Henrik Ibsen's A Doll’s House

1036 Words3 Pages
bulb-icon

Recommended: Characteristics of characters in a doll's house by henrik ibsen

A Doll’s House by Henrik Ibsen is a realistic drama that explores how the imbalanced treatment of women can dictate who they become. Nora Helmer embodies the need for evolution in regards to women and their roles within the family. The importance of this play, which was written in 1879, is still relevant in the modern world. This play helps to bring attention to the characters people play as a result of their circumstances.
The characterization of Nora and Torvald Helmer is a testament to possible inequalities in marriage. The relationship between the main characters Nora and Torvald is “a drama rife with emotional debts, secrets, recriminations, and sexual poverty” (Hilton). It is obvious by plays end that Ibsen’s character Nora Helmer has undergone a transformation. At opening we see an unsure, immature, childlike bride. This character seeks approval almost in a manner resembling a dog getting a pat on the head for retrieving his master’s slippers. Her entire demeanor resembles one who cannot think for themselves. She finds herself in a precarious situation that gives her more experience with life and people. These experiences enable Nora to mature and desire independence.
Torvald Helmer is a man of means and structure. All things in his life will be done his way, in decency and in order. He is an egotistical, chauvinistic man. He sees himself as a man who is beyond reproach, a man of means. Torvald believes himself to be a man who is in control of his home and business but he proves to be nothing more than a hypocrite when faced with the demons in his own closet. “The hero comes out a rather selfish man of the world who has found himself out” (Egan). At opening one could feel that this play would be about a you...

... middle of paper ...

...s House could have easily been written in 2014 as it still speaks about the evolution of women and their struggle to be heard. This remarkable play and its productions, speak a truth about women and the quiet sacrifices they make for the sake of family. Henrik Ibsen’s desire and curiosity towards equality for women is a testament that many can receive understanding from.

Works Cited

Als, Hilton. "The Marrying Kind A new production of “A Doll’s House.”." The New Yorker 14 Mar. 2014: 70-71. Print

Egan, Michael, B. C Southam, “Henrik Ibsen “ Collected Critical Heritage II. Oxfordshire: Taylor and Francis,1997, p110-113, 4p.
Scott, Clement, Michael Egan, and B. C. Southam. "Part 1: A DOLL'S HOUSE: Chapter 17: An Unsigned Notice By Clement Scott In The Daily Telegraph." Henrik Ibsen (0-415-15950-4) (1997): 101-103. Literary Reference Center. Web. 30 Apr. 2014.

Show More
Related

  • A Doll's House, by Henry Ibsen

    1273 Words  | 3 Pages

    In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.

    Read More

  • A Doll's House A Raisin in the Sun

    3074 Words  | 7 Pages

    Ibsen, Henrik. A Doll House. The Bedford Introduction to Drama. Ed. Lee A. Jacobus.           Boston: Bedford/ST. Martin’s, 2001. 659 – 688.

    Read More

  • Symbolism in A Doll’s House

    951 Words  | 2 Pages

    Ibsen, Henrik. “A Doll’s House.” Literature for Composition. Ed. Sylvan Barnet, William Burto, and William E. Cain. 9th Ed. New York: Longman, 2010. 792-841. Print.

    Read More

  • Manipulation In A Doll's House

    1196 Words  | 3 Pages

    Edvard Beyer quoted in Aderholts translation of the Henrik Ibsen play, “There is hardly a single line that does not have a demonstrable dramatic function…. And all of a sudden single everyday words take on a double meaning of foreboding undertones.” (2) Nora’s “important thing” and Mrs. Linde’s “[y]ou are a child” are just a few exhibits of Ibsen’s double meanings. “Important thing,” the misrepresentation, a secret, laid the foundation of colored building blocks of their eight years of marriage. Is this truly the start of that first lying block Nora so easily laid down? No, it started with the injustices her father played upon her; treating her as his little doll, a doll to play dress-up and present his doting daughter to others. Subsequently, it was not hard for Torvald to continue Nora’s life as a living doll; his own game within as she is a willing subject. “[Quite] right, Christine. You see, Torvald loves me so indescribably, he wants to have me all to himself, as he says.” (Act II 54) Reveals how Torvald wants his toy all to himself; all along Nora knowing this she plays along with the game. While she keeps Torvald from finding out her biggest secret, she knowingly continues to play the role of Nora the doll; helpless without direction from the puppet master. Impressively Ibsen’s suggestions are lines of double meaning and the game of manipulation between Nora and those surrounding

    Read More

  • To Be a Doll

    1322 Words  | 3 Pages

    Simonds, W. E. "Henrik Ibsen." Dial 10.119 (Mar. 1890): 301-303. Rpt. in Literature Resource Center. Detroit: Gale, 2011. Literature Resource Center. Web. 25 Mar. 2011.

    Read More

  • A Comparison Of Two Ibsen Works

    1373 Words  | 3 Pages

    Henrik Ibsen's works Dollhouse and An Enemy of the People can be shown to have both been written by Ibsen not only through characteristic technique such as blocking and character exposition, but also the similarity in the decay of the social persona of characters from the norm and the main character's heightening stalwart. The later of that statement proves the works to be Ibsen's writing more effectively because such a commonality is a more direct link between works than such subtlies as character exposition.

    Read More

  • Free Essays - Becoming Independent in A Doll's House

    851 Words  | 2 Pages

    Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.

    Read More

  • Unbalanced Relationships In A Doll House Essay

    1527 Words  | 4 Pages

    Society’s expectation of how a person should act, specifically, is commonly present in A Doll’s House. Unbalanced relationships in Henrik Ibsen’s A Doll’s House are shown through the symbolism of a doll. A doll is a representation of an ideal human being, often used as a toy for children. A doll represents what a human being should want to be and what little girls should grow up to be, this human is considered as the “ideal person.” For example the saying “I got all dolled up for a party,” it is an informal interpretation of one dressing smartly or attractively. Characters in A Doll’s House live according to the assurance and pressure of society in the Victorian era. These characters are all very different and divided as a result of their background, beliefs, and intelligence. These unbalanced relationships shown through the symbolism of a doll are commonly displayed among the main characters, and minor characters, and can also be shown through social class. When first opening this play we meet the main characters, Nora Helmer and Torvald Helmer, these two are husband and wife and are very important in developing theme and character development.

    Read More

  • Gender Stereotypes in Henrik Ibsen's A Doll's House and Susan Glaspell's Trifles

    1831 Words  | 4 Pages

    Ibsen, Henrik. A Doll House. Lives Through Literature: A Thematic Anthology. Ed. Helane Levine Keating et al. 2nd ed. New Jersey: Prentice Hall, 1995. 782-838.

    Read More

  • A Doll's House Sacrifice Analysis

    2126 Words  | 5 Pages

    Henrik Ibsen paints a sad picture of the sacrificial role of women throughout all social economical classes in his play “A Doll House”. The story is set in the late 19th century and all minor female characters had to overcome adversity to the expense of love, family and self-realization, in order to lead a comfortable life. While the main female protagonist Nora struggles with her increasingly troubled marriage, she soon realizes, she needs to change her life to be happy as the play climaxes. Her journey to self-discovery is achieved by the threat of her past crime and her oppressing husband, Torvald and the society he represents. The minor female characters exemplifying Nora’s ultimate sacrifice.

    Read More

  • The Practices of Dr. Rank in A Doll's House

    1741 Words  | 4 Pages

    Ibsen, Henrik.  A Doll House.  The Bedford Introduction to Literature: Reading, Thinking, Writing.  5th ed.  Ed. Michael Meyer. Boston: Bedford/St. Martin's, 1999. 1564-1612.

    Read More

  • Essay on Animal Imagery in A Doll's House

    968 Words  | 2 Pages

    Northram, John. "Ibsen's Search for the Hero." Ibsen: A Collection of Critical Essays. Ed. Rolf Fjelde. Englewood Cliffs, NJ: Prentice-Hall, 1965. 107-113.

    Read More

  • The Symbolism of the Christmas Tree in the Transformation of Nora

    1074 Words  | 3 Pages

    The idea of equality for women has been the subject of countless books, speeches, and performances for decades. The concept of a world in which a woman can be considered equal to a man is not a new concept in today’s society, but it was in that of 19th century Norway. This is the world of noted playwright Heinrik Ibsen, a forward thinking individual with ideas that challenged the restrictions of society time and time again. A forerunner in the women’s rights movement, Ibsen’s play A Doll’s House offers a commentary much before its time on the dangers of a patriarchal society through the evolution of its protagonist, Nora. In his play, Ibsen uses the Christmas tree to symbolize the growing empowerment and independence of Nora, as well as the steady deterioration of Nora and Helmer’s marriage.

    Read More

  • Henrik Ibsen’s A Doll’s House: A Realistic Drama

    1220 Words  | 3 Pages

    Ibsen, Henrik. "A Doll House." Ibsen : Four Major Plays - Volume 1. Trans. Rolf Fjelde. New York: Signet Classics, 1992. 43-114. Print.

    Read More

  • How is the title “A Doll’s House” appropriate for the play?

    1131 Words  | 3 Pages

    “A Doll’s House” is a play written by a Norwegian playwright, Henrik Ibsen. The play was published in 1879, and is a literary piece that triggered almost vigorous reactions from the audience. Moreover, the play was considered Ibsen’s masterpiece and he was determined to provoke a reaction from the public. His intention was to bring awareness to the problem of gender roles in the 19th century society: the role of women who were used as decorations of the household. The title this play, “A Doll’s House”, foreshadows the play’s protagonist, Nora Helmer, and her role in the household. The title of the play suggests that Nora is a doll in her own home.

    Read More

More about Henrik Ibsen's A Doll’s House

Open Document