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Hemingway’s “Hills Like White Elephants
Hemingway’s “Hills Like White Elephants
hills like elephants by ernest hemingway
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Recommended: Hemingway’s “Hills Like White Elephants
Communication is the key to building a strong foundation of trust between a man and woman. In Ernest Hemingway’s “Hills Like White Elephants” we learn about the communication breakdown, between a woman named Jig and her companion who is an American man. They must make a decision that will affect both of their lives, and potentially end their relationship.
The setting of the story represents Jig and her relationship with her American companion. “The hills across the valley of the Ebro were long and white. On this side there was no shade and no trees and the station was between two lines of rails in the sun” (Hemingway 224). “The hills were white in the sun and the country was brown and dry” (Hemingway 224). This story uses a lot of symbolism and imagery to get a point across of what was going on between the man and Jig. The land is dry and barren just like their relationship is at the moment. The problem is separating Jig and the man, other than bringing them together. There are many choices to this problem, but only one decision must be made. Jig compares the mountains and hills to white elephants. “All right. I was trying. I said that the mountains looked like white elephants. “That was bright? (Hemingway
225). They’re lovely hills, ‘she said. “They don't really look like white elephants. I just meant the coloring of their skin through the trees” (Hemingway 225). Have you ever heard of the “White elephant in the room“? The white elephant is the conflict that is in the middle of Jig and the man. The white elephant represents the embryo in Jig’s womb, for she is pregnant. The more Jig and the man talk about the pregnancy you can feel the tension, through their brittle conversations. The man wants Jig to have an abor...
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...dset. He is teaching a lesson about the importance of the moment and how life should be valued.
Works Cited
Hemingway's HILLS LIKE WHITE ELEPHANTS
Paul,Rankin. The Explicator. Washington: Summer 2005. Vol. 63, Iss. 4, p. 234-237 (4pp.)
Holladay, Hal.“ Masterplots II: Short Story Series, Revised Edition © 2004 by Salem
Press, Inc. MagillOnLiteraturePLUS. EBSCO. Web. 26 Nov.2010.
Cassill, R. V., and Richard Bausch. The Norton Anthology of Short Fiction. New York: W.W. Norton, 2006. Hills Like White Elephants. W.W. Norton, June-July 2000. Web. 26 Nov. 2010. http://litmed.med.nyu.edu/Annotation?action=view&annid=1697.
Charters, Ann, and Samuel Barclay. Charters. "Hills Like White Elephants." Literature and Its Writers: a Compact Introduction to Fiction, Poetry, and Drama. Fifth ed. Boston, MA: Bedford/St. Martins, 2010. 224-226. Print.
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
Rankin, Paul. Hemmingway’s “Hills Like White Elephants.” Explicator. 63.4 (Summer 2005): 234-237. Rpt. In Short Story Critisism. Ed. Jelena O. Krstovic. Vol. 117. Detroit: Gale, 234-237. Literature Resources from Gale. Gale. . 12 Jan. 2015.
‘Hills Like White Elephants’ is a short story authored by Ernest Hemingway about an American and a girl named Jig. In the story, the two are sitting in a train station waiting for the train to Madrid. While they wait, they have an intense ongoing debate on whether or not to abort Jig. At the end of the story, the train is about to arrive and the man carries luggage on the tracks as they prepare to leave. The end of the story does not clearly define the outcome of its decision. She said I feel good at the end of the story - happiness is a central theme of the story, but we wonder if she went through with the operation. The paper discusses the manner in which symbolism has been employed in the story to communicate about an abortion, the couple is considering to go through.
Hemingway, Ernest. "Hills Like White Elephants." The Norton Introduction to Literature.Eds.Alison Booth, J. Paul Hunter, and Kelly J. Mays. Shorter 9th ed. New York: Norton, 2006.128-132
Burroway, Janet. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. As Rpt. in Rankin, Paul "Hemingway's `Hills Like White Elephants'." Explicator, 63 (4) (Summer 2005): 234-37.
Ernest Hemingway's short story "Hills Like White Elephants" touches on an issue as ageless as time: communication problems in a relationship. He tells his story through conversations between the two main characters, the American and the girl. Conflict is created through dialogue as these characters face what most readers believe to be the obstacle of an unexpected pregnancy. Their plight is further complicated by their inability to convey their differing opinions to each other. Symbolism and the title's meaning are other effective means of communicating conflict.
Hemingway, Ernest. “Hills Like White Elephants.” Fiction 101: An Anthology of Short Fiction. James H. Pickering. Twelfth Edition. Pearson Education, Inc., 2010. 638-641
I see many people as I wander through the streets, yet I can only hear silence. I see couples getting into a restaurant, order, check their smartphones, eat, and I wonder why they do not look up, face each other and genuinely communicate. What I perceive, are men and women living not with, but next to each other. This is exactly what I imagined when I read Hemingway’s “Hills Like White Elephants”. A couple waiting to catch a train and as they sit and drink some beers, they start talking about Jig’s pregnancy and the option of abortion. However, all I can hear is silence because they simply do not speak the same language. They are both living in different worlds filled with divergent ideologies and opinions. As a result, the words do not come across. The American, though, does everything in his power to convince Jig of conducting an abortion, in which he seems to succeed at first. But as the story develops, the divided and childlike Jig transforms into an independent woman, who possesses an internal strength, determination and a mind of her own. Hence, I am going to argue that Jig will not have the abortion and will eventually leave the American.
Hemingway, Ernest. "Hills Like White Elephants." Perrine's Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp and Greg Johnson. Boston: Thomson Wadsworth, 2006. 268-272.
Ernest Hemingway has a superbly unique style of writing in Hills Like White Elephants. His short, to the point syntax and sentence style plays a great role in helping readers understand the theme of this short story. The critique M.A.K. Halliday observed, “The story is frequently generated by the repetition of words, clauses, and groups of related words or ethical sets” (Link, Alex). The first set of dialogue that can be pulled from this story is story is short and to the point. The American states, “We can have the whole world.” Jig replies with “No, we can’t” (Hemingway, Ernest). The sentence length is very short, yet there is a hidden meaning behind the small talk. Jig is referring to not having the baby. She can have everything, but her will to decide things. She can’t have a baby due to unloving pressure from the American. It is in sync with the tone of the story perfectly. The tone is forward, direct, and shallow. That is exactly what happens in this dialogue. There is no emotion, just pure sarcasm on a huge topic. Abortion to this couple is nothing more then a qui...
Hills Like White Elephants displays the differences in the way a man and a woman view pregnancy and abortion. The woman looks at pregnancy as a beautiful aspect of life. In the story the woman’s pregnancy is implied through their conversation. She refers to the near by hills as elephants; "They look like white elephants" (464). She is comparing the hills to her own situation, pregnancy. "They’re lovely hills. They really don’t look like white elephants. I just meant the coloring of their skin through the trees" (465). Just as the hills have their distinct beauty to her, she views pregnancy in the same fashion making the reference to the hills having skin—an enlarged mound forming off of what was once flat. The man views pregnancy just the opposite. When the girl is talking about the white elephants and agrees that the man has never seen one, his response is, "I might have, just because you say I haven’t doesn’t prove anything" (464). This shows the defensive nature of the man, and when the woman implies the he is unable to differentiate between what is beautiful and what is not.
Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print.
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
As the couple waits between two destinations, Barcelona and Madrid, they are trapped in limbo "between two lines of rail in the sun"(142). The station, placed between the two lines of rails, suggest the two directions the couple may go - toward Madrid and the abortion or away from Madrid and to a family scenario. The landscape describes the conflict, both barren and fruitful. Alongside of one rail line long, white hills stretch across the horizon, the country before them "brown and dry" (143). In stark contrast to the desolate landscape of the hills, the other flank is lush and green, with "fields of grain and trees [running] along the banks of the Ebro" (145). This scenic dichotomy comes to embody the girl's sentiments regarding the abortion: the hills are barren, representing her life if she submits to her partners expressed desires and goes through with the abortion; while th...
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.