Appearance vs. Reality: Shakespeare wrote different types of plays such as comedies, tragedies, and historical plays. The play Othello is one of his tragedies. It is about a character named Othello who is a Moor, in the service of Venice. Throughout the play Iago, Othello's lieutenant, manipulates Othello to believe that Desdemona, Othello's wife, is cheating on him. Various characters in the play Othello appear to be virtuous, upstanding individuals, but their actions reveal that they are not as they appear to be. The character in the play who is the most different than what he appears to be is Iago. He feels he should have gotten a higher position than Cassio working for Othello. He resents Cassio for having the position he wanted. Iago knows that Cassio doesn't drink much. Therefore, he urges him to drink more than usual to get him tipsy and get him in trouble with Othello. As Cassio's drunkenness makes him aggressive he fights with Rodrigo. As a result of this Othello makes a decision to fire Cassio. Iago is happy that one of his tricks works. Iago looks for ways to get back at Othello for giving the higher responsibility to Cassio. In Act 1 Scene 1 Iago says, "Though I do hate him as I do hell-pains, Yet, for necessity of present life, I must show out a flag and sign of love, Which is indeed but sign". (Shakespeare, 1937, p. 1173) Characters in the play see Iago as trustworthy but in reality he is underhanded, two-faced, and scheming. (Smith, 2000) Iago's tricks begins when Iago told Brabantio, Desdemona's dad, that Othello has taken his daughter away and has done some kind of witchcraft on her to make Desdemona fall in love with him. As Iago's plan wasn't successful because Desdemona and Othello got married, he begins... ... middle of paper ... ...t man who has not harmed anyone. Emilia, Iago's wife, who is a good friend of Desdemona lies when she tells Desdemona that she hasn't seen her handkerchief. In Act 3 Scene 4, Desdemona asks, "Where shall I lose that handkerchief, Emilia? Emilia responds, "I know not, madam". (Shakespeare, 1937, p. 1193) Desdemona believes her because she has always appeared to be a loyal friend. This is another example of appearance vs reality. The play Othello is a fictional story and is therefore another example of appearance vs reality. The characters are written through the imagination of Shakespeare. Likewise the plot is also an example of how appearance doesn't conform to reality. The person who sees the play also sees the characters differently. Since this is a fictional story the author has the power to end it how he wants to but in real life it might not end this way.
Appearances can be deceiving as often what appears to be real is in truth an illusion. This notion is presented in Othello as it explores how appearances and societal perceptions are often fraudulent in comparison to true. This is evident when the antagonist, Iago employs dramatic irony stating that, “Men should be what they seem”. Here, Iago is hypocritical as he is perceived to be honest by the Venetians. However, this social façade is only masking his duplicitous nature. Iago’s character is further revealed through the use of metaphor, “The Moor has already changed with my poison”. In this instance Iago is attempting to conjure up the insecurities of Othello, such as Desdemona’s fidelity and devotion to
public perception of being honest he could never get Othello to believe that Desdemona was
Othello, a play written by William Shakespeare in approximately 1603, focuses on two opposite characters named Othello and Iago. Othello is a respectable army general who tragically dies in the end. The readers believe that his flaw is jealousy, which ruins his calm and makes him believe Iago, a character nobody should trust. The antagonist of the play, Iago, is a cunning liar who lies and tricks almost every other characters in the play to ruin and manipulate Othello. The play starts on the street of Venice where Iago convinces Roderigo to plot against Othello by planning falsely accuse Othello’s wife, Desdemona, of cheating. Interestingly, another specific detail critics usually look at is that Shakespeare choose to make the character of Othello a dark-skinned man, which was not a common feature a hero should have during the Elizabethan. Some of the common themes in Othello are the role of race and racism, the effects of jealousy, and the differences between genders during the Elizabethan.
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self. Iago is angry because Othello chose Cassio to hold a position which he thinks he deserves, so he seeks revenge by playing upon Othello’s main flaw—his lack of trust—and putting Cassio in a position that would turn Othello against him.
Othello being a Moor commanding the armies of Venice is a celebrated general and heroic figure whose “free and open nature “ will enable Iago to twist his love for his wife, Desdemona into a powerful jealousy. Iago is Othello’s ensign, and Shakespeare’s greatest villain. His public face of honesty and bravery conceals a satanic delight in manipulation and destruction. .
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
In the play “The Tragedy of Othello” by Willian Shakespeare, Othello Changes from an intelligent and confident person to a senseless and insecure person. This change in his personality occurs mainly because: Iago plans to ruin his relationship with Desdemona, he was an Outsider, he had bad judgement when it came to trusting people and failed to see reality, his negative thinking about himself and his relationship with Desdemona.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
In the first act of the play, Othello was perceived as many different characters, this depended on which other character was talking. Iago whines of Othello’s pride and
Iago snares Roderigo, a man who is in love with Desdemona, by being the barer of bad news that she has just married Othello the Moor. It appears to Roderigo that Iago has his best interest at heart and that he wants to help him to win Desdemona over from Othello. Once Iago gains the trust of Roderigo he convinces him that they must do what is right and tell of Othello’s marriage to Desdemona the senator, her father. Iago accompanies Roderigo to the door of the Senator, Brabantio, and convinces Roderigo to call up to him to tell of this news. Once the senator is waked, Iago flees to tell Othello that trouble is on its way. This was the first clue that he was up to no good.
Othello is one of the typical Shakespearean plays in that it deals with the tragic hero. Othello is convinced that his wife, Desdemona, is cheating on him with Cassio. Beginning with the aperture lines of the play, Othello remains at a distance from much of the action that concerns and affects him. Roderigo and Iago refer equivocally to a “he” or “him” for much of the first scene. When they commence to designate whom they are verbalizing about, especially once they stand beneath Brabanzio’s window, they do so with racial epithets, not designations. These include “the Moor” , “the thick-lips” , “an old ebony ram”, and “a Barbary horse” (Cite). Although Othello appears at the commencement of the second scene, we do not hear him called by his name until well into Act I, scene 3. Later, Othello’s will be the last of the three ships to arrive at Cyprus in Act II, scene 1; Othello will stand apart while Cassio and Iago suppositious discuss Desdemona in Act IV, scene 1; Othello will postulate that Cassio is dead without being present when the fight takes place in Act V, scene 1. Othello’s status as an outsider may be the reason he is such easy prey for Iago.
Shakespeare uses Iago and Othello as the main characters of the play, showing how Iago manipulates Othello into believing his wife is cheating on him. Iago, or “honest Iago”, the villain of the play, a perfectionist at manipulation, that manages to influence people into thinking his deceitfulness is an act of honesty. He spends all of his time plotting against Othello and Desdemona, eventually convincing Othello that his wife has been cheating, despite the fact that Desdemona has been completely faithful. Othello, Venice’s most competent general, and the protagonist of the play. He was a noble and respected war hero, and a loving husband, however he was the target of Iago’s atrocities, which lead him to become an irrational, violent, and insanely jealous husband who murders his own wife at the end of the play.
In Act I, Othello expresses that he is a man of honor, a hero who’s held in high prestige by the upper class. What Othello expresses here is nothing that an archetypal hero would express; he expresses nothing towards Cassio (to the point where Othello has imagined killing him) and Desdemona but hatred and vengeance, and he has become poisoned by Iago’s ruse. Additionally, Othello has grown to only trust Iago, which will only make him grow worse. This is the beginning of Othello’s transformation to a tragic hero, with his naivety and jealousy being his
Othello’s personality was shaped largely by war and his pride as a capable soldier. He was intelligent and strong enough to live through countless battles and lead troops into war with successful results. Even Iago, who hates Othello for passing him over for the lieutenant position, can not deny Othello’s noble yet naïve nature, which he explains to Roderigo, “The Moor is of a free and open nature” (Act 1 Scene 3 390). However, as Iago continually hints to Othello that his wife Desdemona is cheating on him with Cassio, more of his negative personality traits begin to show up. Doubt, mistrust, jealousy and rage all grew with Iago’s hints and led him to believe that his wife had damaged his reputation by being unfaithful to him. In the beginning of Othello, Othello betted on his life that Desdemona loved him and would never betray him and by the end of Shakespeare’s story, he suffocates and kills his wife out of honor in order to preserve his reputation and sense of self. He killed her not only out of a sense of duty, but also because of how hurt and betrayed he felt about her perceived infidelity. Therefore, Othello represents the good and the bad side of human nature by being intelligent, loving, open, and honorable and the bad by doubting his wife, exhibiting jealousy, anger and