Fyodor Dostoevsky, like most authors, had a distinct way of conveying his message in his novel. In the case of Crime and Punishment Dostoevsky employs irregular plot pacing to develop the character of the protagonist, Raskolnikov, who undergoes quite a journey. Sounds like most books right? A man going through a journey and undergoing a transformation. The unique thing that has captivated many readers is a murder occurring in the early stages of the novel as opposed to being the climax towards the end of the novel. No, this novel focuses on what happens after the murder, an insight into a murderer’s mind. In order to accomplish this daunting task, Dostoevsky had to employ some special aspect to the structure of the novel. Thus, Crime and Punishment’s unique structure enhances the meaning and character development of the novel; specifically the irregular plot pacing and placement of the murder at the beginning of the novel allows the reader to further understand and even appreciate Raskolnikov’s attempt at redemption and the transformation he undergoes thanks to Sonya.
The plot pacing we are referring to in Crime and Punishment is the relative time (real time like years, days, weeks…etc.) it takes for events to take place compared to the amount of pages and at which speed Dostoevsky unfolds these aforementioned events. By examining the amount of pages and speed at which they unfold, the reader can discover the importance of certain events and what Dostoevsky is highlighting throughout the novel and eventually decipher what Dostoevsky wants the reader to take away from reading Crime and Punishment.
The method of irregular plot pacing is evident from the very beginning of the novel. We see the character of Raskolnikov before his t...
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...cknowledges, “Seven years, only seven years!”(802) and the seven years of punishment was just the beginning of their happiness. At the beginning of their happiness at some moments they were both ready to look on those seven years as though they were seven days.” The plot pace is quick, because Raskolnikov has been liberated despite being imprisoned. He can move on with his life.
The irregular plot pace of a medium pace at the beginning, a slow pace in the middle, and the fast pace at the end functions as a parallel to the mindset and chaos in Raskolnikov’s life which is what Dostoevsky was trying to achieve through the irregular plot pacing and placement of the murder at the beginning.
Works Cited
Dostoevsky, Fyodor. "Crime and Punishment." Crime and Punishment. Gutenburg, 28 Mar. 2006. Web. 5 Feb. 2014. .
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
Fyodor Dostoevsky wrote the novel, Crime and Punishment, during a turbulent time in Russian history. Yet his work will speaks to any age. Dostoevsky wrote to warn against what he considered the negative effects of the trend of nihilism and rational egoism. He advances this objective by employing themes of suffering, resurrection, and death--all of these currents running through a surprisingly benevolent universe.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
First, Dostoevsky gives the reader the character, Raskolnokov. He is the main character, whom Fyodor uses to show two sides of people their admirable side and their disgusting side. He loves Raskolnokov, which is why Fyodor uses Raskolnokov’s point of view throughout the whole novel. Personally, Fyodor dislikes some of his qualities but understands that all people are plagued with some bad traits, and that Raskolnokv is trying to make emends for some of his wrong doings, i.e. the murder of the pawnbroker and her sister. He knows that what he did was wrong and is willing to suffer for his crime, and he does throughout the whole book with his constant depression. Dostoesky believes in punishment for your crimes, this is why he shows Raskolnokov suffering through most of the novel, to show his great love for penance. Dostoevsky likes the kind giving nature of people; this is why he portrays the main character as a kind, gentle, and giving, person. Often, Raskolnokov thinks only of others benefits such as when he helped Katerina by giving her all his money for Marmelodov, as well as his caring about what happens to his sister with her marriage to Luzhin. Raskolnokov hates Luzhin’s arrogant and pompous attitude, which reflects Dostoevsky’s animosity of the same qualities in people in the real world.
The character’s suffering is thrown in the readers face right from the beginning. Raskolnikov’s suffering has two apparent layers, “he was crushed by poverty, but the anxieties of his position had of late ceased to weigh upon him” (1). It seems that the suffering caused from his current state of mind is so great that he does not even feel the suffering caused by his poverty. Throughout Crime and Punishment Raskolnikov’s main point of suffering is caused by his inability to let others know of the crime he has committed and as a result he alienates himself from those who show him compassion (156). As the novel progresses he decides to tell Sonia because expressing his crimes would alleviate some of the suffering, however, her morals encompass the idea that it is inconceivable to “go on living” without suffering and “expiation” (416). At this confession, the reader is presented with a righteous character (probably the most) that does not judge Raskolnikov for what he has done but instead sympathizes and tells him that turning himself in and bearing the consequences will relieve him of the suffering caused mentally.
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion.
Dostoevsky's Crime and Punishment is the story of a poor man in czarist Russia who can only purge himself of his guilt through suffering. It deals with the mental and physical tribulation brought upon him by his crime. His troubles are compounded by the conflicting personalities which he possesses. The reader is inclined to characterize him by his cold, intellectual side. Yet, without the contrasting humane side of his nature, Raskolnikov never realizes the errors in his theory and actions. Raskolnikov is defined by the duplistic nature of his personality, with each facet being just as vital as the other.
In Dostoyevsky's Crime and Punishment, Raskolnikov's initial crime, failure, and acceptance of mistakes are his road to overcoming his ego, as well as self discovery.
First of all, Raskolnikov committed a murder and Dmitri didn’t. Raskolnikov suffered by trying to avoid being caught than he does when he turns himself in. He lied and went through a lot of mental agony trying to avoid being caught. In some ways you can say that he didn’t regret killing the pawnbroker, but instead he regrets being caught for the murder.With Dmitri, he was innocent of the crime. But because of evidence that were against him such as the bloody shirt, and the amount of money he had, they accused him and sent him to jail even though he was innocent.While in Siberia, he reexamined himself to find answers about his life. Living in the filthy, isolated area in prison helped him find the meaning in life and
In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.
Crime and Punishment and Notes from the Underground Fyodor Dostoyevsky's stories are stories of a sort of rebirth. He weaves a tale of severe human suffering and how each character attempts to escape from this misery. In the novel Crime and Punishment, he tells the story of Raskolnikov, a former student who murders an old pawnbroker as an attempt to prove a theory. In Notes from the Underground, we are given a chance to explore Dostoyevsky's opinion of human beings.
Dostoevsky's 1865 novel Crime and Punishment is the story of an expelled university student's murder of an old pawnbroker and her sister. The idealistic ex-student, Raskolnikov, is ultimately unable to live up to his own nihilistic theory of what makes a "Great Man" and, overcome by fits of morality, betrays himself to the police. Exiled to Siberia, suffering redeems the unfortunate young dreamer. Crime and Punishment is similar in many ways to Balzac's Pere Goriot, especially in respect to questions of morality. In Balzac, the master-criminal Vautrin lives by an amoral code similar to Raskolnikov's theory of Great Men--unrestrained by conscience, Vautrin holds that laws are for the weak, and those clever enough to realize this may overstep any boundaries they wish and dominate the rest of mankind. But where Balzac's characters act on this idea without repercussion, Raskolnikov makes a transgression and then begins immediately to question it. The result is a psychological inner battle between rationality and sentimental moralism which is as much a contest between Empiricism and Romanticism as it is a contest between good and evil, or God and the Devil.
Raskolinkov’s beliefs transform from the beginning of the novel to the ending. His theory was never complete and to test his theory he commits the murder of an evil soul. The irony of this novel is Raskolinkov who though he was an extraordinary men, have the will to commit murder but not the power to live with the crime on his hands.
It is apparent that the love between Sonia and Raskolnikov plays a crucial role in Crime and Punishment, pushing Raskolnikov in a direction he otherwise would not have gone. Dostoevsky uses their relationship as a tool to develop the philosophical themes in the novel and prompt profound changes in Raskolnikov’s character. Through their love, Dostoevsky demonstrates the importance of human relationships in finding and maintaining happiness. He also seeks to condemn nihilism and disprove the idea that one cannot make one’s own meaning in life by having Raskolnikov adopt Christian existentialism and find his purpose through Sonia.