What is fear? Is it being in a prison so dark a person can not see in front of them? In this complete darkness the narrator finds himself eating and drinking, then passing out on a cold floor. When he wakes he is somewhere else in the dark cell. Or is it a cell? Could it be a tomb? Just when he thinks the cell is so big he finds himself almost falling into a pit. He eats and sleeps again. Where or how will he wake? Does he wake from his drugged food? In this story “The Pit and the Pendulum,” by Edgar Allan Poe, he tells the terrifying struggle of a man dealing with fear, torture, and confinement.
In this complete darkness the main character has no idea where he is. Could it be a tomb, or is he in prison waiting to be hanged? The unknown narrator shows fear by the opening of story when he states, “I was sick unto death, with that long agony, and when they at length bound me, and I was permitted to sit, I felt that my senses were leaving me.” (Poe 1.) He felt this way every time he would take a drink of what little water was left for him. He would drink it, fall asleep and wake up somewhere else. When he feels the walls are beginning to close in on him and he is going to fall into a pit, he realizes the water he has been drinking is drugged. It is when he stands up he realizes he is in a dark cell with a deep pit in the middle. At the bottom of the pit is water. “And then there stole into my fancy, like a rich musical note, the thought of what sweet rest there must be in grave.” (Poe 2.) The character begins to think why am I here? Am I going to die here not knowing why? No one gave him a reason why he was taken and put in a dark cell. He knew it was the Spanish Inquisition but as far as he was concerned, he ...
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...ryday in fear they seem to lose touch with reality. Our minds are so fragile; it does not take much to make them break. We can see and hear things that are not really there. Our imagination can sometimes get the best of us. Is this what happened to the character in, “The Pit and the Pendulum?” Was he crazy?
Works Cited
Poe, Edgar Allen. “The Pit and the Pendulum.” Poe, Edgar Allan. The Pit and the Pendulum. Mankato, Minn.: Creative Education, 1980. Print
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Giordano, Robert. "A short biography of Edgar Allan Poe (1809-1849)."
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Cherokee High School. :Literary Reference Center:. EBSCOhost. Web. 7 Mar. 2010. http://web.ebscohost.com/lrc/
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Edgar Allan Poe, Born Jan 19 1809, was better at writing suspenseful stories, usually with a twist at the end. In the story, “The Pit and the Pendulum”, Poe describes an unnamed narrator telling the story of a man who was put in prison, drugged, and sentenced to death
The sad reality of life is that very few people fight oppression. Most talk about independence, but eventually most settle into a life that not even knowing someone else is in charge. In the Pit and the Pendulum, the narrator is ruled by his torturers and in Young Goodman Brown, the narrator is ruled by the Devil. Even though the narrator from the former story was ruled by his torturers, he maintained a more optimistic outlook on his challenges than Brown, who let the Devil take control and lost all hope in the world, proving that optimism is truly the key to success.
In Edgar Allan Poe’s story, “The Pit and the Pendulum,” Poe, uses the horror elements of isolation, explores violent sides of humanity, and plot twist to add suspense to the story. In the beginning of the story, Poe was standing before the judges waiting to see what sentence they were going to give him. He ended up being sentenced to death and then he fainted. When he woke up all he saw was blackness. “The blackness of eternal night encompassed me. I struggled for breath. The intensity of the darkness seemed to oppress and stifle me.” pg 3 They had different clothes on him. He was now dressed for a wrapper of coarse serge. Poe was standing up and he fell and went to sleep when he woke up. He found next to him a pitcher of water and a loaf
Poe, E. A. “The Raven.” Bedford introduction to literature: Reading, thinking, writing. 10th ed. Boston: Bedford Bks St Martin’s. 2013. 789-791. Print.
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
Poe utilizes one of the most common and universal phobias in "The Pit and the Pendulum," which is the darkness. Imagine you are condemned to death and wake to find that you cannot see your hand two inches from your face. Darkness commonly evokes feelings of anxiety, but under these circumstances I would think absolute terror. The tomb is dark, and only by an accident does the accused escape the pit and certain death. The victim searched for a rock in order to estimate the depths, which he just avoided. As the masonry hit the water far below, a light burst into his vault and a door swiftly shut. The slamming door was his first awareness that he was being monitored constantly; his torturers were adjusting his torments to his abilities at avoiding disaster.
Fisher, Benjamin F. The Cambridge Introduction to Edgar Allan Poe. Cambridge: Cambridge University Press, 2008. Print.
Poe’s themes in his poems and short stories reveal a Gothic look on the world that includes morbid imagery that some people would not be comfortable with reading. In The Pit and the Pendulum, the narrator has to make a drastic decision that not most would have to make: the choice of how to die. Although, the true horror of The Pit and the Pendulum is not just a matter of the choice of death, I believe it is also in the horror of no matter the result, he will die either way. Death in this situation is unavoidable and creates a strain in the human subconscious because of the natural human instinct to want to live. Burduck in his book Grim Phantasms: Fear in Poe’s Short Fiction writes that “of all the emotions by and affecting the mind, feat most intrigued Poe” (5). Poe’s use of fear is seen throughout many of his works and The Pit and the Pendulum is a prime example of this. The narrator in the story is put into an underground dungeon that he cannot get out of. The darkness encompassing him brings a “fearful idea” to his mind and in the dark waves his arms widely about in all dire...
This definition points to schizophrenic paranoia as the mental disorder of the narrator, and even possibly, Poe. This is further made apparent through symptoms which the narrator exhibits. The first symptom is delusion, which is that which may exists in the mind but does not exist in reality. The second symptom is catatonic behavior. The third symptom is hallucination, or the unreal sensory experience that occurs in the patient’s mind, which is made apparent through the auditory sense of the narrator. The narrator exaggerates evidences in the narrator deed are exaggerated. “And now a new anxiety seized me the sound would be heard by a neighbour!” – This is the quotation in the part where the narrator came into the old man’s room. He assured that he heard a strange sound considered as the heart beat of the old man and it was loud for him. He accused that the sound was too loud that even the neighbor might be able to hear it. He continues: “It grew louder - louder - louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! - no, no! They heard! - they suspected! - they knew! - they were making a mockery of my horror!-this I thought, and this I think.” This is the part when the narrator and the police were having chat in the room. The narrator heard the
Poe builds suspense in The Pit in the Pendulum by using an unreliable narrator when he says,"It might have been half an hour, perhaps even an hour, (for I could take but imperfect note of time) before I again cast my eyes upward," (269). This clearly shows that the narrator is unreliable because even he does not know how much time has passed and the fear of the unknown creates suspense in the reader. Along with the unreliable narrator in "The Pit and the Pendulum", Poe also uses an unreliable narrator in "Annabel Lee". This can be seen when the narrator says, "With a love that the winged seraphs of Heaven coveted her and me. And this was the
Poe creates a dark and tense atmosphere in the Pen and the Pendulum by starting the book out with the narrator receiving a death sentence from the court for an unknown crime. Poe uses a lot of suspense in this story. In the Fall of the House of Usher his atmosphere is gloomy and dark. By making the atmosphere like that, this creates imagery so vivid to the reader which helps lead to a sense of emotion while reading this story.
The story is told through the subjective viewpoint of the narrator who begins by telling the reader he is writing this narrative to unburden his soul because he will die tomorrow. The events that brought him to this place in time have “…terrified, tortured and destroyed him” (Poe). This sets a suspenseful tone for the story. He blames the Fiend Intemperance for the alteration of his personality. He went from a very docile, tenderhearted man who loved his pets and wife to a violent man who inflicted this ill temperament on the very things he loves. The final break from the man that he once was, is the “…spirit of PERVERSENESS” (Poe 514). He describes this as doing something wrong because you know it is wrong. Evil consumes his every thought and he soon develops a hatred for everything. “Speaking through his narrators," Poe illustrates perversit...
"Now this is the point. Your fancy me mad. Madmen know nothing. But you should have seen me"(42 Backpack Literature). Reading such words can create a wide imagination about what the character is truly like. The narrator in the story has an indirect personality where as you read you find out more and more about him.The narrator in Edger Allan Poe's "The Tell- Tale Heart" seems like he makes himself completely insane but as readers we are never told of any psychological problems, if any, that he may have.The characterization by Poe of the narrator crease a puzzle which makes the story interesting. I would characterize the narrator as being secretive, insane and nervous.
In the Story The Pit and the Pendulum, the narrator explains that he has been sentenced to death by the Inquisition (the institutionalized persecution of all Protestants and heretical Catholics by the Catholic government in 15th- and 16th-century Spain). The reader however must not get Poe confused with the narrator because the narrator is the one telling the story while Poe is the author of the story. The narrator starts his story by saying he is sick unto death (180). The narrator here is trying to suggest that this sickness is the normal position of a human being; everyone is mortal. He recognizes this in the beginning. "The Pit and the Pendulum" is a story of torture. The punishments that the narrator is about to receive illustrate the power of humans to inflict pain and suffering on others. In addition, though, this story shows that the worst kind of torture is that of uncertainty and fear. Once the narrator understands that he will die from falling into the pit, it is no longer as cruel a punishment as the Inquisitors want to give him. Therefore, each punishment entails some element of pain, but, more importantly, a great deal of mental anguish before death.
Edgar Allen Poe was an English short-story writer whose work reflects the traditional Gothic conventions of the time that subverted the ambivalence of the grotesque and arabesque. Through thematic conventions of the Gothic genre, literary devices and his own auteur, Edgar Allan Poe’s texts are considered sublime examples of Gothic fiction. The Gothic genre within Poe’s work such as The Tell-Tale Heart, The Black Cat, and The Raven, arouse the pervasive nature of the dark side of individualism and the resulting encroachment of insanity. Gothic tales are dominated by fear and terror and explore the themes of death and decay. The Gothic crosses boundaries into the realm of the unknown, arousing extremes of emotion through the catalyst of disassociation and subversion of presence. Gothic literature utilises themes of the supernatural to create a brooding setting and an atmosphere of fear.