Triunfante quiero ver al que me mata; y mato a quien me quiere ver triunfante."- Sor Juana Ines de la Cruz. Algunas personas piensan que la mujer es menos capas que el hombre, cuando la realidad es que la mujer es más capas que el hombre. Frida Kahlo, una artista mexicana que inspiró al mundo con sus pinturas, su historia es muy reconocida y es digna de una persona para admirar. Dolores Jiménez y Muro, quien fue una revolucionaria que contribuyo a la historia de México, es de las mujeres Mexicanas que no les dan el crédito que merecen. Marta Lamas es una antropóloga mexicana que es reconocida en el ámbito de los Derechos Humanos por sus acciones como feminista. En este escrito se podrá observar que el tono será neutro, el objetivo principal de nuestro escrito es informar a la sociedad sobre las heroínas mexicanas que han luchado por la mujer y finalmente se usará un patrón de organización de los párrafos es el desarrollo de un tema.
Frida Kahlo, una artista mexicana que inspiró al mundo con sus pinturas, su historia es muy reconocida y es digna de una persona para admirar. Es una pintora mexicana que podemos decir que trajo un estilo distinto a lo que se conocía, lo hacía personal, sincero y muy alegórico pero al igual demostraba la delicadeza y también sucesos que pasaron en su vida. A sus 18 años tuvo un accidente muy fuerte el cual tuvo que estar mucho tiempo en recuperación, en la cual aprendió a pintar y que gracias a ella cambió el arte mexicano. Frida se casó con Diego Rivera un muralista mexicano. En 1932 tuvo un aborto, esto fue un gran problema ya que le dolió mucho en su sensibilidad y se puede decir que tras este suceso realizó dos de sus obras mas famosas que fueron “El Aborto”, “Frida” y “Henry Ford Hospital”. Aparte de estas obras fue muy reconocida por sus autorretratos ya que estaba casi todo el día en cama tuvo que aprender a pintarse a si misma y con esto hizo de las obras mas reconocidas mundialmente que fue hecha con autorretrato de monos y se llama “Las dos Fridas“”. 1953 sufrió de gangrena y le tuvieron que amputar la pierna derecha y así siguió sufriendo, le dio neumonía y esto acabo con la pintora el 13 de julio de 1954 murió en la Cuidad de México, en su famosa casa “La casa azul.
Ester Hernandez is a Chicana artist, best known for her works of Chicana women. Ester’s goal is to recreate women’s lives to produce positive images of women’s lifestyle and to create icons. Her piece, Frida y Yo, contains the iconic painter Frida Kahlo. Frida, after being in multiple accidents causing long-term pain and suffering, began painting, mostly self-portraits, to portray her reality and glorify the pain. Similar to how Hernandez's goals are a juxtaposition to Frida’s artwork, the art piece Frida y Yo creates a juxtaposition between life and suffering and death and fortune.
Attention Material: There is ongoing speculation that Frida Kahlo would have never came to be as well known if it wasn’t for the marriage to another Famous Mexican painter under the name of Diego Rivera. Although both had different styles of painting, Frida Kahlo was being rediscovered by many particular women because a lot of herself inflicting paintings connected to a big audience of feminists. After living under the shadow of her husband she was becoming even more famous than Diego Rivera.
Frida Kahlo nació el 6 de Julio 1907 en la ciudad de México. Ella les dijo a muchas personas que nació el 7 de Julio 1910 porque quiso parecer más joven a los otros. Aunque sus padres fueron judíos, Frida nació en México. Frida fue una artista surrealista y sus obras vió de sus emociones de la tristexa y la cólera de su vida. Ella le encantó decir los chistes, reír, y sonreír. Frida Kahlo llevó las ropas de la cultura tradicional de México porque pensó que las ropas fueran una forma del arte. Todo el mundo admiró mucho a Frida, a causa de sus obras y su actitud.
The role of strong female roles in literature is both frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them, while trying to create their own as women without an ethnic landscape. In Sandra Cisneros’ stories “Woman Hollering Creek: and “Never Marry a Mexican” the role of female identities that are conflicted are highlighted, in that they have to straddle two worlds at once as Mexican-American women.
Ruiz, Vicki L. From out of the Shadows: Mexican Women in Twentieth-century America. New York:
While reading Cisneros work, there is a definite theme that is no doubt inspired by her parents, her upbringing and the Mexican culture. A theme of different female roles and expectations based on the Mexican American culture. Sandra breaks down barriers and standards and moves forward with more modern day thought and ideas on the female role and mixes authentic Mexican culture with American and highlights some struggles for women in “Never Marry a Mexican” and “Only Daughter”. Sandra Cisneros has a very soft and child-like voice. Listening to her speak and read her stories makes them more enjoyable because she is a great story teller.
Using both English and Spanish or Spanglish the author Gloria Anzaldua explores the physical, cultural, spiritual, sexual and psychological meaning of borderlands in her book Borderlands/La Frontera: A New Mestiza. As a Chicana lesbian feminist, Anzaldua grew up in an atmosphere of oppression and confusion. Anzaldua illustrates the meaning of being a “mestiza”. In order to define this, she examines herself, her homeland and language. Anzaldúa discusses the complexity of several themes having to do with borderlands, mestizaje, cultural identity, women in the traditional Mexican family, sexual orientation, la facultad and the Coatlicue state. Through these themes, she is able to give her readers a new way of discovering themselves. Anzaldua alerts us to a new understanding of the self and the world around us by using her personal experiences.
La autora Puertoriqueña Rosario Ferré sin duda pertence a ese grupo the escritores que critícan la sociedad en la que les tocó vivír en sus creaciónes literárias. Ferré nació en Ponce, Puerto Rico la ciudad mas grande y poderosa del sur de la isla. Su familia es una de las mas importante economicamente y politicamente poderosa. Su padre fue gobernador de la isla durante los años del 1968 al 1972. Como todas las mujeres en esa época se casó y comenzó una familia, destinada a una vida como dama elegante y ociosa. Pero se dió cuenta que su vida pertenecía a la literatura. Ella rompió un taboo y molde cultural, que convertía a las mujeres de clase media alta, en muñecas. Esa generación de mujeres exigiendo cambios en la sociedad se encontraban en el medio de la revolución femenina. Cualquier mujer que quisiera cambiar su vida o trabajar era considerada extraña o loca. Esta opreción se convirtió en su inspiración. Ferré nos comunica a travez de esta novela, la realidad de la mujer puertoriqueña a mediados de siglo. En La Bella Durmiente, Rosario Ferré muestra la mujer como sujeto y objeto. Esta obra es un manisfiesto de los derechos de la mujer y del inconformismo femenino que eventualmente lleva a la mujer a rechazar la realidad. Analizare y demonstrare por medio de este ensayo, los papeles que le toca jugar (a la mujer) en esta sociedad, la corrupcion moral y social que le rodea y su reacción ante todo esto resultando en un trágico final.
Frida Kahlo is known for the most influential Latin American female artist. She is also known as a rebellious feminist. Kahlo was inspired to paint after her near-death bus incident when she was 17. After this horrendous incident that scarred her for life, she went under 35 different operations. These operations caused her extreme pain and she was no longer able to have kids. Kahlo’s art includes self portraits of her emotions, pain, and representations of her life. Frida Kahlo was an original individual, not only in her artwork but also in her
Diego Rivera and his wife Frida Kahlo are an important aspect of the Hispanic World and well-known names in Latino art. Rivera and Kahlo knew many famous painters such as Duchamp, Siqueiros, Orozco and Picasso. Picasso became a great friend of the family. Kahlo has influenced many places in Mexico. There are many land marks not only in Mexico but around the world. The Frida Kahlo Museum is located in Coyoacan Mexico in her Casa Azul home (blue house), this is the same place Kahlo was born, grew up, lived with her husband Rivera and died (Gale, 1996). The museum holds collections and embraces the personal effects of both artists shining light on the way of life for affluent Mexican writers and artist during the first half of the century. The Dolores Olmedo Museum at Hacienda La Noria is another museum-house from the 16th century monastery, includes many of Kahlo’s famous paintings such as “The Broken Column,” “Luther Burbank,” and holds a large amount of Rivera’s works of art (Gale, 1996). Rivera’s murals of his wife Frida, himself, and various members of their family and friends can be found at the Secretariat of Public Education (where he met his wife), the Mexico City’s National Palace, the Museo de la Alameda, and the Palace of Fine Arts (Gale, 1996).
Her strong feminine perspective in her work makes her the well-known writer she is. In her essay, “The Myth of the Latin Woman,” Ortiz Cofer goes through her experiences with stereotypes she has had to deal with in the past. She says “My personal goal in my public life is to try to replace the old pervasive stereotypes and myths about Latinas with a much more interesting set of realities” and that is what she strives to emphasize in her work (Ortiz Cofer 207). “The Myth of the Latin Woman” is an eye-opener to the exclusions not just Hispanics face but women as well. The difficulty with being a female writer, to Judith Ortiz Cofer was that she did not have the support from her peers as she wish she did. When one reads this essay they can feel the emotions that the author portrays through imagery and similes. In “The Myth of the Latin Woman,” the imagery was important because the speaker explains through descriptive words what it was like to be a Puerto Rican woman with words like “hopeless” and “vulgar” (Ortiz Cofer 204). This essay by Judith Ortiz Cofer revolves around prejudice and the belittling of females as people and their
Kumaraswami (2007) identifies that the females presented are stereotypical in their nature; this is to say that they either exist in the domestic atmosphere or that they have lost their purity due to being forced into the revolution. Although Camila and Pintada are complete opposites, the similarity lays in the fact that they both fit different parts of society at that time: “En combinación, forman una síntesis de dos extremos irreconciliables que se le presentan a la mujer mexicana y entre los cuales tiene que escoger” (Clark, 1980). In this sense, the mexican women were in two different situations, those who wished to remain traditionalistic and those who sought self-advancement through the likes of previously considered male characteristics. One can see the traditional character through Camila, Azuela has ensured that initially Camila would fit the traditional role of the female, caring, weak, and doting to the men’s needs. Thus Camila seems to be a flat stereotypical character that is expected to appear in novels of this era if women were to appear at all. Nevertheless, the character of Camila becomes more dynamic as Los de Abajo develops, thus she becomes more of an indication as to how women involved in the revolution did not remain ‘sana y buena’. On the contrary, the almost paradoxical characteristics of Pintada seem to confuse Azuela. Pintada is an emasculated character but only in the sense of
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
McDermott, Jeremy. “US Targets Colombian Rebels as War against Terrorism Escalates.” Scottsman.com. February 10, 2002.
Her short story called, “Dirt,” gives us a picture of the Latino community surroundings. The narration is from a child's perspective, who is born in America, and her father is from Mexico. The struggle here is trying to understand the interaction of the cross-culture society. The Latino community is holding on to their way of life in America. And the things that the culture brings are values, tradition, culture heritage and this can also bring “Enraged. Disgusted. Triumphant” as we merge values of American with our Heritage (Cisneros, 1996, para 14).