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comment on the relationship of hamlet with his mother
comment on the relationship of hamlet with his mother
literary devices used in Hamlet
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Hamlet has style. Hamlet as in the play, not the character, and style not in terms of fashion and knowing how to dress, but as in the combination of different literary elements in order to capture that certain elegance in one’s writing. Shakespeare implements these various literary devices for the purpose of enhancing his writing, typically to emphasize a specific point or to set a certain mood for a scene. In passages that are important in the play there are usually an abundance of these devices. Ones that are more easily detectable and obvious, then there are also ones that are more subtle and sophisticated. Soliloquies are often places where emphasis is needed and thus a majority of the time they are full of literary devices. A particular passage in which there are an assortment of different devices that fit together well and reinforce his rage at his mother being with his uncle, starts in Act 3, Scene 4, Line 53 with Hamlet’s soliloquy, stating the difference between his father, Hamlet, and his uncle, Claudius, to Gertrude.
Perhaps the most obvious literary devices that Shakespeare draws upon to illustrate Hamlet’s anger towards his mother’s new marriage comes in the two forms of repetition and hyperbolic clauses. Hamlet is dumbfounded by the fact that his mother who was married to such a respected, skilled man, would marry such a disliked, untalented man. He is still acting crazy and goes off into a rant about the contrasting aspects of the two men. Hamlet believes that his father, Hamlet is so clearly above Claudius in every way. The repetition of “Have you eyes?” draws your attention to the fact that Hamlet has worked himself into fury and doesn’t care that he is being disrespectful to his mother by asking her a qu...
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...e 4, line 93, “Nay, but to live /In the rank sweat of an enseamèd bed, /Stewed in corruption, honeying and making love /Over the nasty sty.” One of the most used sounds in this sentence was the “s” in “sweat”, “enseamèd”, “stewed”, and “sty.” All of these words along with the “d” sounds create a mood that portrays Hamlet as in a rage and disgusted by his mother’s actions.
The style of the writing creates a particular connotation that the author couldn’t have captured otherwise. Shakespeare implements innumerous literary devices throughout the whole play and especially concentrates them in soliloquys as they tend to emphasize the importance of the passage and help us feel the tone of the scene. All of the literally devices that were scattered amongst Hamlet’s soliloquy in Act 3, Scene 4 enabled us to get a full sense of his anger and truly observe his disgust.
Hamlet’s curiosity caused him to not only suspect his mother, but also kill poor Polonius. He believed Gertrude was an accomplice in the murder of his father.Hamlet has violent outbursts towards his mother. His anger increased as Gertrude misinterpreted the situation. She believed that she was in danger of being assaulted and therefore cries out for help. Hamlet, who was full of rage, runs his dagger through the arras and kills Polonius, mistaking him for Claudius. "O me, what hast tho done/Nay, I know not. Is it the king?" (III-iv.27-28) Hamlet's passion was furiously aroused, and his words to his mother grew increasingly bitter and sharp. His words acted like daggers that shattered Gertrude's peace of mind. "Nay, but to live in the rank sweat of an enseamed bed, stewed in corruption, honeying and making love over the nasty sty.
In the play Hamlet by William Shakespeare we look at two of his most famous soliloquies. On the one hand, Hamlet 's’ first soliloquy expresses dominated feelings of despair by saying how he had lost everything in his life and doesn 't want to live anymore. On the other hand, Hamlet’s third soliloquy expresses dominated feelings of inferiority. Hamlet is insecure about life or death by telling if he chooses either one of them both will lead to a negative place. These two soliloquies expresses Hamlet’s feelings at the beginning of the play and how it changes as the play goes.
Hamlet is in utter despair over his mother’s actions, stating in his first soliloquy that he wishes God had not made suicide a sin, and that the world was now “weary, stale, flat, and unprofitable” (I.ii.137). In Hamlet’s mind, the world he knows is spiraling out of control and he grapples to understand what is happening around him. Hamlet’s furious reaction to the betrayal displays his deep confusion and anger that persists throughout the remainder of the play and sets the stage for the acts to come. He feels as if his mother has not only betrayed him, but betrayed his dear father.
Hamlet is up against the difficulty that his disgust is occasioned by his mother, but that his mother is not an adequate equivalent for it; his disgust envelops and exceeds her. (25)
Though this first soliloquy occurs rather promptly in the play, there are still a lot of proceedings that lead up to it. Hamlet comes back from school to find all is not well in the state of Denmark. His father has died a mysterious death, and his mother has already remarried his father’s brother. In royal times it was customary to mourn the death of royalty for a year, yet his mother only waited two months to remarry. She not only waited two months, but she was committing what Hamlet and others considered incest. This anomalous marriage paired with the recent meeting whit his mother and stepfather, where Hamlet is embar...
soliloquy, that Hamlet is beginning to loath his mother for marrying Claudius only one month after King Hamlet’s
Each person goes through life questioning the whys and what ifs, but seldom do people act on those revengeful feelings unless they reach a point of action. Hamlet reaches such a point in life where wordplay no longer suffices, and he must act not out of necessity but out of filial duty and honor. In this soliloquy, Hamlet sheds his attachment for words and begins to act on his deeply held feelings of revenge/
The character of Hamlet shows many sides of his character depending on whom he is talking to. With his mother when Gertrude was having an affair with Hamlet’s uncle, he evoked pity and
Hamlet can be seen as a play about obligations, in particularly Hamlet’s struggle with his duty to his father: Hamlet must “revenge his foul and most unnatural murder.” The appearance of Old Hamlet’s ghost not only sets the plot, but also helps in destroying Hamlet’s illusion about his parents’ relationship as his mother committed adultery with Hamlet’s uncle, Claudius. This marks one of many points where Hamlet losses parts of his life structure. Furthermore a theme of appearance versus reality surrounds Hamlet due to the fact that the characters portray a different outward appearance compared to what they are on the inside. In the play, Claudius displays an appearance of kindness and sensitivity, but in truth, he uses this false, caring persona as a mask to cover up his selfishness and evil personali...
As of Act I, Scene II, Hamlet endures bitter sadness, not just from his father’s death, but from his mother who betrayed them. Her betrayal started when she only mourned for his father for, “a little month…” while his father had been dead for, “two months…nay, not so much, not two…”. To Hamlet, her breakage of tradition immensely
The soliloquies expressed by many characters throughout the play, signify a critical point within the plot or change of tone. For example, Hamlet’s monologue in (II.ii.563-622), he is justifying his actions, reaffirming himself that what he is planning to do to seek revenge for his father’s death, is the best thing to do. In this speech, Hamlet states, “Is it not monstrous that this player here,/ But in a fiction, in a dream of passion,/ Could force his soul so to his own conceit/That, from her working, all his visage wanned.(II.ii.565-568)” These lines can be inferred as Hamlet is questioning his own state of mind and validity of his plan. Hamlet is questioning how can a player, who acts out false emotions, can truly “catch the conscience of the King”(II.ii.622). However, he believes that the creativity exuded from the soul(II.ii,568), can effectively allow a player to perform as if they are real emotions. Hamlet’s only concern is seeking revenge for his father’s death done at the hands of his uncle, Claudius, who now has the throne. The plot of the play to parallel to the real death of King Hamlet, allowing Hamlet to make Claudius feel uncomfortable and guilty(II.ii.578). Also, in this monologue, Hamlet states that the ghost of his father may have actua...
The harshness of Hamlet's language of the second soliloquy also helps unravel the conflict occurring in the entire play. Hamlet is undeniably committed to seeking revenge for his father, yet he cannot act on behalf of his father due to his revulsion toward extracting cold and calculating revenge. Such an issue causes Hamlet great internal struggle, as seen in his words. He speaks of "a dam'd defeat" being made.(576). His language is graphic and conveys a violent tone, as in lines 577-580, saying whoever is calling him "villain" is "breaking his pate(head)", plucking off his beard, blowing it to his face, and tweaking him by the nose.
Shakespeare illustrates Hamlet’s thoughts by showing a huge difference in the communicated thoughts employed in the back to back scenes. In Scene 3, Hamlet concluded the scene with intense feelings of anger and motivation to kill, although he was reluctant to act when he had the opportunity to take down Claudius. Shifting over to Scene 4, Hamlet is much calmer while speaking to Gertrude, but maintains a sense of cruelty and judgment within the words he uses to criticize and compare himself to his mother. In both scenes, Hamlet displays an enormous amount of respect for his father by reminding himself and others of what they have done to wrong the previous
Hamlet is left so distraught by his father 's death and his mother’s quick remarriage of his father’s brother that he wishes to die. Hamlet begins his soliloquy with a metaphor that shows his desire for death: “Oh, that this too, too sullied flesh would melt, / Thaw,
Hamlet’s attachment to his mother is quickly made evident within the first act of the famous tragedy. Hamlet, who sulks around wearing black clothing to mourn the death of his father, first speaks in the play to insult his stepfather. He voices his distaste at his new relationship with his uncle by criticizing that they are, “A little more than kin and less than kind” (I.ii.65). He believes that it...