Gender Trouble by Judith Butler

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Gender Stephen Morton in his Gayatri Spivak promotes Simone de Beauvoir’s saying, therefore he point outs, The category of gender identity was not determined by one’s biological sex; rather gender is a social construct, which can be resisted through social and political struggle.(73) The traditional of universal humanist thought had further defined the difference between men and women as natural fact, grounded in a biological foundation that is prior to social and cultural influence. Simone de Beauvoir had discredited this view with the assertion that ‘One is not born a women,one became a women’. The concept of gender performative is the focus of Judith Butler's work, particularly in Gender Trouble. In Butler’s terms the performance of gender, sex, and sexuality is all about the control of society. She pinpoint the fabrication of the "gendered, sexed, desiring subject" in "regulative discourses". Hence the argument of Butler concerns the role of sex in the production of natural or rational gender and sexuality. In her report, gender and heterosexuality are constructed as natural because the opposition of the male and female sexes is supposed as natural in the social imaginary. Gender difference as inequality is all shaped by economic, political, social and cultural factors. In the global context these division of the world formed radical difference between economic zones characterized by extremes of wealth and poverty. Yet, these in equal relationships are often reproduced within under developed societies where non-white women often find themselves at the bottom of the hyracial division. Hence the factors which produce different form of oppression consist of class, ethnocentric and racist practices, and heterosexism. Gender acts... ... middle of paper ... ...perstitions, selfish greed and callousness that are the cause of gendered violence. In this chapter Mahasweta Devi’s anthology of short stories entitled Breast Stories to analyze representations of violence and oppression against women in name of gender. In her Breast Stories, Devi twice evokes female characters from ancient Hindu mythology, envisions them as subalterns in the imagined historical context and, creates a link with the female protagonists of her short stories. As the title suggests, Breast Stories is a trilogy of short stories; it has been translated and analyzed by Gayatri Chakraborty Spivak and, in Spivak’s view, the ‘breast’ of a woman in these stories becomes the instrument of a brutal condemnation of patriarchy. Indeed, breast can be construed as the motif for violence in the three short stories “Draupadi,” “Breast-Giver,” and “Behind the Bodice,”

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