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character traits of esperanza in the book the house on mango street
the portrayal of women in literature
depiction of women in literature
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Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do. Esperanza is constantly influenced by the women in her own family including her mother, sister and other various family members. Even early in the novel Esperanza recognizes that the boys hold more powers than the girl. She states “The boys and the girls live in different worlds” and how once outside of the house her brothers will not talk to the girls (10). Her brothers recognize that if the other boys in the neighborhood see them with their sisters, they will be mocked. This signals that Esperanza has internalized that the men hold more power even from an early age and her male siblings hold mor... ... middle of paper ... ...borhood she will not return until she thinks about the other women like Sally, who can not leave the neighborhood and she chooses to eventually go back to help them. The House on Mango Street presents mainly women who are “assenting readers” and who influence Esperanza to change. She does not realize in the beginning of the novel that she can challenge the male supremacy because she has grown up with it. She never realized that she simply agreed with their viewpoints until she becomes aware of her own sexuality. Esperanza then realizes this can be used against men but that it can come with a price when she is raped. Works Cited Fetterley, Judith. The Resisting Reader: A Feminist Approach to American Literature. Bloomington and London: Indiana University Press, xi-xxiv. Print. Cisneros, Sandra. The House on Mango Street. 2. New York: Vintage Books, 1984. Print.
In the story the house on mango street there are both young girls, Sally and Esperanza. Both girls desire adventure, love, and beauty. However, Sally is more outgoing and confident than Esperanza. She has confidence that she is beautiful. She play the role of a strong female that never get hurt by any boys. Esperanza admires and looks up to Sally. Esperanza does not want to be a "weak woman" and she sees Sally as her role model. Their home lives contrast also Ironically. Sally is physically abused by her father each time he catches her with a boy. On the other side Esperanza and her family communicates well. Sally sees her self as a women and not the type of women a person that isn't confident of herself and that's what Esperanza likes.
The House on Mango Street by Sandra Cisneros is about a girl who struggles finding her true self. Esperanza sees the typical figures like Sally and Rafaela. There is also her neighbor Marin shows the “true” identity for women on Mango Street. She also sees her mother is and is not like that at the same time. The main struggle that Esperanza has is with beauty. This explains why most of the negative people that Esperanza meets on Mango Street, and her gender, helped her see the mold she needed to fill in order to give herself an identity.
In The House on Mango Street, Cisneroz agitates the theme of diversity through her use of characters and setting. Cisneroz paints a multitude of events that follow a young girl named Esperanza growing up in the diverse section of Chicago. She is dealing with searching for a release from the low expectations that the Latino communities often put women whether young or old are put against. Cisneroz often draws from her life growing up that she was able to base Esperanza's life experiences on and portray an accurate view on Latino societies today. Cisneroz used the chapter “Boys and Girls” and “Beautiful and cruel” to portray Esperanzas growth from a young curious girl to a wise woman. She came into her own personal awareness and her actions that she has to now be held accountable for.
As Esperanza develops amid the year that makes up The House on Mango Street, she encounters a progression of arousals, the most vital being a sexual arousing. Toward the start of the novel, Esperanza isn't exactly prepared to rise up out of the asexuality of youth. She is totally uninformed about sex and says that young men and young ladies live in totally extraordinary universes. She is so much a tyke that she can't address her siblings outside of the house. When she turns into a pre-adult, she starts to explore different avenues regarding the power she, as a young lady, has over men. Marin shows her principal actualities about young men, yet the primary real advance in Esperanza's consciousness of her sexuality is the point at which she and
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
In the short story “The House on Mango Street” by Sandra Cisneros, make Esperanza the main character. Esperanza expresses herself in traditional words, her own feelings about life. The image of the The House on Mango Street is located in a poor neighborhood, where this young girl and her family present emotions becoming into a hope of a better life. These feelings led Esperanza convert the idea to own a beautiful house into an obsession. The image of Esperanza and her House becomes a symbol of different ideas such as shame, fantasy, independence, confidence and hope.
In the vignette titled Beautiful and Cruel Esperanza declares that she has “decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain” (88). She also remarks that “her power is her own. She will not give it away . . . I am one who leaves the table like a man, without putting back the chair or picking up the plate” (89). Esperanza is demonstrating that she does not want to become tied down in the traditional sense of marriage when she refers to it as a ball and chain. As she has been growing up within Mango Street she has been witness to relationship in which the women become objects of their husbands and loss the identity of themselves. Esperanza is aware of the power imbalance between the men and women in her Latino community and openly states that she wants to be powerful. When she writes that she will not give her power away she is demonstrating again that she will not hand over her power to the men in her life as Earl’s wife and Rafaela have done. In growing up on Mango Street Esperanza’s notions about the relationship between women and have begun to shape her outlook on life. In her last quotes she is clearly decided that she fight back against the stereotype of what is expected from a young girl or female. In stating that she
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
The plot of The House on Mango Street symbolizes an immigrant family moving to the United States in hope of a future with more opportunities. It is a story about a girl by the name of Esperanza and the retelling of the events in her childhood. Esperanza faces many challenges growing up in an underdeveloped neighborhood of inner city Chicago. Through her experiences at home, school, and with people she starts to blossom into the young woman she always wanted to be. Esperanza encounters many unjust acts as a result of living in an urban neighborhood. These encounters make her want to move to a different neighborhood because she feels like she does not belong on Mango Street. She feels trapped because she has a dream to attend college and become a writer. Her hope is that she will be able to live a prosperous American life and be able to come back to Mango Street to help those who cannot escape on their own. It is, most importantly, the story of a girl maturing into a woman an...
The House on Mango Street is a novel composed of connected vignettes. The novel is told through the eyes of Esperanza, the main heroine. Throughout the novel Esperanza expresses her desire to leave Mango Street for a better, wealthier, and happier life. Esperanza makes many references to her feelings about her family's poverty; in multiple vignettes Esperanza expresses her sadness,resentfulness, and disappointment of her poverty
Esperanza dreams of someday having a satisfying life. She doesn't want her path of freedom to be cleared by having a baby or finding a husband. She has no desires to fall into the trap of dependency. As the author writes, "Her power is her own. She will not give it away" (Cisneros 89).
In the “Boys & Girls” vignette, Esperanza notes the division between sexes. She makes sure that the division between male and female sexes is made as she says, “The boys and girls live in separate worlds. The boys in their universe and we in ours” (8). “This instance portrays the role played by gender in which male and female are set apart in the society – that is, by a society’s definitions of femininity and masculinity . . .” (Vichiensing, “Investigating ‘Othering’ in Sandra Cisneros’s The House on Mango Street”). The boys and girls of the Mango Street neighborhood do not socialize with each other because they must maintain their feminine and masculine behaviors. They live in two different worlds where they live by rules: rules that give
Esperanza begins the vignette with this, as a way to lead into the continuation of “Boys and Girls” and as to set up for the vignettes to follow. Esperanza goes into detail on how even her brothers don’t treat herself and her sister, the same when not at home. They barely talk to or acknowledge them in any way, because “... Outside they can’t be seen talking to girl”(8). The boys are being brought up to not treat girls with the same respect as other boys. Sexism or gender roles is also seen in many other vignettes over the course of the book. In “Rafaela Who Drinks Coconut & Papaya Juice on Tuesdays”, Esperanza describes a woman whose husband locks her in the house because he is afraid she will leave him because she is too beautiful. “Then Rafaela... gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at”(79). Here we are given more insight on how the women on mango street are treated and how they're expected to be. Beautiful, but not to beautiful because then you have to be kept away. Women are seen as objects and just pretty things to look at and admire. As in “What Sally Said”, women are viewed as sources of familial or maybe societal
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”