The Other Nature
Early in her exploration of man's soul, Joyce Carol Oates discovers a fundamental truth while writing about the character of Stavrogin in Dostoyevsky's The Possessed-that as part of his inevitable fall, man violates "nature" in so complete a way as to separate himself from the only forces that can save him. This theme dealing with the Fall of man is a constant thread that weaves itself through most of Oates' essays, the corruption by various internal and external forces and the tragedy that results from man's blindness to his own nature and to what would provide him salvation.
Oates' power lies in her ability to delve deep within the personalities of the writers, the characters they create, and the powerful themes buried deep in the work's soul. She applies psychological concepts and archetypes in order to explore the implications brought about by the similarities and differences in the characters' thoughts and actions. She reaches her most thought-provoking insights by connecting parallel motifs across a wide spectrum of literature and constantly leaps from one generalization to the next causing the reader to wonder how she has come to the fascinating and brilliant conclusions presented in Contraries. By examining the Fall of man, she discovers how self-awareness and material preoccupations lead to a corruption of the "natural" self. Later, the discussion of tragedy and transcendence in essays about King Lear and Nostromo reveals the fundamental importance of women-as saviors of the natural world and representatives of salvation for men. Women are the underlying focus of her essays; the archetypes and roles they adhere to and defy as literary characters shape the way she perceives the female. Ultimat...
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... subjection is presented as grisly and mean. Perhaps this shift of focus from the sublime to the obscene is necessary to bring more clearly into focus the longstanding female archetype and provide us with the strength to intervene in such deep-running cultural patterns. Oates certainly does not preach at us, and she never tells us exactly what to do. But reading Connie's story, and reading over Oates's shoulder as she sees the archetype that created it, we are pushed, at least, to read the stories we encounter to find and reflect on the conflicts of human nature they reveal.
Works Cited
Oates, Joyce Carol. Contraries: Essays. New York: Oxford UP, 1981.
"Where Are You Going, Where Have You Been?" 1966. Celestial Timepiece: Joyce Carol Oates Archive. Ed. Randy Souther. Dec. 1996. San Francisco. 10 Dec. 2000. <http://storm.usfca.edu/ ~southerr/wgoing.html>
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