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The “Hills Like White Elephants” essay
Critical analysis of hemingway
Hills like white elephants characterization
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“Hills Like White Elephants”, is a short story by Ernest Hemingway. It was first published in August 1927, in the literary magazine Transition, then later in the 1927 short story collection Men Without Women. “Hills Like White Elephants” tells the story of an American man and a woman having some beers outside the station bar as they wait for the train to Barcelona. It elaborates on how an irresponsible couple unaccustomed to serious communication interact in a poison relationship and try to manipulate each other to get what they want. “Hills Like White Elephants" is an extraordinary example of human communication. The story depicts a couple at a crisis point in their relationship, as they struggle to communicate their opposing views, and the course their relationship should take. Ego prevents the couple from seeing each other’s view point. Although Jig comes off somewhat submissive, both parties are strong willed and consumed by the power of their ideas and it prevents them from understanding one another’s outlook on the situation. When that occurs, any chance of compromise is lost. Not even halfway down the page of the story, the couple begins to bicker at each other. Jig: (the hills) They look like white elephants, The American: I’ve never seen one, Jig: No, you wouldn’t have. The American: I might have, just because you say I wouldn’t have doesn’t prove anything. (1) Immediately, a tension between the two builds until the man says, "Oh, cut it out"(1), and then The American changes the subject. He is the one who starts the argument by dismissing Jig's white elephant comment and bringing up the abortion. The author makes the man to be very selfish in wanting the girl to have the operation so that he can keep his lifestyle o... ... middle of paper ... ...afe to say neither of them wins the argument and a solution is not found. Hemingway has manufactured a fleshed-out characterization of the couple and a clear and complete exposition of their dilemma using almost nothing but dialogue. The title of the story has led many to speculate on what the “white elephant” symbolizes. It is notable that "white elephant" is a term used to refer to something that requires much care, yielding little profit; such as a relationship. A white elephant is generally thought of as unusual and cumbersome: better referred to as, in short, a problem. Hemingway disguises the true underlying problem with this couple, with the subject of abortion. It almost distracts the reader and encourages them to take sides: either relating to Jig or The American, when the problem was not in the operation, or the child, but their poor commutation skills.
In Hemingway’s “Hills Like White Elephants” Jig changes her position completely when she claims her dominance over her situation, and possibly ends the relationship with The American Man. She changes from powerless, weak, and ambiguous to taking complete control and deciding to make her own decisions about the circumstances in which she is in.
Jig’s sarcastic tone in her dialogues following the Americans’ is indicative of her decision to not get the abortion. After the American assures her that they will be happy like before and it is a “simple operation” (Hemingway 592) Jig retorts, “What makes you think so?” (592). Hence, it implies her disbelief and realization that things would not change much whether or not she got the abortion. Jig’s desire to keep the child is further evident when she tells him “[they] could get along” (593). She sees the possibility of a happy life with the child; the American sees it as an obstacle. Therefore, he continues in his effort to persuade her otherwise because “[he...
Ernest Hemingway has a superbly unique style of writing in Hills Like White Elephants. His short, to the point syntax and sentence style plays a great role in helping readers understand the theme of this short story. The critique M.A.K. Halliday observed, “The story is frequently generated by the repetition of words, clauses, and groups of related words or ethical sets” (Link, Alex). The first set of dialogue that can be pulled from this story is story is short and to the point. The American states, “We can have the whole world.” Jig replies with “No, we can’t” (Hemingway, Ernest). The sentence length is very short, yet there is a hidden meaning behind the small talk. Jig is referring to not having the baby. She can have everything, but her will to decide things. She can’t have a baby due to unloving pressure from the American. It is in sync with the tone of the story perfectly. The tone is forward, direct, and shallow. That is exactly what happens in this dialogue. There is no emotion, just pure sarcasm on a huge topic. Abortion to this couple is nothing more then a qui...
“The Hills as White Elephants,” by Ernest Hemingway, tells a story about a couple who are expecting a baby, but want to have an abortion. The setting of the story takes places at a bar situated across of a train station in Madrid, Spain. The couple sits by the bar, and order some drinks. They began discussing about whether or not having the abortion. While they wait for the train the man convince the girl. Within the two works there are many similarities but also differences between the central idea, conflict and the language devices.
Hemingway, Ernest. "Hills Like White Elephants." In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1471-1485.
“Hills Like White Elephants” depicts a private discussion between the American and Jig over a touchy subject to where a vital choice must be made. Normally, Ernest Hemingway does not give sensitivity to his female characters, yet Jig is distinctive for this situation. Hemingway’s utilization of symbolism to hint Jig’s choice is made evident in numerous ways.
Hemingway, Ernest. “Hills Like White Elephants.” Fiction 101: An Anthology of Short Fiction. James H. Pickering. Twelfth Edition. Pearson Education, Inc., 2010. 638-641
Hills like White Elephants by Ernest Hemingway is a short story that deals with the idea of conformity and the conflict caused by internal desire and pressure from another party. The short story is very subtle, and often uses these subtleties in combination with incredible amounts of symbolism interlaced throughout the narrative to cause the reader to look and think deeper into the motives, values and convictions of the conflict between the two protagonists respective desires. When two parties are at an impasse of desire, the conviction of their opposing beliefs becomes increasingly unshakeable. This results in dissension due to the severe lack of understanding between the parties involved and furthermore, they refuse to be held responsible for the inability to communicate their feelings to one another.
...o deal with the situation of the abortion. The companion not the ideal man for Jig. Jig wants to move on in life but her companion is fond of their life without any changes.
Renner, Stanley. "Moving To The Girl's Side Of "Hills Like White Elephants.." Hemingway Review 15.1 (1995): 27-41. Academic Search Premier. Web. 15 Apr. 2014.
Renner, Stanley "Moving to the Girl's Side of `Hills Like White Elephants'." The Hemingway Review, 15 (1) (Fall 1995): 27-41. As Rpt. in Wyche, David "Letting the Air into a Relationship: Metaphorical Abortion in `Hills Like White Elephants'. The Hemingway Review, 22 (1) (Fall 2002): 56-71. EBSCOhost.
“Hills like White Elephants” is told in a vague way that holds the reader at bay. Hemingway’s genius use of symbolism helps the reader understand the story. One of the most prevalent use of symbolism is the term white elephant, which represents “an unwanted gift, a seemingly remote and but immense problem,” that the couple are forced to deal with (Kozikowski 107). The white elephant denotes the unwanted unborn child that is resented by the father, although the mother is curious to see through. The use of the railroad symbolizes the divide in the relationship. The young couple is in different directions, however, neither one listens to each other. The girl is pressured by the man to choose one side of the tracks, but at the train station, she is in a position where her choice is visible. His actions are haughty and she is submissive to him. Objects like the alcohol and the bamboo care carefully chosen by the author. The previously stated Absinthe is a symbol for sensuality and a narcotic. The bamboo curtains denote its hollowness and letting the air in; consequently the same manner that the American refers to the operation as “letting the air in” (215). Color plays an integral function in understanding that the couple is at parallel ends like the train track. The “blackness of the licorice and the whiteness of the hills contrast between sorrow and joy”; furthermore, the way the couple seem divided and
Hills Like White Elephants, written by Ernest Hemingway, is a story that takes place in Spain while a man and woman wait for a train. The story is set up as a dialogue between the two, in which the man is trying to convince the woman to do something she is hesitant in doing. Through out the story, Hemingway uses metaphors to express the characters’ opinions and feelings.
---, "Hills Like White Elephants." The Short Stories of Ernest Hemingway. New York: Charles Scribner?s Sons, 1953. 273-278.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.