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the black cat by edgar allan poe critical analysis
the black cat by edgar allan poe critical analysis
the black cat by edgar allan poe critical analysis
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The Gothic was born out of the romanticism genre in the late Eighteenth Century, combining romance and horror in an attempt to thrill and terrify the reader, yet in the Victorian era ceased to become a dominant literary genre. However themes of the Gothic still survived such as psychological and physical terror, mystery, supernatural and madness. The melancholy atmosphere and persistent melodrama in novels such as ‘Great Expectations’ by Charles Dickens are examples of Gothic elements in later novels as the ‘Victorian gothic’ moves away from traditional themes (ruined castles, helpless heroines, evil villains) and exchanges them for the supernatural and uncanny within a recognisable environment, bringing a sense of familiarity to the reader and thus making the text more disturbing. However is this sense of disconcerting familiarity the only reason gothic novels are so widely read or are there other reasons?
Gothic Literature has several distinctive features. For one ‘it often focuses on the dark, evil side of human nature, it asserts that everyone has a dark side and in these stories we find the characters giving in to that darkness and doing dreadful and horrific things’ . Firstly, and rather morbidly, we are told by the narrator of the ‘The Black Cat’ by Edgar Allan Poe, that he is going to die the next day, so we are immediately established that this tale is a death-bed confession, which adds to convincing the reader of the tale’s truth – why would a man set to die lie, is the obvious conclusion of a reader. According to himself – a rather biased source- the narrator grew up a kind, loving man, he had a ‘docility and humanity’ and was kind to all people, and animals. However the story takes a gothic twist and due to alcoholism...
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...the time of their publication. However people could not resist the lure of an ‘escape’ offered by the gothic novels and short fictions, the exploration of the horrifying consequences that could be brought around by the new science of the time such as in the stories ‘The Lifted Veil’ and ‘The Strange Case of Dr Jekyll and Mr Hyde’, which then could lead on to novels such as ‘The Yellow Wallpaper’ and ‘The Black Cat’ both of which feature a character descending into madness, a ‘illness’ much feared at the time. Novels like ‘The Black Cat’ and ‘The Lifted Veil’ also offer the idea of the ‘supernatural’, something that fascinated the Victorians as well as instilled fear in them. Overall, in my opinion, the elements of gothic in fiction sensationalised the stories being told and created an allure that was irresistible both to the Victorians and the modern reader today.
Gothic literature contains many elements that make it dark, ominous, and dramatic. Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” is about a woman who suffers from nervous depression, and her husband, John, belittles her and treats her poorly. In an attempt to help her, John takes the narrator out to a vacation home, where her mental state only becomes worse. In “Rappaccini’s Daughter,” Nathaniel Hawthorne’s short story, a student named Giovanni falls in love with Beatrice, the daughter of Rappaccini. Beatrice, however, has been poisoned from her father’s scientific affairs. Edgar Allen Poe’s short story, “The Masque of the Red Death,” is about Prince Prospero and his efforts to avoid the plague, which is quickly spreading through
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
Romantic literature, as Kathy Prendergast further claims, highlighted things like splendor, greatness, vividness, expressiveness, intense feelings of passion, and stunning beauty. The Romantic literary genre favored “parts” over “whole” and “content” over “form”. The writer argues that though both the Romantic literary genre and the Gothic art mode were medieval in nature, they came to clash with what was called classical conventions. That’s why, preoccupations with such things as the supernatural, the awful, the dreadful, the repulsive and the grotesque were the exclusive focus of the nineteenth century Gothic novel. While some critics perceived the Gothic as a sub-genre of Romanticism, some others saw it as a genre in its own right (Prendergast).
One of the powerful images conjured up by the words ‘gothic novel’ is that of a shadowy form rising from a mysterious place, Frankenstein’s monster rising from a laboratory table, Dracula creeping from his coffin, or, more generally, the slow opening of a crypt to reveal a dark and obscure figure, which all share in common the concept of Social Ostracisation both to the creator and creature. Gothic writing can be dated back for centuries, Shelly immediately comes to mind with Frankenstein as well as The Monk by Matthew Gregory Lewis and Dracula by Bram Stoker all can be associated with Social Ostracisation. The concept of alienating one to refuge, dismissal, and pain are all themes in these novels.
Romanticism played a large role in the creation of gothic literature, and it was considered to be “a lunatic fringe version of romanticism” (Tiffin). Gothic novels often had a powerful unleashing of emotions to very extreme levels “beyond social constraining” (Tiffin). The genre’s character often had an excess of a specific type (Tiffin), and in an analysis of Frankenstein and Northanger Abbey, this excess can be seen in Frankenstein’s ambition and Catherine’s curiosity.
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Many authors use Gothic literature in their common works like “The Black Cat,” written by Edgar Allen Poe, “Prey,” by Richard Matheson, “The Devil and Tom Walker,” by Washington Irving, “The Feather Pillow,” by Horacio Quiroga, and “A Rose For Emily,” by William Faulkner. In effort to create a sense of mystery, suspense, and superstition, these authors use these Gothic Elements: Entrapment and Violence. By using these elements, authors illustrate their belief that one should express themselves through individualism.
A work of Gothic Literature is one that contains at least some of the following qualities: a serious tone; ruins, a castle, or a dark, melancholy setting; scenes involving dungeons, underground passages, crypts, basements or attics; shadows, a beam of moonlight in the blackness, a flickering candle, or the only source of light failing; extreme landscapes, like rugged mountains, thick forests, or icy wastes; omens and ancestral curses; magic and/or the supernatural; a villain-hero or villain who loses the self or self-control; a curious heroine with a tendency to faint and a need to be rescued-frequently; a hero whose true identity is revealed by the end of the novel; and horrifying (or terrifying) events or the threat of such happenings. Poe's work includes many of these aspects of Gothic works.
Edgar Allen Poe’s short story The Black Cat immerses the reader into the mind of a murdering alcoholic. Poe himself suffered from alcoholism and often showed erratic behavior with violent outburst. Poe is famous for his American Gothic horror tales such as the Tell-Tale Heart and the Fall of the House of Usher. “The Black Cat is Poe’s second psychological study of domestic violence and guilt. He added a new element to aid in evoking the dark side of the narrator, and that is the supernatural world.” (Womack). Poe uses many of the American Gothic characteristics such as emotional intensity, superstition, extremes in violence, the focus on a certain object and foreshadowing lead the reader through a series of events that are horrifying and grotesque. “The Black Cat is one of the most powerful of Poe’s stories, and the horror stops short of the wavering line of disgust” (Quinn).
Due to the conventions included in the novel, this is a perfect example of a gothic novel. The novel evokes in the audience fear and anticipation of the novels plot. The 19th century audience would have been overwhelmed with terror whilst reading the novel as the atmosphere creates suspense and the pace of the novel is fast.
Gothic literature has greatly influenced today’s horror and suspense genres. Edgar Allan Poe wrote many short stories, most of which were filled with dark elements and a deep awareness for the capacity for evil. The Fall of the House of Usher is a key example of gothic literature through the use of grotesque characters, bizarre situations, and violent events. All of these elements come together and express dark impulses and emotion.
The period of the gothic novel, in which the key gothic texts were produced, is commonly considered to be roughly between 1760 and 1820. A period that extended from what is accepted as the first gothic novel, Horace Walpoles The Castle of Otranto ( 1764 ), to Charles Maturins Melmoth the Wanderer ( 1820 ) and included the first edition of Mary Shelleys Frankenstein in 1818. In general, the gothic novel has been associated with a rebellion against constraining neoclassical aesthetic ideals of order and unity, in order to recover a suppressed primitive and barbaric imaginative freedom ( Kilgour, 1995, p3 ). It is also often considered to be a premature ( and thus somewhat crude ) manifestation of the emerging values of Romanticism. Although the gothic genre is somewhat shadowy and difficult to define it can be seen as having a number of characteristics or conventions which can be observed in Frankenstein including stereotypical settings, characters and plots, an interest in the sublime, the production of excessive emotion in the reader ( particularly that of terror and horror), an emphasis on suspense, the notion of the double and the presence of the supernatural. (Kilgour, 1995; Botting, 1996 ; Byron, 1998 : p71 )
The Gothic genre, or otherwise known as a Gothic romance, was a popular form of literature during the time that Mary Shelley wrote Frankenstein. Mary Shelley used the Gothic genre of Romantic literature in the writing of the novel Frankenstein. She a may have even been influenced by the Gothic structure, Castle Frankenstein, to write the Gothic novel Frankenstein (Williams 3). Gothic novels were a type of fiction that became popular in England during the 1700’s and early 1800’s (Dunn 279). Gothic novels were mysteries that often involved the supernatural and heavily filled with horror (?). Mary Shelly’s Frankenstein was one of the most prominent Gothic novels in the time of the Romantics (?). According to Frank J. Dunn, “In the 1800’s, elements of the Gothic novel appeared in other forms of fiction that shared its interest in the terrible and the exotic (279).” Gothic novels follow a set of many characteristics and aspects that help define what it truly is. Gothic novels have many different characteristics: they evoke terror both physical and psychological, they have character that keep themselves isolated in time or space from contemporary l...
To be able to locate and analyze themes of novels, such as Great Expectations, it is essential to understand the basic definition of a theme: It is a fundamental and often universal idea explored in a literary work. For instance, if we take a closer look at the story of Pip, we discover that the main idea behind the story is ambition and self improvement, which is correlated to the preceding minor themes, including social class, crime, guilt and innocence.