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Themes of existentialism relating to the play waiting for godot
Themes of existentialism relating to the play waiting for godot
Themes of existentialism relating to the play waiting for godot
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Every person is responsible for themselves. In society, people are responsible for their actions; good deeds will accede to rewards while bad deeds will lead to demerits. Humans live in a world where they are told what to do and how to do it, and faced with what is considered right and what is seen as wrong, but at the end of the day, humans have the freewill to do as they please and make their own choices, which leads them to being responsible for those actions. Everyday, humans are faced with these choices and decisions to make only to know deep down inside that they will either have positive or negative reactions to their choices, and it is this key idea that led to a specific philosophical concept in the 19th century, existentialism. This philosophy can clearly be seen in everyday life as well as in theatrical movements in the past and present. By examining the works of Samuel Beckett, evidence of existential thinking will be brought forward proving the progress of this philosophical movement. It will illustrate how existentialism has influenced Beckett, especially through his play, Waiting for Godot.
The Theatre of the Absurd is another theatrical concept being examined proving that Samuel Beckett integrated the philosophy into his works through the Theatre of the Absurd. Whether or not Beckett justified existentialism or remodelled the theory, especially through the expression of “existence precedes essence”, will also be examined which will eventually lead to the result of whether this philosophical concept was seen as only a movement through a specific time, or a daily life exercise. Through the examination of existentialism and the idea of "existence precedes essence", it can be proved that this movement is still prog...
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...amined and quoted, by different philosophical movements and theories, yet Existentialism is one concept that can always be evident in Beckett’s play. The Theatre of the Absurd will always be associated with Existentialism as they both revolve around the human conditions and meaning (or lack there of) of life. In today’s time, it doesn’t really matter if you believe in the existence of God, or whether or not you understand and accept the meaning of life, but the overall concept of Existentialism is apparent in everyone’s life. People are responsible for what they make of their life every action has their consequence, and we exist first and it is our own purpose to give our own life meaning and become our own person.
Beckett, Samuel. Waiting For Godot. 3rd ed. N.p.: CPI Group, 2006. Print. Vol. 1 of Samuel Beckett: The Complete Dramatic Works. 4 vols
To be without value or meaning permits the violation of norm behavioral standards. Existentialism is championed in the responsibility and free will of man. The world is utterly “worthless, meaningless, empty, and hopeless, … to use a favorite Existentialism, absurd”(Ross 1). A man must become unconventional by supplying an authentic meaning to life. Shakespeare’s character Hamlet in the play Hamlet, explores these existential principles as he seeks truth and understanding after his father’s murder. He attempts to establish order in a chaotic world full of betrayal, spying, and death. This leads to Hamlet’s inevitable downfall and the death of those close to him. Hamlet rises as the existential hero in Shakespeare’s Hamlet through his confrontation with moral responsibilities and the purpose of life. The existential ideal gives structure and meaning to the action of Hamlet.
The Merriam – Webster Dictionary defines existentialism as a chiefly 20th century philosophical movement embracing diverse doctrines but centering on analysis of individual existence in an unfathomable universe and the plight of the individual who must assume ultimate responsibility for acts of free will without any certain knowledge of what is right or wrong or good or bad (Merriam, 2011). In other words, an existentialist believes that our natures are the natures we make for ourselves, the meaning of our existence is that we just exist and there may or may not be a meaning for the existence, and we have to individually decide what is right or wrong and good or bad for ourselves. No one can answer any of those things for us. A good example of existentialism is Woody Allen’s movie, Deconstructing Harry. A man is haunted by his past and his past has followed him into the present. He is a wreck not because of the things that happened to him, but because of the choices he made. He is consumed by regret and insecurity and he tries to find blame in his situation with someone other than himself, however he cannot (Barnes, 2011). Throughout the rest of this paper I will be discussing two of the most prominent existentialists, Kierkegaard and Nietzsche.
While Beckett’s works are often defined by their existentialist themes, Endgame seems to offer no solution to the despair and melancholia of Hamm, Clov, Nagg, and Nell. The work is replete with overdetermination that confounds the efforts of critics and philosophers to construct a single, unified theme for the play. Beckett resisted any effort to reconcile the problems of his world, offer solutions, or quench any fears overtly. However, this surface level of understanding that aligns Beckett with the pessimism of the Modernist movement is ironically different from the symbolic understanding that Beckett promotes through his characters and the scene. Beckett’s work does not suggest total hopelessness, but rather that the fears of change, self-centeredness, and despair of Hamm and Clov contribute to their miserable existence. He opposes the Modernist attitude of focus on the subjective, internal state, and reveals the soul of the Modernist to be shallow and starving.
Humans spend their lives searching and creating meaning to their lives, Beckett, however, takes a stand against this way of living in his novel ‘Waiting for Godot’. He questions this ideal of wasting our lives by searching for a reason for our existence when there is not one to find. In his play, he showcases this ideology through a simplistic and absence of setting and repetitious dialogue. Beckett’s ability to use these key features are imperative to his ability of conveying his message of human entrapment and existence.
...list style, gives the audience so little to work with plot-wise that the viewer cannot help but search for deeper meaning. Kushner, whose focus on topical social issues laced with elements of fantasy forces the audience to consider the juxtaposition of the reality on stage against the reality in the real world, and subtly invites the viewer to participate emotionally with the on stage action. Rather than allowing the fantastical to distance the audience from the emotional core of both plays, Kushner and Beckett respectively eschew traditional elements of bourgeois realism in order to enhance the audience’s emotional comprehension of both productions.
This essay will explore the frontier of existence in Beckett’s Waiting for Godot and Ionesco’s Rhinoceros
Life is made up of different routines and schedules that are followed by the ordinary human being daily. In ‘Waiting for Godot’, Samuel Beckett uses time and repetition consistently throughout the play to demonstrate how these routines and habits are key elements in the course of life itself. The three main devices Beckett uses are the illogical pass of time, the lack of a past or a future and the absurdity of repetition in both dialogue and actions within the main characters and their surroundings.
Beckett, Samuel. Waiting for Godot: tragicomedy in 2 acts. New York: Grove Press, 1982. Print.
In Samuel Beckett Tragicomedy Waiting for Godot he begs the question of life and death. Throughout the commotion of the play Becket addresses the age old debate of the afterlife and if people willingly pass this life to enter into Gods kingdom or if God calls them. Beckett introduces characters such as Estragon, Vladimir, and Lucky to illustrate the different types of perspectives that man has taken on this debate.
...ith the lack of closure the author has paved many paths, making one unable to give a proper retelling of the play due to various interpretations. The play has also slyly inserted a philosophy on human life, the uncertainty and how it is a major part of human life is portrayed through this play. All these characteristic together make this play a very good play, it makes one want to live forever as to see what future generations would interpret the play as. In conclusion, this text is written to make the readers think and participate as active members in the reading of the play.
Shakespeare’s Hamlet was written in the sixteenth century Elizabethan historical context, where certainty was questioned and there was a growing importance of individuals and their choice as opposed to fate. Influenced by the Renaissance, Shakespeare wrote in the tradition of the revenge tragedy. Stoppard however, who was living in a time of disillusionment due to the tragedies of two world wars, was influenced by the existential movement. Disregarding the past and future due to a lack of trust, Stoppard wrote in a tradition known as the Theatre of the Absurd incorporating existentialism. He uses various processes to adapt and transform the values and ideas influenced by the sixteenth century Elizabethan context in Hamlet to reflect the twentieth century evasion of reality unless it is in a reflexive and directionless present.
In the mid 20th century a German playwright named Brecht invented the idea of epic theatre which consist that a play shouldn’t cause the audience to connect emotionally with the characters or action done by them but should instead provoke a logical self-reflection and critical view of the action presented on stage. Eugen Bertolt Friedrich Brecht was born the 10th February 1898 and died on the 14 August 1956. The famous playwright and theatre director introduced to the world epic theatre, he wanted his audience to have a critical perspective of his work for them to be able to recognize social injustice and exploitation so that it could eventually affect change in the world outside, by doing this he wanted the audience to ask questions on why
The ideas used to interpret this play are not classically Freudian, but rather a more contemporary understanding of psychodynamics as influenced by modern existential theory. The ideas of Ernest Becker, one of the more influential figures in the new psychoanalysis, are used throughout this psychological examination.
---. “Structure in Beckett’s theatre.” Yale French Studies. Vol. 46. Yale University Press, 1971. 17-27. JSTOR. 20 Mar. 2004.
Although Samuel Beckett's tragicomedy, Waiting for Godot, has no definite meaning or interpretation, the play acts as a statement of hopelessness regarding human existence. Debate surrounds the play because, due to its simplicity, almost any interpretation is valid. The main characters, Vladimir and Estragon, are aging men who must wait for a person, being, or object named Godot, but this entity never appears to grace the men with this presence. Both characters essentially demonstrate how one must go through life when hope is nonexistent as they pointlessly attempt to entertain themselves with glum conversation in front of a solitary tree. The Theater of the Absurd, a prevalent movement associated with Waiting for Godot, serves as the basis for the message of hopelessness in his main characters. Samuel Beckett's iconic Waiting for Godot and his perception of the characteristics and influence of the Theater of the Absurd illustrate the pointlessness and hopelessness regarding existence. In the play, boredom is mistaken for hopelessness because the men have nothing to do, as they attempt to occupy themselves as, for some reason, they need to wait for Godot. No hope is present throughout the two-act play with little for Estragon and Vladimir to occupy their time while they, as the title indicates, wait for Godot.