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The average eighteen year-old has a myriad of issues on his mind, including how to party as much as possible, enjoy the college experience, make it to his 8 o’clock class occasionally, and maintain a GPA that will keep his parents as bay. If he successfully has achieves the perfect mixture of good times and equally good grades his freshman year, he will feel as though he has accomplished something great. However, during his eighteenth year, Franz Schubert composed nearly 150 lieder in addition to a number of symphonies and Masses. Not only was Schubert’s astonishing rate of composition above average for an eighteen year old, but few other composers of his time, or any other time period for that matter, could boast of being as prolific as this talented young composer. Although he wrote so many lieder in his short lifetime, Schubert only gained any recognition or profit from a select few, the most illustrious of those being Erlkönig, his most broadly recognized lied, which he composed during the height of his exceptionally fruitful eighteenth year. If Schubert’s life had not been so tragically brief, one can only imagine how many more compositions he could have gone on to create; however, although he may not have had the time to compose as many works as he could have in a longer lifespan, works like Erlkönig, which artfully epitomizes a work of poetry into music, show that he had plenty of time to create music that has had a lasting impact on music.
Although Schubert did not show advanced musical prowess as early as Mozart, his apparent affinity for music led his parents to choose to nurture his musical abilities from an early age. Born in Vienna in 1797 to school teacher Franz Theodor Florian and Elisabeth Vietz, Schubert was ne...
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...red in the other members of the First Viennese School. It shows that during his brief life he was able to master not only quantity in his music, but also quality. Although he did not live long, during his lifetime Schubert set an example through his lieder and other works that many composers would be inspired by for years to come.
Works Cited
Wright, Craig M.. "Romantic Music: The Art Song." Listening to music. 7th ed. Boston, MA: Schirmer/Cengage Learning, 2014. 241. Print.
Robert Winter, et al. "Schubert, Franz." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 8 Dec. 2013. .
Norbert Böker-Heil, et al. "Lied." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 8 Dec. 2013. .
Grove, George. The Musical Times Volume 47. United Kingdom: Musical Times Publications Ltd. 1906, Print.
Johannes Brahms was a German Composer, Pianist and conductor of the 19th century or the Romantic period. He was one of the 3 B's or the Big three: Bach, Beethoven and Brahms. Johannes was a very self-critic man he burned many of his pieces before he could get anyone's opinion on them and he burned all of his compositions that he wrote before the age of 19.
In 1896, he attended the funeral of his friend Clara Schumann who he had known since 1853. On his return, he was seriously ill and died a year later. Generations later, his music and name may still provoke argument in musical circles. However, there can be utterly no doubt that he is included in the first dozen composers of all music history (Weinstock 456). Part of Johannes Brahms’s unique history include the story of his life, his influences, and his exceptional music. Today, his popularity is still continuing to grow and he will remain in music history as a remarkable and outstanding Romantic music composer.
Willoughby, David. "Chapter 11." The World of Music. 7th ed. New York: McGraw-Hill, 2012. 249-53. Print.
Wolfgang Amadeus Mozart, as he is generally known, was baptized in a Salzburg Cathedral on the day after his birth as Joannes Chrysostomus Wolfgangus Theophilus. The first and last given names come from his godfather Joannes Theophilus Pergmayr, although Mozart preferred the Latin form of this last name, Amadeus, more often Amadé, or the Italiano Amadeo, and occasionally the Deutsch Gottlieb. Whatever the case may be, he rarely - if ever - used Theophilus in his signature. The name Chrysostomus originates from St. John Chrysostom, whose feast falls on the 27th of January. The name Wolfgang was given to him in honor of his maternal grandfather, Wolfgang Nikolaus Pertl.
Kamien, Roger. "Part VI: The Romantic Period." Music: An Appreciation. 10th ed. Boston: McGraw-Hill Higher Education, 2008. 257-350. Print.
Mozart’s father Leopold Mozart was a somewhat know composer and violinist who recognized Wolfgang’s talent for the piano early in his life. The father quit his job to make sure that his son could meet the best musical education possible, however he was not only thinking of the well-being of his son, he was also focusing on the financial benefits that could come from his young prodigy son. Wolfgang also had a very musically talented sister, Maria Anna; their father took them both on concert tours all over Europe, starting when Wolfgang was six years old. Maria Anna eventually decided to quit touring, possibly because she lived under her brothers shadow, and realized that, because she was a woman, her musical opportunities were limited. While Wolfgang was touring Europe, his mother became very ill...
Schubert's instrumental works show development over a long period of time, but some of his greatest songs were composed before he was 20 years old. In Schubert's songs the literary and musical elements are perfectly balanced, composed on the same intellectual and emotional level. Although Schubert composed strophic songs throughout his career, he did not follow set patterns but exploited bold and free forms when the text demanded it. Except for his early training as a child, Schubert the composer, was largely untrained and self-taught. His gift of being able to create melodies that contained both easy naturalness and sophisticated twists at the same time was unprecedented for his time. On this quality rests the reputation that music history finally gave Schubert.
Butterworth, Oliver, Michael Evans, and Frank Wibut, perfs. Piano Trio Op. 17. Dartington Piano Trio. Brown, Mark, 1988. Florida College's Classical Music Library. Web. 17 Nov. 2013.
Taruskin, R., & Taruskin, R. (2010). Music in the seventeenth and eighteenth centuries. Oxford: Oxford University Press.
Arnold, Denis, ed. The New Oxford Companion to Music. Vol. 2. Oxford: Oxford UP, 1983.
Heritage of Music: Volume II The Romantic Era (Heritage of Music). New York: Oxford UP, USA, 1992. Print.
Lee, M. Owen. “Max Bruch: 1938-1920.” The Great Instrumental Works. Pompton Plains (NJ): Amadeus, 2005. 168-69. Print.
Undoubtedly, Franz Joseph Haydn is one of the greatest composers of all time. His music, widely acclaimed during his day, has since made him immortal. Very few can stand shoulder to shoulder with this great master.
As a youth he reluctantly studied law, as much bore by it as Schumann had been, and even became a petty clerk in the Ministry of Justice. But in his early twenties he rebelled, and against his family's wishes had the courage to throw himself into the study of music at the St. Petersburg Conservatory. He was a ready improviser, playing well for dancing and had a naturally rich sense of harmony, but was so little schooled as to be astonished when a cousin told him it was possible to modulate form any key to another. He went frequently to the Italian operas which at that time almost monopolized the Russian stage, and laid t...