Dissecting Paul McCartney: Pop Icon and Poet

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Only a hagiographer could have compiled this collection of McCartney 's poems and lyrics. I 'll admit, when I was a kid, it was John Lennon who interested me - and even he sold out. Paul McCartney was the guy who made 'Mull of Kintyre ', the song that personified sentiment and schmaltz. And in his indulgent introduction, editor Adrian Mitchell tells us: 'Paul takes risks, again and again, in all of his work. He 's not afraid to take on the art of poetry - which is the art of dancing naked. ' This is just fatuous. Mitchell goes on to tell us that 'Paul 's not a primitive '. No, he 's a wealthy pop icon. He 's a shrewd marketer of 'art '. He knows about surrealism, I 'd guess; it 's almost there in some of his poems and songs. And, of course, …show more content…

With the lyrics to 'Sergeant Pepper 's Lonely Hearts Club Band ', you can see innovation, how the shifts in tonal register and almost strophe/anti-strophe play would work innovatively within the monotheisms of rock and roll, and get a sense that it even enlivens the frame of the page. But that 's the extent of it. It scares me when I read that Mitchell had to convince McCartney to include the song lyrics; without them this would have been a travesty of a book. As it happens, it is an archival document and disembodied song-book of some interest. It is an …show more content…

And Mitchell 's comparisons of McCartney to Blake and Burns are ludicrous - the lack of technical control over language and vernacular is evident even in the great song-lyrics; without the melody, they are strangely lifeless. McCartney, if he ever understood irony, did so in the lightest (but not delicate) of ways. 'Back in the USSR '; without the irony of the pumping jauntiness of the tune, it looks ridiculous, and the stuff from McCartney 's post-Beatle years appears as linguistically inept as it is musically devoid. It may be a truism by now, but McCartney needed Lennon; they played through and against each other. The only reason I would encourage people to buy this book - and in some senses it 's like a newly released (bad) Beatles song; it 's gotta succeed - is not for appreciation of accomplishment, but in the hope Faber might put some of the profits into the rest of their poetry list and support further publications by the significant poets they

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