, so that it is more pleasing to the audience. Smith on the other showed what was actually going on in the world or wherever he was shooting photos. His photos basically showed his audience what is happening in various parts of the world and showing people as they are living their normal lives, no matter how depressing or graphic their true lives might be. Smith changed photography, and in my opinion, opened the new world of photojournalism by telling stories with his photographs.
Photography, among many things, is a medium used to further the connection between a reader and the story. It does this by drawing the reader into the world of the photograph, and allowing them to experience the realism of the scenario. This connection has amplified the level of communication between humans, namely, in the field of journalism. In the article “To Tell the Truth: Codes of Objectivity in Photojournalism” written by Donna Schwartz, she discusses the methods employed by photojournalists to manipulate photos in order to give the desired effect, or connection. These methods, along with others from “Critical Media Studies” written by Brian Ott and Robert Mack, will be used to analyze the following photo to show how they create the
First, let us define Photojournalism and Fine Art Photography. According to the Oxford dictionary, photojournalism is the art or practice of communicating news by photographs, especially in magazines. But according to Merriam-Webster, photojournalism’s full definition is journalism in which written copy is subordinate to pictorial usually photographic presentation of news stories or in which a high proportion of pictorial presentation is used. In other words, photojournalism is news photography. Photojournalism found itself invading photography from the late 1920’s and can be defined as a spontaneous and newsworthy photographic narrative of human events. Fine Art Photography is the new kid on the block. It is usually thought to refer to the visual creation for a specific expressive or aesthetic value. This is often distingui...
The desire to stop time and preserve the way things were are the primary reasons why the majority of photography in the late nineteenth century focused on documenting dying traditions, practices, and ways of life...
Photojournalism is defined by dictionary.com as is a particular form of journalism that creates images in order to tell a news story. A partially unpredictable audience, in the sense that anyone can see it and respond, sees news articles; this opens a window of ethical issues that are involved in reporting images to newspapers and magazines. Awareness of the moral rights and wrongs of journalism helps society to better understand why certain details are censored for the public.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
Photography is a word derived from the Greek words “photos” meaning light and “graphein” meaning draw. The word was first used by John F.W Herschel in 1839. It is a method of recording images by the action of light, or related radiation, on a sensitive material (Bellis, N.D).
Newton, Julianne H. The Burden of Visual Truth: The Role of Photojournalism in Mediating Reality. Mahwah, NJ: Lawrence Erlbaum Associates, 2001. Print.