African literature is rich with examples of the plight that African women suffered during the political and social changes the continent experienced after colonialism. In Ama Aito Aidoo’s short story “Two Sisters”, and “Wedding at the Cross”, the lives of three different women are explored as they navigate a world dominated by not only the men in their lives, but by the omnipresent feeling of colonialism. The women in Aidoo’s “Two Sisters” Mercy and Connie, represent some of the difficulties perpetrated by the rigid societal structure they exist under, and the oppressing force of the men in their lives. Similarly, in “Wedding at the Cross”, the main female protagonist, Miriamu, is bound by societal pressures to assume the role of obedient housewife, and undergoes a loss of self after her husband is consumed with gaining success in post-colonial Africa. Through these stories Aiddo and Thiongo’o represent African women and their struggles as well as their journey to assert themselves independently from the men in their life and their society during a time where the continent itself was struggling with its own identity in the aftermath of Western colonization.
Women in Africa have historically been oppressed by their society and “have fought patriarchy and male privilege for centuries” (McFadden). In the two short stories, this fact is reiterated early on as the reader is made aware of the way African society has molded itself around the ideal that men are superior to women. In “Wedding at the Cross” the speaker opens up by remarking of how “nice” Miriamu’s family is, her husband being “the successful timber merchant; and she, the obedient wife who did her duty to God, husband and family” (1038). Their society values women an...
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...ee change and cannot attain control of their own lives if they do not speak up and stand up to their oppresors. Miriamu “raised her head. . . proudly” to stand by what she wanted and believed.
The short stories “Two Sisters” and “Wedding at the Cross” are filled with examples of the powerful hand men and Western colonialism played in the lives of African women, but they also provide examples of women rising above these oppressors. Ama Aito Aidoo and Ngugi Wa Thiong'o give a representation of the societies that hindered and oppressed African women in a post-colonial Africa. Through the actions taken by the characters, the authors offer commentary on the social situation and on the way women can change their position. The short stories depict the everyday life of the women and take the reader through their journey for independence from men and Western colonialism.
There were many cultural beliefs and practices that changed the outcome of Abina’s life including liberalism, industrialism, imperialism, colonialism, nationalism, slavery, and gender discriminations. Through the Western influences that the British brought to Africa, not only did Abina’s life change but the positive and negative effects influenced everyone in her village.
Thornton is a graduate from Millersville University, Pennsylvania. He is an American historian specialized in the history of Africa and the African Diaspora. He is also a history professor in Boston University. My paper speaks about the legitimacy of Nzinga’s coming to rule. I use Thornton’s piece for information about her rise to power.
Compare The Successes And Failures Of Patriarchy In Colonialism, In “The Tempest”, “Translations” And “Things Fall Apart”.
Women had no choice but to follow whatever society told them to because there was no other option for them. Change was very hard for these women due to unexpected demands required from them. They held back every time change came their way, they had to put up with their oppressors because they didn’t have a mind of their own. Both authors described how their society affected them during this historical period.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four characters are centralized throughout this novel because they provide the reader with an inside account of what life is like during a time where traditional Africa begins to change due to the forceful injection of conquering settlers and religions. This creates a split between family members, a mixing of cultures, and the loss of one’s traditions in the Bambara society which is a reflection of the (WHAT ARE SOME CHANGES) changes that occur in societies across the world.
In “Monique and the Mango Rains”, Holloway describes her encounters with the difficulties of the women in the village of Nampossela and childbirth practices of midwifes in Mali. As a young white woman from Ohio, Holloway uses her unique perspective to write a description of her experiences of the rural midwifery practices of Monique and the hardships of the women she meets in Mali. Holloway uses her knowledge of the later events to enhance her description of her time as a Peace Corp volunteer and her observations of the village she lived in.
The book Monique and the Mango Rains is written on the backdrop of one of the poorest countries in the world where people are uneducated but they have their own culture and customs which they follow ardently. However the practices somehow match with the current world of hypocrite people but unknowingly they are present in the small village Nampossela of Mali where author interacted with Monique the central character of the
This seems to illustrate Sembene’s personal storytelling about the patriotism and its effects on the post- colonial African. As the story of Black Girl seems to be nothing more than a tragedy of...
Throughout the centuries, the roles of Nigerian women have continuously evolved. During the pre- colonial era, women in Nigerian tribes were not only child bearers and wives, but also free adults. They played critical roles in food preparation, weaving, pottery, and the economy. However, the impact of British rule in Nigeria made a significant shift from the pre-colonial to the post- colonial era. The influence of the Catholic Church, Western style education, patriarchal government and modern ways of making money took a major toll in a woman’s role in society. In Chimamanda Adichie’s novel, Purple Hibiscus, Mama Beatrice and Aunty Ifeoma are dynamic female foils who represent opposite sides of spectrum in post- colonial feminism. Mama epitomizes the product of colonialism, while Aunty Ifeoma challenges the British influence and growing power of men.
Chinua Achebe analyzes a culture he is not accustomed with. The Madwoman in the attic theory comes into play as a westerner writing about “savage Africa”. Things Fall Apart provides an important understanding of Africana identity and history for those in the West who may be unfamiliar with African culture. Achebe tackles female identity within this book with delicacy keeping with the Ibo view of female nature in the background of the story but the forefront of the reader’s mind. A discussion of womanhood must touch upon manhood because they operate as a complementary, opposing, and equal entity.
Arguably, the effects which Europe’s global colonialism have had on women of the African diaspora can be most easily seen on the African continent. Kenyan feminist and environmental activist, Wangari Maathai, explores the legacy of colonialism and oppression in her native country through her moving 2006 memoir, Unbowed. Maathai explains that over t...
Khapoya, Vincent B. The African Experience: An Introduction. 4th ed. Upper Saddle River, NJ: Prentice Hall, 1998. Print.
While Collins does a succinct job of examining the economic and political factors that heightened colonization, he fails to hone in on the mental warfare that was an essential tool in creating African division and ultimately European conquest. Not only was the systematic dehumanization tactics crippling for the African society, but also, the system of racial hierarchy created the division essential for European success. The spillover effects of colonialism imparted detrimental affects on the African psyche, ultimately causing many, like Shanu, to, “become victims to the white man’s greed.”
In Vera’s writings, it is clearly evident that women’s sexual roles are disapproved of and criticized in traditional African culture. It is crucial to understand how women were treated toward the beginning of Vera’s story line to fully interpret the theme of sex and freedom in Without a Name. Corwin Mhlahlo, author of “Advocating a Nameable Desire,” explains, “In most patriarchal societies, especially those of Africa, femal...
A feminist analysis on the other hand shows that Anowa is a woman who is struggling against the 1870’s African feminist identity (the identity of weakness). The drama surrounds the story of a young woman called Anowa who disobeys her parents by marrying Kofi Ako, a man who has a reputation for indolence and migrates with him to a far place. Childless after several years of marriage, Anowa realises that Kofi had sacrificed his manhood for wealth. Upon Anowa’s realisation, Kofi in disgrace shoots himself while Anowa too drowns herself. In a postcolonial analysis of “Anowa”, we can see some evidence of colonialism.