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Flannery O’Connor
When writing a piece of literature the content is often influenced from the background of the person who is writing. The author, whether consciously or subconsciously, adds in personal experiences or beliefs into their pieces. Flannery O’Connor is a good example of this trend. Her short stories illustrate the hardships, beliefs, and society at the time she lived and was writing. It is most blatantly demonstrated in her collection of short stories entitled, A Good Man Is Hard to Find, and Other Stories. Flannery O’Connor reflects her disease, in the mutilation of her characters, her religion, in the types of characters she chooses, and her being an outcast of society, in her characters’ traits, throughout the plots of her short stories.
Flannery O’Connor’s own genetic disease which led to her eventual death played a key role in developing the characters in her stories. O’Connor lost her father to systemic lupus erythematosus. This is a disease that leads to a malfunction within the body that causes the production of antibodies that attack the body’s own tissues; it is an autoimmune disease (“Flannery O'Connor Biography"). This killed her father when she was still a teenager. Nine years later O’Connor, herself, contracted the same disease which was deemed incurable at the time. The disease did not let her keep from writing. She was soon reduced to walking with only crutches because of the deformation of her hip bone. This is strikingly similar to her character in “Good Country People.” The character of Hulga also had leg disabilities. She uses her wooden leg to her advantage. For example, every morning she comes down the stairs banging her wooden leg just to be unpleasant. Her mother made excuses for her mean ...
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...her stories she was able to relate her stories to the time period she was in. Through exaggerated and shocking details in the plot, O’Connor was able to efficiently and effectively get the point across that she was trying to convey to her selected audience. Flannery O’Connor is a good example of how an authors’ background can truly affect their piece of literature and how much of a point it can make.
Works Cited
“Flannery O'Connor Biography." Bio.com. A&E Networks Television, 2012. Web. 20 Mar. 2012. .
"Flannery O'Connor Flannery O'Connor." Encyclopedia of World Biography on Flannery O'Connor. BookRags. Web. 20 Mar. 2012.
Liukkonen, Petri. "Flannery O'Connor." Www.kirjasto.sci.fi. 2008. Web. 20 Mar. 2012. .
In her short story "Everything That Rises Must Converge," Flannery O'Connor allows the story to be told from the perspective of Julian, a recent college graduate who appears to be waiting for a job, while living at home with his mother. His relationship with his mother is rocky at times, to say the least. It is constantly mired with conflicts about the "Old South" and the "New South". Julian must come to terms with himself, either he is an over protective son or just a pain in her ass. Even though Julian seems to dislike his mother's viewpoints, he continues to depends on her for "stability". When the final confrentation between Julian's mother and the large black women results in her having a heart attack, to which Julian is oblivious to, it causes him to be overwhelmed with greif and fear. He only then realizes the extent of his self-deception is fully confirmed.
O'Connor was the only child of the family, and also she was very shy and introverted. She always had a great difficulty in order to mix with people. When she finished her degree course of Social Science, Flannery O'Connor started her independent life. Firstly, in 1947 O'Connor joined the camp of Spencer Trask for writers in New York. Finally she moved to Connecticut with Sally and Robert Fitzgerald. But in 1951 Flannery was diagnosed as having lupus, t...
"I suspect that most of you have been telling stories all your lives..."(O'Connor #2 PG) is the statement Flannery O'Connor makes in her lecture entitled Writing Short Stories. Living to be only thirty-nine years old when lupus took her life in 1964, it did not take long for her to became a literary icon. It is difficult for O'Connor, who raised peacocks in her hometown of Milledgeville, Georgia, to fathom that people perceive writing fiction as a chore, as one of the "most difficult literary forms" (O'Connor #2 PG), when it is something she achieves as though it were of no effort whatsoever. One of her primary points to writing good fiction involves the use of symbolism, which is more than apparent within the literary boundaries of A Good Man is Hard to Find, where "a psychopathic killer and a grandmother meet head-on in epic, parabolic violence as large as life, death, faith, and doubt" (Gingher 258).
When looking into works of literature, some stories seem to be similar to others. They can have a similar setting, point of view, theme, or sense of language and style. However, all of these points could be very different as well and could cover different theme or style. Flannery O’Conner’s “Good Country People” and Alice Walker’s “Everyday Use” have some contrasting elements, such as their points of view and use of symbolism, but their similarities in the underlying theme, language, and the setting of these stories reveal how these two stories are impacted by education on both the individual and their family.
Scott, Nathan A., Jr. "Flannery O'Connor's Testimony." The Added Dimension: The Art and Mind of Flannery O'Connor. Ed. Melvin J. Friedman and Lewis A. Lawson. New York: Fordham UP, 1966. 138-56.
Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now being treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O'Connor was born in Savannah, Georgia, the only child of a Catholic family.
A common aspect of Flannery O’Connor’s literary works is her use of heavily flawed characters. O’Connor’s characters often exhibit gothic and incongruous characteristics. O’Connor’s short story, “Good Country People,” is no exception to her traditional writing style with characters such as Hulga Hopewell, Mrs. Hopewell, Mrs. Freeman, and Manley Pointer. O’Connor uses gothic characterization and symbolism to produce a great short story about a few ruthless country people.
In Flannery O’Connor’s stories, “Good Country People”, “Everything that Rises Must Converge”, ”A Good Man is Hard to Find”, and “The Life You Save May Be Your Own”, there are many similar characters and situations. Few, if any of the characters are likeable, and most of them are grotesque. Two of the stories have characters that view themselves as superior in one way or another to those around them, and in some cases these characters experience a downfall, illustrating the old proverb, “Pride goeth before a fall” (King James Bible ,Proverbs 16:18). Two of the stories include a character that has some type of disability, three of the stories showcase a very turbulent relationship between a parent and child, and three of the stories contain a character that could easily be described as evil.
Nadal, Marita. "Temporality And Narrative Structure In Flannery O'connor's Tales." Atlantis (0210-6124) 31.1 (2009): 23-39. Fuente Académica. Web. 1 Nov. 2013.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
Friedman, Melvin J. Introduction. Critical Essays on Flannery O’Connor. Ed. Melvin J. Friedman and Beverly Lyon Clark. Boston: G. K. Hall & Co., 1985.
Violence, Humanity, Grace. These are three reoccurring themes throughout Flannery O’Connors short stories. As one looks at O’Connor’s stories one starts to see a pattern, or a similarity between each of the stories. One might describe it as “getting to know a personality” (Mays 419). As we focus on three stories, A Good Man is Hard to Find, Everything That Rises Must Converge, and “Good Country People”, by American fiction writer Flannery O’Connor we start to see distinct characteristics. O’Connor’s stories are set in the deep south where racism is often times prevalent. O’Connor’s characters often find themselves in difficult situations which can even be tragic. Most of her stories start out on a happier
In reality, her writing is filled with meaning and symbolism, hidden in plain sight beneath a seamless narrative style that breathes not a word of agenda, of dogma, or of personal belief. In this way, her writing is intrinsically esoteric, in that it contains knowledge that is hidden to all but those who have been instructed as to how and where to look for it, i.e. the initiated. Flannery O'Connor is a Christian writer, and her work is message-oriented, yet she is far too brilliant a stylist to tip her hand; like all good writers, crass didacticism is abhorrent to her. Nevertheless, she achieves what no Christian writer has ever achieved: a type of writing that stands up on both literary and the religious grounds, and succeeds in doing justice to both.
Whitt, Margaret. Understanding Flannery O’Connor. Columbia: University of South Carolina Press, 1995. 47-48, 78. Print.