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Importance of folk culture
Importance of folk culture
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The ‘folk’ genre has roots all the way back to the 19th century. Put simply, ‘folk’ is “ballads and songs which are composed and transmitted orally, without ever being written down at all.” (http://www.balladtree.com/folk101/002a_origins.htm) Though what we perceive as ‘folk’ today is stylistically very different to what ‘folk’ was during the 19th century. At its core, it still holds the same values and ideas, lamenting the simpler times. In the coming speech, we will discuss the genre of ‘folk’, it’s origins, the changes it underwent in the 20th century and the factors that influenced each development and also the characteristics of the genre, including singing styles, rhythm and instrumentation. Folk as a genre, consists of a civilisations history passed down through generations in spoken word form rather than being written down and recorded. Different countries and different regions around the world, all had varying styles of the ‘folk’ music they produced. Cultures from England would have had a different style to those from Scandinavia and the Scandinavians would have had different style of ‘folk’ to the Dutch and Germans and the tribes from Africa too. “The folk music of the Germanic people is known in different phrases and varying degrees. For the English-speaking peoples there exists a vast body of ballads, collected in England as well as America. Of German folklore we know best the songs that have come into repertory rather recently. Swedish folk music happens to have available a large collection of fiddle tunes, because some Swedish collectors have concentrated on this aspect of music.” (Folk & Traditional Music of the Western Continents Bruno Nettl) Here Bruno Nettl states some of the obvious dissimilarities ... ... middle of paper ... ...ctical Recording Techniques, 5th Edition, Focal Press, Massachusetts USA. Blumenfeld, H (2000) ‘Folk Music 101, Part II: Origins of Folk Music’ accessed 3 May 2010 from: http://www.balladtree.com/folk101/002a_origins.htm Buffy St. Marie (1964) ‘Universal Soldier: In Depth’ accessed 21 May 2010 from: http://www.creative-native.com/albums.php?song_id=7&album_id=1&) DeSiato, N (1998) ‘March On Washington’ accessed 26 May 2010 from: http://www.angelfire.com/pa/marchonwashington/march.html Folk Music. (2010). In Encyclopædia Britannica. Retrieved May 25, 2010, from Encyclopædia Britannica Online: http://www.britannica.com/EBchecked/topic/212168/folk-music Nettl, B (1965) Folk & Traditional Music of the Western Continents, Prentice Hall Inc. New Jersey Owenby, J (2002) ’60’s Timeline’ accessed 18 May 2010 from: http://www.jeffs60s.com/timeline.html
Folk Music." American Decades. Ed. Judith S. Baughman, et al. Vol. 7: 1960-1969. Detroit: Gale, 2001. Gale U.S. History In Context. Web. 25 Feb. 2011.
Native American music has many different musical styles. Within every Native American tribe there is a variety of musical styles and instruments. In response to the research that I have conducted, there are three main musical styles that are going to be my point of focus. The Sioux Grass Dance, the Zuni Lullaby, and the Iroquois Quiver Dance are the principal methods which contribute to Native American music.
this time, gospel music was a sacred folk music with origins in field hollers, work songs,
Gospel music is mostly American music reflected by significant songs. Gospel music was created as a type of Christian worship and spiritual singing which is associated with African-American worship1. Executed by soloists, choirs and groups with vocals and harmony within the churches. There are two main types of gospel music: Urban Gospel started around 1899 had its roots mostly in spirituals songs sung by the slaves in the south around the eighteenth and nineteenth centuries which is associated with the Black churches. Southern Gospel started around 1910 which is associated with the white churches. While over the history of Gospel music there are now several different kinds of Gospel music such as, Christian Country, Contemporary Christian, Hip-Hop, Traditional and Progressive Southern Gospel. . “Recent studies by Professor Willie Ruff, an Afro-American ethno-musicologist at Yale University, conclude that African American Gospel singing was in fact was encouraged by Scottish Gaelic speaking settlers from North Uis”. , African America singing adopted the call and response which is thought to be the first type of congregation singing.2
At the onset of the twentieth century singing was still the fundamental activity in schools, and sc...
The debate whether commercialism has stripped country music of its authenticity is one that requires further examination into who ultimately holds the power. The sometimes-drastic changes made in music leaves people questioning the tastes of consumers when in fact they are the bystanders of an overpowering industry. Fans are people who buy the albums, go to concerts, and request songs on the radio, not the execs that market the music, and yet their opinions/tastes aren’t taken into consideration. Fans carry a lot of clout in regards to what they define as commercialism gone wrong and acceptable country music. Despite what may seem fair, those who are financially invested in its success drive the commercialization of music.
The street balladry of the people who began migrating to America in the early 1600s is considered to be the roots of traditional American music. As the early Jamestown settlers began to spread out into the Carolinas, Tennessee, Kentucky and the Virginias, they composed new songs about day to day like experiences in the new land.
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
Many say that music has evolved over the years. This essay shall explore the elements of two versions of one song. It shall discuss the correlations and disparities of these songs and confer how it has been revolutionised to entertain the audiences of today.
Grainger spent years collecting and recording folk songs throughout the English countryside. The numerous compositions by Grainger are all influenced by folk songs he recorded, transcribed and arranged for many different choral and instrumental ensembles.
Heritage of Music: Volume II The Romantic Era (Heritage of Music). New York: Oxford UP, USA, 1992. Print.
Rhythm and blues, also known as R&B, is something that I really enjoy. I am a singer and along with country music, R&B is my favorite thing to sing. With rhythm and blues, there is a song for every emotion, so most of the time the songs can be very relatable. The songs have a variety of subjects like sex, work, and even drinking. In this paper I will briefly discuss how rhythm and blues started, how it evolved into today’s music and why I like it so much.
Donne, John. “Song”. Literature to go. Ed. Meyer, Michael. Boston, MA: Bedford/St. Martins, 2011. Print.
Greek folk music is a certain style of popular music played by ‘'ethnic Greeks’’ in countries like Australia, the United States and Greece. However, mainly originating from Greece, with songs written around the time of ancient Greek poetry and music. Greek folk music can by categorised in two mainly genres: Akrtic and Klephtic.
Folk music is a collaborative type of music that is not written or practiced by a single professional. It is a tradition shared among a community. The word folk means common people; it is the people's music. Folk music is very much a bonding exercise similar to other types of music. A major difference that separates folk from other types of music is its focus on the problems of the folks. The everyday problems of the American working and middle class. The music is a unifying force and a powerful tool used by people looking for change in a flawed system.