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william shakespeare hamlet analysis
character analysis of hamlet by william shakespeare
character analysis of hamlet by william shakespeare
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Hamlet: The Epitome of Timeless Literature
“If all the plays ever suddenly disappeared and only Hamlet miraculously survived, all the theaters in the world would be saved. They could all put on Hamlet and be successful”- Vsevolod Meyerhold (a Russian director). Why is it that Hamlet alone could save the theaters? It could be the basic, underlying story: that the King kills his brother in order to obtain the throne forcing his son to seek revenge. This key factor can be interpreted differently depending on who is reading the play which leads to its timelessness and universality.
Based off of an old Norse play by Kyd, Shakespeare took the “revenge play” and made it modern for it’s time. Although it followed the same pattern; a king is killed by his brother who then marries his wife, in the meanwhile the prince has to avenge his father while avoiding being killed by the new king. Shakespeare’s innovation of adding in the aspect of politics drives the play to be a successful hit in every decade. People can always relate to deception, and Shakespeare has done it both politically and personally. It starts off with political deception by finding out that the king is dead and Claudius has taken the throne. In the times of monocracy this was always a concern because one always had to wonder if the new leader would be a tyrant and repressive. In terms of modern application this could be equivalent to corruption in our government. When running for office if one has unfairly and dissolutely (for example with bribes) taken control of a position over an opponent it can be like “murdering” them politically.
There is also a lot of personal deception throughout Hamlet. This is mostly done through spying and secrecy. In the beginning Claudi...
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... to make choices as to how they wanted to act out those scenes. Nevertheless, the ghost is an important part of the play that will always lead to questions in the readers mind. Does the ghost cause Hamlet to go mad or is that madness within that causes the ghost to be revealed? Is it the ghost who causes Hamlet to seek revenge or the unraveling truth of Claudius’s murder? These questions may change with every generation but as some questions get answered others come forth which leads audiences to always be captivated by Hamlet.
Today we can see remnants of Hamlet throughout modern literature and TV. Before kids even know who Shakespeare is they are learning the underlying theme of Hamlet while watching “The Lion King.” When sitting down for the Monday night drama Heroes, millions throughout the world are watching revenge stories based off of Hamlet, come to life.
Hamlet grants himself the opportunity to momentarily direct himself, yet it remains unknown as to whether he directs a representation of truth or a falsity. He exemplifies madness so well, as the sight of "a damned ghost" (77) insanely induces his imagination and comfortably transforms his identity to one of lunacy. This role he acquires is one he portrays so explicitly well as an actor that he easily utilizes it as the foundation for his players. He instructs the players:
The question of why Hamlet delays in taking revenge on Claudius for so long has puzzled readers and audience members alike. Immediately following Hamlet's conversation with the Ghost, he seems determined to fulfill the Ghost's wishes and swears his companions to secrecy about what has occurred. The next appearance of Hamlet in the play reveals that he has not yet revenged his father's murder. In Scene two, act two, Hamlet gives a possible reason for his hesitation. "The spirit that I have seen / May be a devil, and the devil hath power / T' assume a pleasing shape" (2.2.627-629). With this doubt clouding his mind, Hamlet seems completely unable to act. This indecision is somewhat resolved in the form of the play. Hamlet comes up with the idea of the play that is similar to the events recounted by the ghost about his murder to prove Claudius guilty or innocent. Due to the king's reaction to the play, Hamlet attains the belief that the Ghost was telling the truth the night of the apparition.
Shakespeare's utilization of acting and actors in Hamlet acts as the entire framework of the play, down to the very structure of the tragedy itself. The characters are given different façades in different situation and whilst interacting to different people. The language of Hamlet is manipulated in order to achieve the profile of the most complex actor of all. However, as the curtain falls, fate has got the better of all of the actors on the stage of Elsinore - bringing an end to the puppet-show.
For centuries scholars, directors, and actors have been trying to puzzle out the one unified meaning of William Shakespeare’s Hamlet. The lack of consensus continues as Hamlet remains a prominent source of dramatic and scholarly conversation. Hamlet’s ambiguity is often noted as the reason the play has endured, partly stemming from the three different print versions of the play. Each version loses some important aspect of the play and thus creates a completely new interpretation of certain characters and events. Any version of Hamlet read today is likely a “patchwork quilt” of the three different print additions, tailored together in what is believed the spirit of what Shakespeare intended (Rosenbaum 30). Without the benefit of asking Shakespeare himself, it is difficult to definitively select what he intended. Even though a definitive version of Hamlet has yet to be printed, the patchwork Hamlet has given scholars an uneasy compromise yet provides an encompassing text for the classroom. Since this version contains a cohesive narrative, the ambiguity stems predominately from the characters. Many of the characters, Hamlet in particular, are disjointed in their behaviors and seem like completely different people as the play progresses. The duality of dispositions that many of the actors portray conveys the universal truth that human behavior is not black or white but is instead a mix of different and often conflicting behaviors.
In this play King Hamlet, the father of Hamlet is a loving father and husband, as well as a great king. After the murder of King Hamlet his son Hamlet is the next heir in line to ascend to the throne, however, he is passed up and Claudius is chosen to be king. This upsets the balance of nature and gives hamlet a drive to seek redemption through revenge. The only path to redemption that Hamlet can see is to put an end to Claudius and his ill achieved position on the throne that was rightfully his. He fails to achieve his goal of redemption in a timely manner due to a lack of
Hamlet lies, his uncle lies, Ophelia lies, Ophelia's father Polonius lies to her, Laertes, Hamlet's friend's lie to him, the priest lies at Ophelia's burial, and even his mother Gertrude lies of her love to the uncle/husband Claudius. Every one lies about something significant in the duration of the play. All of the characters lost their true love, sanity, families, and worst of all, they lost themselves.
makes the metaphysics of the play dark. The ghost says nothing despite the valiant efforts on the parts of Horatio, Marcellus, and Bernardo. Suspense is created when the audience is ignorant as to the purpose of the ghost. Later in the play the ghost is utilized to allow Hamlet and the audience knowledge of the vile murder of the king by Claudius, the kings own brother. When the ghost finally speaks, he tells Hamlet,
Hamlet is distressed due to the fact of his fathers ghost telling him of the horrid death that he suffered and wanting him to make things right. Hamlet questions the ghost and wonders if all this information could be true. He wonders if the ghost is just really an evil ghost that is lying to him. Rising action is all the events that lead the play to the climax. In acts two and three the events are helping the readers anticipate what will happen. Claudius has chosen two of Hamlet’s school friends to spy on him to see why he is acting so strange. Meanwhile Hamlet plots with the players to re enact the death for Claudius. Because of the reaction of the king the story of the ghost was confirmed.
There are many events in the play that exemplify characters abusing their power such as Ophelia’s father, Lord Polonius, ordering her to ‘repel (Hamlet’s) letters and den(y) his access to (her)’, abusing the power he holds over his unwedded daughter. This key theme aligns with modern day governments doing what they choose even their actions are morally questionable, similarly to Claudius and Polonius in the play. Throughout the play the audience sees Polonius trade his moral dignity, family and honour to maintain his position of power as the King’s chief adviser. He even uses his own daughter, Ophelia, as a pawn in a political game. Claudius can also be seen abusing his own power when he spies on Hamlet and Ophelia. Claudius and Polonius are two very similar rulers. Both of these characters have key moments in the play where they are seen misusing their power. Claudius’ abuse of power is evident in the play at Ophelia’s funeral. We see Claudius’ power in commanding that Ophelia, whose death seemed like suicide, should nevertheless be buried on consecrated ground. The priest at her burial says ‘her death was doubtful’ and that it was the King’s ‘great command’ that forced him to disobey orders. The priest is forced by Claudius and his power to go against the beliefs of the Church that those who commit suicide should not be buried on consecrated (holy) ground. What 21st century examples reflect these key events in Hamlet? Spying, phone tapping and data mining have been several morally questionable acts used by politicians in recent times. What happens when a politician is caught doing this outrageous act? How do we, as citizens, defend for ourselves? Take a minute to think what you would do. I can tell you the average answer would be, just go along with it. Just like Claudius and Polonius political groups such as the government, stand tall and speak out their beliefs to deceive many innocent
The aspect of Hamlet that I find interesting is the appearance of the ghost that Hamlet suspects may be the ghost of his father. Hamlet does not know if the ghost is actually of his father or if it is a demon taking on his father's appearance. How will he know what decision to make if he does not know what the ghost actually is? Also, now I'm wondering if Hamlet makes the wrong decision, will his decision lead to his death? This is the second play of Shakespeare's that I have read that has the appearance of ghosts. Macbeth also had apparitions appear in it. Shakespeare seems to have a method of placing ghosts into his writings, and in Macbeth these ghosts led to the downfall of Macbeth. -Keisha McWhorter
Ghosts are often characters that are a representation of revenge tragedy, especially in Shakespearean plays, such as Macbeth. In William Shakespeare’s Hamlet, the ghost is very significant because it influences Hamlet negatively, which ultimately results in his tragedy. The ghost causes Hamlet to get revenge, realize his tragic flaw, and leads to his madness.
Thus, the first appearance of ghost in front of hamlet is a huge impact and sets the action in motion for the entire plot. The appearance becomes the most important scene in the play. To Hamlet, Hamlet really admired his father, and his father’s death entirely affected his emotion and life. As Hamlet knew that the ghost was the symbol of his father and the unnatural murder. The nightmare...
Hamlet play a very important role in this play. Basically the whole play revolves around him. In this play Hamlet is faced with the obligation to kill Claudius because Claudius has killed his father. Some people see Hamlet as a tragic hero with a clear and sacred obligation to kill Claudius but since he is scared to kill him and has many other things going on in his life, he is unable to kill Claudius right away. Throughout the entire play Hamlet procrastinates on killing Claudius. Why does Hamlet procrastinate for so long to revenge his father's death?
As often associated with a tragedy, a conflict usually ensues between a protagonist and another force in the play. A tragedy is ‘a serious drama typically describing a conflict between the protagonist and a superior force and having a sorrowful or disastrous conclusion that elicits pity or terror’ (Webster's dictionary). Given its structure and depth in characterization, this play will or can be analyzed and interpreted from various perspectives and beliefs. However, my analysis of the play is conducted on the basis of various components which are: Hamlet as a tragic hero, the ironic message conveyed in the play, the roles of its characters, the role and personification of madness, the role of paranormality, the role of friends and family, the role of inaction, the role of sex and violence, and the role of death as portrayed in the play. Based on literary definitions and portrayal of his character, there is popular belief that Hamlet as the protagonist acted to satisfy his own conscience but could his actions be attributed purely to his desire or was he being influenced by other factors?
The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.