“The Fall of The House of Usher” by Edger Allen Poe starts with the Narrator on horseback riding through what seems to be a gloomy, cloudy day. The narrator observes that the house seems to have absorbed an evil and diseased atmosphere from the decaying trees and murky ponds around it. He notes that although the house is decaying in places, for example some of the stones are gone, however the structure itself is relatively solid. The narrator notices that the inside of the house just as spooky as the outside. He seems to be getting a bad feeling about the place. When he finally sees Roderick he notes that Roderick is paler and less energetic than he once was. His friend had sent for him to come and see him because he was his only friend since childhood. The narrator says that they aren’t as close as they once were. Roderick tells the narrator that he suffers from nerves and that his senses are heightened and that he seems afraid of his own house. The narrator spends several days trying to cheer up Roderick. He listens to Roderick play the guitar. The Narrator also reads him stories, but is unsuccessful in cheering his friend up. Then Roderick suggests that is actually may be the house that is causing him to be sick. Next when Madeline, Roderick’s twin, dies his friend wants to keep her body with him because he was afraid that doctors would try and use is for scientific purposes. So the narrator and Roderick dig up the body and put it in the house. A few nights later the narrator meets Roderick and he tells the narrator that he thinks Madeline was buried alive. Moments later Madeline appears and then dies along with Roderick who died of fear. The narrator then jumps out of the house as its crumbling to the ground. In this story ... ... middle of paper ... ...ng gust—but then without those doors there did stand the lofty and enshrouded figure of the lady Madeline of Usher. There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame” (14). Poe portrays Madeline to be monstrous by making her appear in the middle of a storm covered in blood. This description of her adds to the story because it makes her seem more dangerous, and more revengeful. Cohen’s first thesis states that a monster is born out of fear and is a cultural body. Just like Cohen explained, Roderick creates his own monster completely out of fear. His mental illness is where the fear is born and out of fear he created his own personal monster. This monster never seems to go away, even when it was sealed underground. Ultimately it is this monster, that takes the shape of his sister, that kills him.
Roderick and the fall of the house of usher have a deceiving appearance. Poe introduces “In this was much that reminded me of the specious totality of woodwork which has rotted for long years in some neglected vault with no disturbance from the breath of the external air” (312). After meeting Roderick and going inside the house, which appear to be normal, it is revealed that the interior is deteriorated. This home is void of others existence, excepting Roderick and Lady Madeleine. He has “A cadaverous of complexion, an eye large,liquid and luminous beyond comparison, lips somewhat thin and very pallid.” (363). It appears to the readers that Roderick has lost his soul due to his ghostly appearance. His illness has taken a toll on his outward appearance.”The ‘House Of Usher’ an appellation which seemed to include… both the family and the family mansion” (311). The house of usher reflects what is going on within the family. Craziness and neglection engulf Roderick’s as much the house. Roderick’s mental illness and the house are
The castles and mansions that provide the settings for traditional Gothic tales are full of grandeur, darkness, and decay. These settings are one of the most recognizable elements of traditional Gothic fiction. Setting is equally as important in modern Gothic literature as well. While the settings in the two stories, “Fall of the House of Usher” by Edgar Allan Poe and “Where Is Here?” by Joyce Carol Oates, are incredibly different, they are also very similar.
"The Fall of the House of Usher" which revolves around a nameless narrator who goes to visit Roderick Usher, a boyhood friend who has been feeling very physically and emotionally ill and requested the narrators presence. Roderick lives in this dark and gloomy, run-down house which has been in his family for many years with his twin sister. Soon after arriving the twin sister is said to be dead for she has apparently no pulse. She had been suffering from an unknown illness and Roderick decides to bury her in the basement of the house.
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
When Edgar Allan Poe wrote "The Fall of the House of Usher," two factors greatly influenced his writing. A first influence was John Locke's idea of Empiricism, which was the idea that all knowledge was gained by experiences, exclusively through the senses. A second vital influence was Transcendentalism, which was a reaction to Empiricism. While John Locke believed that reality or truth was constituted by the material world and by the senses, Transcendentalists believed that reality and truth exist within the spiritual or ideal world. They believed that the external world was dependent solely on the conscious. Beverly Voloshin suggests that "Poe presents transcendental projects which threaten to proceed downward rather than upward" (19). Here it becomes obvious that there is a strong connection between John Locke's Empiricism and the resulting ideas of Transcendence, and the powerful effect that they had on Poe and other emerging Romantic writers of that time. In "The Fall of the House of Usher," Poe establishes a new type of literature, one that emphasizes aspects of Empiricism as well as the idea of Transcendence. Poe uses this unique literature to introduce the Usher mansion and its intriguing and very troubled inhabitants.
Towards the middle of the nineteenth century, the Transcendentalism movement became a seminal force in literature. Originating in the New England region of America, transcendentalism emphasized the spiritual over the corporeal, and the power of individual intuition over organized doctrine as a means of attaining true spirituality. But one of the most notable writers of this period, Edgar Allan Poe, made no secret of his disdain for the tenets of transcendentalism. He mocked transcendentalist ideals by clearly expressing anti-transcendentalist themes in one of his most well known works, “The Fall of the House of Usher”. Although this work openly exhibits Poe's contempt for transcendentalism as a literary movement, it was nonetheless influenced by – and perhaps even based on – transcendentalist beliefs.
In “The Fall of the House of Usher”, Poe’s use of dark, descriptive words allow him to establish an eerie mood. Poe’s unique style of writing along with his foreshadowing vocabulary is significant in creating a suspenseful gothic story. At the beginning of the short story, Poe describes the House of Usher to be “dull”, “oppressive”, and “dreary” (1265). His choice of words strongly emphasizes a mood of darkness and suspense as he builds on the horrific aspects of this daunting tale. At first glimpse, the house itself is surrounded by the feeling of “insufferable gloom”, (1265) “[t]here was an iciness, a sinking, a sickening of the heart, an unredeemed dreariness of thought [...]” (1265). The atmosphere that Poe describes in the statement above establishes a spine-chilling mood. Poe uses words such as “insufferable gloom”
Towards the middle of the story, Usher’s twin sister Madeline is shown to be sick and close to giving into the “prostrating power of her destroyer” (21). Eventually, Usher gives the narrator the bad news that Madeline has passed away and immediately be placed in the family burial vault until proper arrangements can be done. Later, it is revealed that Madeleine had been buried alive and Usher knew exactly what he had done. When the narrator confronted him about what he did to Madeline, Usher simply replied with “Not hear it - yes, I hear it, and have heard it. Long--long--long--many minutes, many hours, many days, have i heard it -- yet I dared not speak...” (28). This abnormal response gives insight into how much of Usher’s thoughts control him; he let his twin sister remain in a coffin buried alive and did absolutely nothing to save her. Poe attacks how vulnerable individuals become to their own minds and forces the readers to consider the downside of the Human Condition. Although not on such intense level as Usher, people let their thoughts define who they are and what they do. Insecurity, a problem among several teenagers and even adults, begins with the person’s thoughts and self-esteem. Due to insecurity, many believe they aren’t capable of doing what they love and that they should stick doing what their mind is convincing them to.
Romanticism was a movement in art and literature in the eighteenth and nineteenth centuries in revolt against the Neoclassicism of the previous centuries. The romanticism movement in literature consists of a few of the following characteristics: intuition over fact, imagination over fact, and the stretch and alteration of the truth. The death of a protagonist may be prolonged and/or exaggerated, but the main point was to signify the struggle of the individual trying to break free, which was shown in “The Fall of the House Usher” (Prentice Hall Literature 322).
Poe’s use of personification, the act of giving human characteristics to nonhuman things, assigns the house of Usher a powerful and evil presence. In the first paragraph of the story, the narrator describes the house as having “vacant eye-like windows”. He uses this description twice: first to show that the house has seen everything that has led to the fall of Usher, and again to emphasize the unidentified deception of the house. The narrator also describes his negative reaction to the house as a “hideous dropping off of the veil”. This statement describes what the house has revealed to the narrator, a disgusting and disappointing appearance.
In "The Fall of the house of Usher," Edgar Allen Poe creates suspense and fear in the reader. He also tries to convince the reader not to let fear overcome him. Poe tries to evoke suspence in the reader's mind by using several diffenent scenes. These elements include setting, characters, plot, and theme. Poe uses setting primarily in this work to create atmosphere. The crack in the house and the dead trees imply that the house and its surroundings are not sturdy or promising. These elements indicate that a positive outcome is not expected. The thunder, strange light, and mist create a spooky feeling for the reader. The use of character provides action and suspense in the story through the characters' dialogue and actions. Roderick, who is hypochondriac, is very depressed. He has a fearful apperance and his senses are acute. This adds curiosity and anxiety. The narrator was fairly normal until he began to imagine things and become afraid himself. Because of this, the audience gets a sense that evil is lurking. Madeline is in a cataleptic state. She appears to be very weak and pail. Finally, when she dies, she is buried in a vault inside of the mansion. In this story, the plot consists of rising events, conflict, climax, and resolution. The rising events include the parts in the story when the narrator first arrives at the house, meets Roderick, and hears about Roderick's and Madeline's problems. Madeline's death and burial are part of the conflict. At this point, Roderick and the narrator begin to hear sounds throughout the house. The sounds are an omen that an evil action is about to occur. The climax is reached when Madeline comes back from the dead and she and her twin brother both die. Finally, the resolution comes when the narrator escapes from the house and turns around to watch it fall to the ground. The theme that Edgar Allen Poe is trying to convey is do not let fear take over your life because it could eventually destory you.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.
In the story “The Fall of the House of Usher”, Poe presents the history of the end of an illustrious family. As with many of Poe’s stories, setting and mood contribute greatly to the overall tale. Poe’s descriptions of the house itself as well as the inhabitants thereof invoke in the reader a feeling of gloom and terror. This can best be seen first by considering Poe’s description of the house and then comparing it to his description of its inhabitants, Roderick and Madeline Usher.
Beside his illness and his sister dieing, Roderick believes his condition is being controlled by the house. He call on the narrator a boyhood friend to in a last ditch effort to cheer his life up and give him someone to communicate with. The narrator arrives to a house of gloom, darkness and decaying furniture. He immediately is afraid for his life and how his friend can live a house of darkness. Several days past and it is filled with art discussions, guitar playing, and literature reading, all to keep Roderick's mind busy from the reality that he is losing his mind. The narrator and Roderick prematurely enconffined Madeline in a vault in a hope to alleviate his metal condition. She is either dead, in a coma, or a vampire. You don't know but Poe allows the reader to make there own assumptions.
In the story, the narrator visits Roderick who announces that Madeline has passed and he has entombed her in a coffin down in the basement. However, the narrative hints that Madeline is still alive as she expresses a “faith blush” just as they close the lid to her coffin. It appears as though she is suffering from catalepsy; a medical condition that places the body in a trance like state and slows bodily functions such as breathing, which simulates death. After entombing his sister, Roderick becomes fearful, wild, and agitated; he claims to hear sounds coming from the tomb down in the basement. The narrator pays no attention to him, but late one night “in a final cry, Roderick screams, ‘Madman! I tell you she now stands without the door!’ Madeline appears when the door is blown open. She lunges toward him and they fall to the floor, dead” (Mowery 1). The links and similarities between Roderick and Madeline are too obvious to ignore, there are strong psychological and sexual links between the two. For one, their birth and death occurred at the same time, both emitted feelings of gloom and doom, and they are able to detect each other’s presence. When Roderick announces that Madeline has come for him, she appears just as he predicted. In the end, the