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My scarred hands are trembling as I tuck my blouse into my skirt. My sister will be here any minute. The sister that has always held life in the palm of one hand. The sister that has never heard the word "no" from anyone. The sister who hated me. Maybe she doesn’t anymore, now that she doesn’t have to look at me every day. Mama finally raised enough money, with the help of the church, to send her to Augusta school. After that, Dee became more scarce but even less tolerable. Once she learned to read, she would read to us all the time. I’m still not sure that all of what she read to us was true, though. That would be just like Dee. Never admitting to being wrong so she’d make something up. Well, I can read now too! I read to Mama sometimes. I still stumble a little, but at least I’m honest. I know I’m not really bright but I’m a little brighter than most people give me credit for. I don’t mind. I don’t need to be really smart, pretty, or rich. Unlike Dee. Dee has always wanted nice things. She has a way of convincing Mama to buy her things even if we can’t afford it. Like that yellow organdy dress she wore to her high school graduation and those black pumps to match a green suit she'd made herself. She’s had a style of her own since age sixteen. This is what I’m thinking as I look at myself in the mirror. I wish the sleeves on this blouse were long enough to hide my arms a little better. It’s hot today, though, so I’ll have to show a little charred skin. I take a deep breath and peek out the door. "How do I look, Mama?" "Come out into the yard," she says. I shuffle out with my eyes on the hard clay ground that Mama and I spent all yesterday cleaning. A car stops in front of our house and I know i... ... middle of paper ... ...o call me by it if you don't want to," says Wangero. "Why shouldn't I?" asks Mama. "If that's what you want us to call you, we'll call you." "I know it might sound awkward at first," says Wangero. "I'll get used to it," she says. "Ream it out again." Once Mama gets the hang of pronouncing Dee's new name, she attempts "Asalamalakim." After tripping over it a few times he tells her to just call him Hakim-a-barber. I think that he hasn’t been to a barber in a long time. "You must belong to those beef cattle peoples down the road," Mama says. They say "Asalamalakim" when they meet you, too, but they don't shake hands. Too busy, I guess. Hakim-a-barber says, "I accept some of their doctrines, but farming and raising cattle is not my style." Works Cited Walker, Alice, and Barbara Christian. Everyday Use. New Brunswick, NJ: Rutgers UP, 1994. Print.
In the beginning of the story, Dee (Wangero) is introduced as someone that needs to be impressed. The narrator has a fantasy about being reunited with Dee (Wangero) (393). She is described as being beautiful and a wonderful daughter with many good qualities. Besides being beautiful, she is confident. Instead of feeling suppressed because of the color of her skin, she is able to look people in the eye (394). Dee (Wangero) is also educated and the way she talks shows it. She is also opinionated and her family is intimidated by it. Dee’s (Wangero’s) qualities are overall good qualities to have, but I feel like she uses them to act better than her family. The fact that she had changed her name to Wangero (397) and demanded the quilts while she was visiting made me feel that she was superficial. She did not even want the quilts when they were first offered to her before she went to college (400). I do not think it is right to change your family name and then come home and request family heirlooms. Dee (Wangero) always seems to get wha...
All she said to Mama was “she’s dead” (Walker 318). She does not give an explanation further than that, and I can tell that Mama is hurt because she brings up where the name Dee came
Dee was coming home to visit her mother and sister for the first time since she left for school, but when she arrived the differences was noticeable. When she first arrived she has on “A dress so loud that it hurts my eyes, there are yellow and oranges enough to through back the light of the sun” (Walker). Dee also brought along one of her friends name Hakim-a-barber, while visiting Dee seen some different items from the past that she would like to take back home with her. She wanted to take with her a churn top that her Uncle Buddy whittled out of a tree and a dasher also but wanted to use them as decoration at her place and not for use so she
The daughter Dee, who is coming to visit, has left this rural landscape through her education. Dee has even taken on an African name for herself: Wangero Leewanika Kemanjo. Dee "couldn't bear it any longer being named after the people who oppress me." (Walker 386)
The condescending attitude and request from Dee leads Maggie to feel ashamed of her life for a moment and she nearly gives the heirlooms away. “She can have them, Mama,” were the words of...
She anticipates that soon her daughter Maggie will be married and she will be living peacefully alone. Mama decides that she will wait in the yard for her daughter Dee's arrival. Mama knows that her other daughter, Maggie, will be nervous throughout Dee's stay, self -conscious of her scars and burn marks and jealous of Dee's much easier life. Mama fantasizes about reunion scenes on television programs in which a successful daughter embraces the parents who have made her success possible.
...big yard, and the characters are all symbols that have gotten the theme across that you must always cherish your heritage. Dee will go back to the city and support her more broad perspective of all blacks as Mama will stick to her tighter confines of family history. The one young lady (Maggie) that has yet to be engulfed by others opinions will be the one to press on both histories as one:
In the story “Everyday Use” Walker weaves us into the lives of Momma, Dee, and Maggie, an underprivileged family in rural Georgia. Momma is described as a loving, hard working woman who cares more about her family’s welfare than her appearance. The conflict comes along with Momma’s two daughters Dee and Maggie whose personalities are as different as night and day. Dee, the younger, is an attractive, full figured, light skinned young lady with ample creativity when it comes to getting what she wants and feels she needs. Maggie on the other hand, is darker skinned, homely and scarred from the fire that destroyed the family’s first house. Throughout the story we are told about Maggie’s timid and withdrawn behavior. Her own mother described her as “. . . a lame animal, perhaps a dog run over by some careless person rich enough to own a car . . . That is the way my Maggie walks . . . chin on chest, eyes on ground, feet in shuffle, ever since the fire.” (Handout, Walker) She is constantly overpowered by her dominant sister who “held life in the palm of one hand, that “no” is a word the world never learned to say to her” (Handout, Walker). It seems as if Walker herself find Maggie inferior, seeing as how she is a minor character in the story. Things begin to turn around for Maggie towards the end when she receives the family’s...
through she is there with her mom everyday(Cowart 171-72). When Wangero comes back with her boyfriend, she acts like she 's better than them because she found her heritage and she lost what is important to them the mother-daughter relationship. In another source it say “Dee obviously holds a central place in Mama’s world,” so her central place is the reason why all the stuff that she wants she gets especially things that hold heritage value(Susan Farrell 180). The mother-daughter bond that she shares with Wangero is much more special and that bond with her mom should mean more to her then the quilts or anything else with any type of history
Everyday Use, a short story about the trials and tribulations of a small African American family located in the South, is an examination of black women’s need to keep their powerful heritage. It speaks on multiple levels, voicing the necessity and strength of being true to one’s roots and past; that heritage is not just something to talk about but to live and enjoy in order for someone to fully understand themselves. A sociological landmine, it was written to awaken the concepts of feminism as well as the civil rights movement, while being able to focus on just three women and their relationship to one another. Everyday Use give its black female characters an identity of their own, each in their own right, and observes the internal conflicts of two sisters who have made two very different life choices, all the while scrutinizing the underlying sibling rivalry between them.
Later, Mama relates, “She wrote me once that no matter where we ‘choose’ to live, she will manage to come see us” (462). Mama is pointing out that Dee sees herself as belonging to a higher social and intellectual class than Mama and Maggie.
Dee is unappreciative and disrespectful to her own mother and eventually, as with nearly everything; enough is enough and Mama stood up for herself, completely transforming herself as a character. It is necessary in life to treat others the way that you would like to be treated. This seems to be a saying that Mama lived by, but her daughter didn’t reciprocate back to her. “Everyday Use” teaches the reader many lessons of the importance of a family and how easily individuals could be shaped by the world around
She tries to force "other folkways habits" on Mrs. Johnson and Maggie. In the story, you see how mama narrates that she pressed them in the serious way she reads, only to shove them away at the moment they seemed about to understand(10). Dee acts superior to her mom and Maggie and also treats them like dimwits because of their illiteracy. I think its best that one is intolerant of ignorance but understanding of illiteracy because they are different. In the story, Mrs. Johnson and Maggie are not portrayed as ignorant people, but illiterates who do not have the kind or experience Dee has.
We see the insight she gains when she realizes that Dee has been controlling her and Maggie’s lives for quite awhile. Likewise, we see how this insight brings her to finally stand up to her self-centered daughter, Dee. She also gains insight about her other daughter Maggie, when she realizes Maggie is constantly in Dee’s shadow and deserves her full attention. Mama’s action to say no to Dee affects Maggie as well because she finally gets something she deserves and Mama knows she deserves it for her troubled past. After this realization, the reader can conclude that Mama is a dynamic character who changes from giving Dee everything she wants to sticking up for Maggie by finally saying no to
Meanwhile, Dee finds this absurd. She thinks they are too valuable and priceless to be used as everyday necessities. Instead she will hang them. These two ideas of how to use the quilts are in complete contrast to one another. Mama finds them practical, Dee finds them fashionable....