Hatred, in Shakespeare’s Othello, destroyed the lives of so many innocent people, creating an atmosphere of fear and mayhem. Jealousy turned into a deep hatred, and liberated the "beast in man" (Bloom's major dramatists).This mayhem caused a substantial amount of destruction and led to the demise of many.
Hatred in Othello starts with Brabantio, who claims Othello is a noble, respectable man. However, Brabantio hates dark skin and foreign roots, two attributes Othello possesses. Brabantio’s hatred for Othello grows when he marries his daughter, Desdemona, behind his back. Brabantio accuses Othello of witchcraft, which is clear when he argues “She is abused, stol'n from me, and corrupted by spells and medicines bought of mountebanks” (1.3.60). The Duke doesn’t buy this as proof, however, and tells Brabantio “to vouch this, is no proof, / Without more wider and more overt test / Than these thin habits and poor likelihoods / Of modern seeming do prefer against him" (1.3.106-109).
Roderigo is also a man full of hatred. At first his hatred is not aimed at a particular person, but rather at life. This is apparent when he says, “it is silliness to live when to live is torment" (1.3.350). Iago discovers Roderigo’s weak mind and sinks his teeth into it. After being used, Roderigo’s hatred became redirected at Iago, for being an “inhuman dog” (5.1.62).
Iago’s hatred towards Roderigo is clear for the reasons that he took advantage of him, convinced him to sell his land, and “put money in thy purse” (1.3.341). Iago’s hatred is so powerful he was willing to use Roderigo as his puppet, in order to get into the minds of others. It becomes evident Iago hates Roderigo when he admits he looks down upon him as a "sick fool” (2.3.45). Iago’s malig...
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Performing Othello in South Africa." Comparative Drama 46.3 (2012): 339. Literature Resources from Gale. http://www.wmich.edu/compdr/Pages/Abstracts/Volume%2046/Distiller%20Abstract.html
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In Othello, Shakespeare forms the villainous character, Iago through his complex language. Iago shows his evil nature towards Roderigo through his use of demeaning animal imagery. Iago also uses an extended metaphor to try and trick the ignorant Roderigo and (unknowingly to Roderigo), insults him. Lastly, Iago uses repetition to beguile Roderigo to keep paying him. Iago’s slyness is clearly seen through his deceiving language towards the end of Act I.
...Iago’s gossip but is swayed by Iago’s rhetoric. Though it might seem Roderigo would have control over her reputation he doesn’t and is just another one of Iago's puppets but due to his jealousy and unintelligence he is easy to manipulate.
	The first scene of Act I illustrates Iago's use of manipulation. Iago knows that Roderigo is upset about losing Desdemona to Othello. Iago himself is angry at Othello for being passed over for promotion to lieutenant for Michael Cassio. Realizing that by playing on Roderigo's jealousy he can gain an ally to work against Othello. Iago does this in a subtle manner. He explains to Roderigo that he was passed up for promotion by Othello. While doing this he makes Othello look inferior by reinforcing the fact that he is a Moor. By pointing out that Othello is a Moor Iago causes Roderigo to become even more jealous, because of the fact that he lost Desdemona to someone who he feels is of a lesser race. It even seems that Iago is toying with Roderigo when he reveals that he is a fraud when he says, "I am not what I am." (I.i.62) By using these tactics, Iago has almost gained total control of Roderigo.
By Act II, Scene iii, it is evident that Roderigo is inferior to Iago because he latches onto Iago, who has a much stronger character. It is also evident that their friendship is false. He does not realize that he is being used for Iago's personal gain. Roderigo admits he is weaker than everyone and that he has lost all patience and motivation to go on: "not like a hound that hunts…almost spent" (II, iii, 363-5). Iago immediately turns Roderigo around by saying he is poor because he has no "patience" (II, iii, 370). Roderigo feels as if he is being used but Iago always talks him into seeing a just cause for his actions: "And thou by that small hurt…first will first be ripe" (II, iii, 375-7). Iago is using Roderigo's love for Desdemona to keep him motivated. He uses food imagery to say that soon Roderigo's hunger for love will be fulfilled soon, and he only needs to take hold of patience. He says that now that Cassio is out of the way, Roderigo has a straight line to get to Desdemona. But what Iago really wants is for Cassio to be removed of his rank and Iago can take his place and gain power, then becoming closer to separating Othello and Desdemona: "Two things are to be done…coldness and delay" (II, iii, 382-8). Without Iago, Roderigo is in fact stronger. Alone, he begins to walk down the path towards the truth and loses strength to go on. But Iago always leads him off into a direction away from what is known by all but Roderigo.
William Shakespeare’s “The Tragedy of Othello” shows how a manipulative villain can create chaos within a society. The play was written around the year 1603 and takes place in Venice Italy before it is repositioned to Cyprus. This Shakespearean tragedy shows the effects of jealousy, love, desire, betrayal and passion in a society with an imbalance of power in a race, gender, and social position.
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
He foolishly entrusts his new bride to Iago. Iago has already been depicted as an untrustworthy, scheming character and it is quite possible that he will take advantage of the new situation. Iago is straight away introduced as a dubious character. Having his fingers in Roderigo's purse show his interest in money. The language that he uses is vulgar and rude and he has no shame in his deceitful actions.
Snyder, Susan. "Beyond the Comedy: Othello" Modern Critical Interpretations, Othello Ed. Harold Bloom, Pub. Chelsea House New Haven CT 1987. (page 23-37)
Roderigo’s Achilles' heel is his love and desire to be with Desdemona. Roderigo had asked Brabantio for Desdemona prior to the first act. Even Brabantio regrets not giving Desdemona to Roderigo, “O, would you had had her” (I.i.174). Iago immediately recognizes Roderigo’s fault and begins to take full advantage of him. It is easy to say that Roderigo was the fool of the play because Iago toys with his emotions, but Roderigo was one of the closest characters to Iago.
In William Shakespeare's Othello violence can be found in several different ways. Violence can be expressed physically, mentally, and verbally. This tragic play shows how jealousy and envy can overpower a person's mind and lead them to wreak havoc on others. Not only does this story give many different examples of violence, it displays how mental violence can promote physical violence, and continues on in that cycle. Mental promotes physical which ultimately leads back to mental.
killing her himself at the end of Act 5. Othello was led to do this by
One person Iago deceives is Roderigo. Throughout the play, Iago tells him that he hates Othello and that Roderigo should make some money so he could give gifts to Desdemona, who he admires from afar. Thinking that this is sound advice, Roderigo does just that. However, Iago is actually keeping the gifts that Roderigo plans to give Desdemona for himself. Eventually, Roderigo begins to catch on to the act and confronts Iago, but he falls right into Iago’s trap again when he tells him that killing Cassio will help him win over Desdemona. Roderigo is then lead to his death by the hands of "Honest Iago."
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...