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analysis of mary shelley frankenstein
analysis of mary shelley frankenstein
analysis of mary shelley frankenstein
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Tragic wanderers, ominous atmosphere, symbolism, and themes: these are elements of a Gothic novel. Though Mary Shelley's Frankenstein, written in the early 19th century, certainly contains many components of a Gothic novel, can it be correctly grouped under that genre?
A definition of a Gothic novel; according to Tracy, is a description of a fallen world. We experience this fallen world though the aspects of a novel: plot, setting, characterization, and theme (De Vore, Domenic, Kwan and Reidy). As well, early Gothic novels have characterized themselves through the use of moral commitment and exotic atmosphere in their themes (Lowry 32). Stock characters that were typically present in Gothic literature were the social outcast, the misfit, the guilt haunted wanderer, and the solitary eccentric. However, earlier Gothic literature was considered primitive and mechanical – trite and clichéd by our standards. An example of early Gothic literature was Horace Walpole’s Castle of Otranto, being a dramatic affair with haunting prophecies, knights, castles, dynasties, and typical Gothic settings. Its plot, which consists of a heir being told by a prophecy that tells the demise of his family and heir, and dying from being randomly crushed by an enormous iron helmet, later on with the use of sexual perversion, violence, and typical Gothic stock characters such as ghosts to advance the plot.
However, later Gothic novels; especially Mary Shelley’s Frankenstein broke this typical convention, with heavy stress of the use of typical Gothic atmosphere and symbolism, focusing on conflict between the good-evil nature of mankind and creating characters that are not typical black and white heroes and villains, rather; fallen and tragic people...
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...cters’ actions contribute to a gothic novel setting as well.
Shelley, Mary. Frankenstein A Kaplan SAT Score-Raising Classic. Grand Rapids: Kaplan, 2006.
• This is my primary reading work for my independent study. This novel is a classic of Gothic literature about a scientist who learns to create life in the image of man, but is horrified at the monstrosity he creates and suffers the consequences of playing God.
Vore, David De, Anne Domenic, Alexandra Kwan, and Nicole Reidy. "The Gothic Novel." CAI-Homepage. 29 Nov. 2009 .
• This is a university website that provides details on the genre of Gothic Literature. It gives an explanation of the history, details, and significant authors of Gothic Literature. I feel that this site will help reinforce my understanding of Gothic Literature further.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
popular at the time. The elements of a Gothic novel are, it is set at
The Fulfillment of the Definition of Gothic Horror by Chapters 5 and 4 of Mary Shelley's Frankenstein
One of the powerful images conjured up by the words ‘gothic novel’ is that of a shadowy form rising from a mysterious place, Frankenstein’s monster rising from a laboratory table, Dracula creeping from his coffin, or, more generally, the slow opening of a crypt to reveal a dark and obscure figure, which all share in common the concept of Social Ostracisation both to the creator and creature. Gothic writing can be dated back for centuries, Shelly immediately comes to mind with Frankenstein as well as The Monk by Matthew Gregory Lewis and Dracula by Bram Stoker all can be associated with Social Ostracisation. The concept of alienating one to refuge, dismissal, and pain are all themes in these novels.
In the examination of Northanger Abbey and Frankenstein one comes to very different conclusions as to why their authors used gothic elements. The two authors had very different purposes for their stories. Powerful emotions are often an element of gothic literature as it was a genre that took Romanticism to excessive extents. While Austen used this gothic element to satirize the gothic novel, Shelley used it to display a deeper point about the evils of ambition. Both authors exhibited characters severe emotions to show the importance of rationality instead of extremes, but ultimately had a different purpose in presenting this view.
However, it is arguable that looking at Shelley’s Frankenstein from a modern perspective demonstrates the idea that it is a novel torn between gothic and horror as it is one of the rare novels that demonstrate gothic elements and Horror elements. Therefore, there is some continuity to how fear is presented in Frankenstein & The Woman in Black demonstrating that these two novels are examples of a postmodernist novel and pre-modernist novel, which is very rare.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Dracula is truly a masterpiece of gothic literature. It encompasses all aspects that are vital to Gothicism and executes all perfectly. Stoker adds the element of darkness which clearly intensifies the foreboding ambience and he reflects it on every aspect of the book. The theme of superstition and the supernatural that centres on the villain creates an air of ambiguity and uncertainty concerning Dracula. This uncertainty causes a fear in the reader which enhances the gothic genre of the novel. Finally, the same uncertainty that clouds the supernatural elements of the novel drift into the characters understanding of what is real and what is not. This doubt amplifies the gothic foundation of the novel. Though these themes and examples, it is clearly seen that the widely read and respected book, Dracula is an exemplary form of gothic literature.
the elements of a gothic novel as it is not set in a remote place or a
The inclusions of gothic conventions of the same variety create a gothic genre for the novel. The use of the weather in the form of pathetic fallacies is particularly important in the way this forms the novel to be gothic. As the description of the weather evokes an atmosphere of suspense and the many connotations associated to the weather in particular the stereotype...
Otto, Peter. "Gothic Fiction." Encyclopedia of the Romantic Era, 1760-1850, edited by Christopher John Murray, Routledge, 1st edition, 2003. Credo Reference, https://search-credoreference.com.ezproxy.smcsc.edu/content/entry/routromanticera/gothic_fiction/0?institutionId=5472. Accessed 05 Dec 2017.
The literary elements of remote and desolate settings, a metonymy of gloom and horror, and women in distress, clearly show “Frankenstein” to be a Gothic Romantic work. Mary Shelley used this writing style to effectively allow the reader to feel Victor Frankenstein’s regret and wretchedness. In writing “Frankenstein” Mary Shelley wrote one the most popular Gothic Romantic novels of all time.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Mary Shelleys Frankenstein ( 1818 ) is considered by many literary critics to be the quintessential gothic novel despite the fact that most of the more conventions of the genre are either absent or employed sparingly. As many of the literary techniques and themes of Mary Shelleys Frankenstein adhere to the conventions of the gothic genre it can be considered, primarily, a gothic novel with important links to the Romantic movement.