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History of Jules Cheret
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At the beginning of the nineteenth century, political discomfort had spread over France, and posters became the dominant aspect of visual philosophy in Paris. (MiR appraisal Inc. (2011) Father of the modern poster: Jules Cheret) Posters were an expression of economic, social and cultural life, competing for entertainment audiences and goods consumers (Jeremy Howard (1996), Art Nouveau: The myth, the modern and the national, Manchester University press, The Art poster From Graphic art to design 1890 to 1914). Furthermore, poster design was an outlet for the innovative energies of gifted artists (David Raizman (2003), History of Modern design, Art Nouveau and Cheret, Lawrence King, London, P.56). This was apparent because of the progression and transformation of technology, such as colour lithography.
Jules Cheret is widely regarded as ‘The father of the poster,’ having originated the mass production of advertisement posters using (chromo) lithography (wet-canvas, no given date, Jules Cheret: the father of the modern poster). In addition, he was further described as the ‘Father of women’s liberation.’ His work was often thought to have reinvented the women of Paris, by introducing new hyper-real role models to women. The consequence was a more noticeable open atmosphere where women were able to engage in former prohibited activities such as smoking in public. (Jules Cheret, The complete works (2002)).
Johannes Gutenberg invented the printing press in 1440 to multiply written documents easily, making books cheaper and more nationally available. In 1798, Alois Senefelder invented Lithography to copy graphical designs, developing the culture of advertising (wet-canvas, no given date, Jules Cheret: the father of the modern poster). Ho...
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...ect.php?object_id=5615, (accessed 26/11/2013).
The Colour Orange (2009-2013), Empower-Yourself-With-Color-Psychology, found here: http://www.empower-yourself-with-color-psychology.com/color-orange.html, (accessed 26/11/2013).
Van Gough Gallery, No date given, Jules Cheret, Found here: http://www.vangoghgallery.com/artistbios/Jules_Cheret.html, (accessed 26/11/2013).
Victoria and Albert Museum, no date given, Art Nouveau and the erotic, found here: http://www.vam.ac.uk/content/articles/a/art-nouveau-and-the-erotic/, (accessed 26/11/2013).
Wet Canvas, no date, Jules Cheret: The Father of the modern poster, found here: http://www.wetcanvas.com/Museum/Artists/c/Jules_Cheret/, (accessed 26/11/2013).
World Art Collections Exhibitions, Sainsbury Centre for visual arts, No date given, found here: http://www.scva.ac.uk/education/resources/pdfs/13.pdf, (accessed 26/11/2013).
The October Gallery. (2000, May 19). About the Artist [Online]. Available: http://www.octobergallery.com/sbarnes.htm [2001, March 19].
Caillebote’s “Paris Street; Rainy Day”. The painting was begun in 1876 and finished early in
At the time, signboards were an early form of advertising, meant to attract attention, establish a mental-visual association between sign and place, and seduce customers. Signboards indicated specific commercial establishments and provided information about the nature of the goods and services to be found within. The iconography for certain guilds and shops were apparent to the society and would be immediately understood. People used these signboards to find their way around the city and therefore were an important part of their everyday life. However, signboards were part of a commercial culture, not of a high culture. The painters of such signboards were not seen as high-valued artist; nevertheless, favourable public reception surrounding a sign could be evoked as an indication of the imminent inception of a successful career. This shows that the lowest, most despised kind of painting could, and did, serve as an entrée into the world of high art.
In the Wallach Gallery exhibition of Anna Hyatt Huntington’s sculpture (1876-1973), the viewer gets to discover different versions of the emblematic figure that is Joan of Arc, from small bronze medals, to much bigger works of art. A digital replication of the initial statue that was unveiled at Riverside Drive and 93rd Street in December 1915 is also available the public in the gallery. The success of the Joan of Arc – or The Maid of Orleans’s depictions results from the symbol that she fosters in European and American culture: a French medieval patriotic heroine who received visions directly from God and who was told to help France combat the English domination and who died burned at the stake, as a martyr.
Posters were mainly used to sway public opinion. They were aimed at brainwashing society to think and act a certain way. Each poster was designed specificly for a particular community, playing upon the cultural norm. Since posters were rather inexpensive, they were not made to last, but were effectively used as a visual tool of propaganda. They were usually very graphic, therefore allowing even the illiterate to be swayed in the direction of the artists choosing.
In addition to the notably simplistic design, the collection itself provides access to a remarkable breadth and depth of both classic and contempora...
Shea, R. 2004. Marcia Myers: Twenty Years Paintings & Works on Paper 1982–2002. Manchester, United States: Hudson Hills.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
Osborne, Harold. The Oxford Companion to Twentieth Century Art. New York: Oxford University Press, 1981.
The first movie poster was thought to be designed by Jules Cheret in 1890 for an independent short film (“Movie Poster Art- A Short History”). Before the 1900s, movie posters only contained typed wording that broadcasted the movie title, the producer, and the director (“Movie Poster Art- A Short History”). Over the years, movie posters have noticeably progressed into something much more significant. On nearly every movie poster, an image is presented giving one a slight understanding of what the movie may be about. The posters also typically includes prominent cast members. Since the initial poster, it has advanced into a brief foretaste of the movie. In today’s society, a movie poster can arouse something inside a potential viewer that makes
Nash, Susan. Oxford History of Art: Norther Renaissance Art. 2nd. New York: Oxford University Press, 2009. 30-65. eBook.
In the figure 1920’s they initiated a series of propaganda poster to attract volunteers. Done by a number of different artists and illustrators, these images were designed to strike an emotional and patriotic cord of the observes. The propaganda poster Our Greatest Mother Join, the artist/ illustrator of the propaganda poster was by Cornelius Hicks, he was born in Massachusetts and he was a student at Pratt Institute and had showed tremendous talent in the flied of art, he painted two posters for the American Red Cross. Cornelius Hicks died in 1930 of Tuberculosis at the age of 32.
The Graffiti and Printing these posters was a means of communication that the students and strikers had that would remain untainted. The posters were distributed for free and seen on barricades, carried in demonstrations and plastered on walls all over France.
Barnett, Peter. “The French Revolution in Art”. ArtId, January 7th 2009. Web. 5th May 2013.
Human beings are creative species. They have come up with great ideas and invented some wonderful tools since they have been on earth. From the time that someone threw a rock in the ground to make the first tool, to the introduction of the wheel, to the development of electricity and the Internet. These alterations, and many more have been made to provide us the modern life we are living today. There are many inventions that have changed the world dramatically. Historians suggest that the printing press was one of the most revolutionary inventions in the human history. The printing press was invented over five-hundred years ago and was the first step in transforming societal literacy. Around 1440, the printing press was invented by the German Johannes Gutenberg, who was the first to design a technique that has the ability to transform the ink from the movable type to paper. Basic development of the printing press was, the hand mold which is the process that enabled the production of metal movable types. Printing presses with this movable type mechanism increased the rates at which copies of books