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Acquainted with the night analysis essay
Abstract expressionism critical essay
Abstract expressionism critical essay
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Recommended: Acquainted with the night analysis essay
In 1976 Paul Vogt, speaking as literary historian, expresses his opinion that whether expressionism had existed at all. He also point out that only a few artists described themselves as expressionists.
In twenty century, expressionism shows the essential nature of German art and characters’ position within the context of international artistic developments. Later, expressionism has been written as not only art but also literature.
“Morder, Hoffnug Der Franen” (1910) is the first page of and a drawing of Oskar Kokaschka to his drama. Totally, it describes a strong man, who has a tattoo on his back and bushy hair, trample on a half naked and bleeding woman. Base on the drawing, the guy was going to kill a woman with a knife. Kokoschka wants to remind people the violence of war with the unfair and dark side. It is expressionism drawing because he uses hatching to describe the hair, blood, shadow, and muscles. He does not pay a lot of attention on the clothes; however, he does put emphasis on the emotion of their faces. Also there is a dog at background which is eager to share a piece of the dead body. As expressionism is, it shows essential natural of German art. About eighty percent of whole drawing is finish by hatching. Since they use a lot of hatching, he might use ink or charcoal as the media. Subjectively, this drawing shows different personalities for each character. It would be more successful there is a cut on woman’s body, a comment said. That will be much better to focus on the topic- bloody violence.
“The Night” (1918-1920, oil on canvas) was made during WW1 by Max Beckman. The war had changed him to search for a new definition of reality, which at first still seemed possible through late expressionism. But he soon realized that the tired and tested media of expressive distortion were incapable to express the reality that he had experienced. Finally he figured out that reality could not be reproduced, it must be created. There are seven people in the drawing, and two of them are victims- one male and one female. The two victims are punishing by one injured solider and another solider with a service cap. From painter position, People can see the painful emotion on the male victim’s face because he was going to be hung to death. The half-naked female victim was being burned by two living candles.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
This 3-D diorama illustrates a significant scene in the novel Night. This story originated during the First World War in Sighet, Hungary. The Nazis were in power and they wanted to exterminate the Jewish population; this was referred to as the Holocaust. The religious town of Sighet has not been raided yet, so they’re expecting for the best. The main characters are Elizer and his father. Sadly, the Nazis reach Sighet and gather the Jews. They could only bring what they could carry, so homes and other valuables were left alone. In this scene, the Jewish population of the small town are being deported to Auschwitz. Auschwitz was the first concentration camp they were sent to, so this was going to have a huge impact on their lives. In the small cattle car, there is Elizer, his father, Madame Schächter and the other Jews. They have reached the Auschwitz station, but the Birkenau concentration camp is where the real danger lies. In the Auschwitz station, the saying “ARBEIT MACHT FREI” translated to “work will set you free.” This meant that they would be used for labour till they died. They were burned and brutally tortured in Birkenau. Only several people amongst the group moved on, but the rest was history. The tragedy of the Holocaust is not any fairy tale; therefore, this book is filled with discomfort, illness and death.
In conclusion, Elie Wiesel’s novel Night shows us the dehumanization in the concentration camps by using tone, symbolism, and imagery. He sets the tone with the deep, dark ways he describes the terrible things that have happened to him and millions of others. His symbolic examples explain a further meaning than just an object, and the way he describes everything he saw in great detail, is
When the author of Night, Elie Wiesel, arrives at Auschwitz, the Jewish people around him, the Germans, and himself have yet to lose their humanity. Throughout the Holocaust, which is an infamous genocide that imprisoned many Jewish people at concentration camps, it is clear that the horrors that took place here have internally affected all who were involved by slowly dehumanizing them. To be dehumanized means to lose the qualities of a human, and that is exactly what happened to both the Germans and the Jewish prisoners. Wiesel has lived on from this atrocious event to establish the dehumanization of all those involved through his use of animal imagery in his memoir Night to advance the theme that violence dehumanizes both the perpetrator and the victim.
Many different responses have occurred to readers after their perusal of this novel. Those that doubt the stories of the holocaust’s reality see Night as lies and propaganda designed to further the myth of the holocaust. Yet, for those people believing in the reality, the feelings proffered by the book are quite different. Many feel outrage at the extent of human maliciousness towards other humans. Others experience pity for the loss of family, friends, and self that is felt by the Holocaust victims.
Burton’s film Sleepy Hollow is one of the most recognizable examples of modern expressionism that takes inspiration from German films of the twenties. Many of the characteristics associated with German Expressionism are utilized in this movie. It shares the same thematics as many German Expressionist films. In the film the use of abstract sets and lighting is crucial to the tone of the film.
As the German painter and sculptor, Kathe Kollwitz conveyed in her statement that the art she created held the burden of transfiguration. The fixation of sorrow and hardship that occurred while she sat huddled with the children was the driving force of her drawings. Her realization that art could not only be an escape from the horror happenings in Germany such as the rationing of food and the starving-to-death children at that time was also a way to voice her opinion of change and revolution. It was the quest, in which she enamored in her drawings and it is this feeling that I value from it. I choose this artist because she delineated the various circumstances surrounding the human individual, she took into account perspectives that involved life with its tragedies, and the lives of little angel children. Her drawings and sculptures were prepared to emulate and capture what her eyes had seen while she was in Germany and this is why I had taken a likening to her drawings. The two artworks that I am specifying in this research paper is the drawing labeled “Germany's children starve!” and”Self-Portrait, Hand at the Forehead (Selbstbildnis mit der Hand an der Stirn)”.
As the German painter and sculptor, Kathe Kollwitz conveyed in her statement that the art she created held the burden of transfiguration. The fixation of sorrow and hardship that occurred while she sat huddled with the children was the driving force of her drawings. Her realization that art could not only be an escape from the horror happenings in Germany such as the rationing of food at that time was also a way to voice her opinion of change and revolution. It was the quest, in which she enamored in her drawings and it is this feeling that I value from it. I choose this artist because she delineated the various circumstances surrounding the human individual, she took into account perspectives that involved life with its tragedies, and the lives of little angel children. Her drawings and sculptures were formed to emulate and capture what her eyes had seen while she wa...
Oard, Brian A. "DEATH AND THE PAINTING." BEAUTY AND TERROR: ESSAYS ON THE POWER OF PAINTING. Web. 19 Dec. 2011.
Many people may look at the same painting and all come away with their own understanding. Every person has their bias and preconceptions that will influence their personal experience. In this paper we will discuss how Anne Sexton described in a short poem her experience of viewing Vincent Van Gogh’s painting The Starry Night. We will observe how Anne Sexton’s poem based on Van Gogh’s painting speaks about death in darkness as the painting seems to emphasise the light in the darkness.
When enduring great suffering, people are not capable of distinguishing right from wrong. In Night, one sees that the victims of the Holocaust will do anything to survive. Elie Wiesel relives the horror when he and many more fell prey to the Nazis and when they did unforgivable things to live.
Specific techniques of German expressionism, such as dark vs. light, religious themes and spirituality, and the use
The link between expressionism and horror quickly became a dominant feature in many films and continues to be prominent in contemporary films mainly due to the German expressionist masterpiece Das Kabinett des Doctor Caligari. Wiene’s 1920 Das Kabinett des Doctor Caligari utilized a distinctive creepiness and the uncanny throughout the film that became one the most distinctive features of externalising inner mental and emotional states of protagonists through various expressionist methods. Its revolutionary and innovative new art was heavily influenced by the German state and its populace in conjunction with their experience of war; Caligari took a clear cue from what was happening in Germany at the time. It was this film that set cinematic conventions that still apply today, heavily influencing the later Hollywood film noir genre as well as the psychological thrillers that has lead several film audiences to engage with a film, its character, its plot and anticipate its outcome, only to question whether the entire movie was a dream, a story of a crazy man, or an elaborate role play. This concept of the familiar and the strange, the reality, the illusion and the dream developed in Das Kabinett des Doctor Caligari, is once again present in Scorsese’s 2010 film Shutter Island. It is laced with influences from different films of the film noir and horror genre, and many themes that are directly linked to Das Kabinett des Doctor Caligari shot 90 years prior.
Willem de Kooning was known as one of the major artists of the Abstract Expressionism period. In the post World War II era, de Kooning painted in the style that is referred to as Abstract expressionism, Action painting, and the New York School. Like all Modern art, the intent of these forms of art was not to produce beauty, but critical reflection. The intent was to awaken in the viewer a recognition of the specific, usually social or political, concern of the artist (New World, 2008). De Kooning reflected this period by working in such as a way as to both eschew all traces of visible reality in the painting as well as to create uncontrolled and sometimes violent gestures, which is reminiscent of this time (Gale Encyclopedia, 2006). His works show great emotion, mostly of a tortured, aggressive nature, which was thought of by many to be the ultimate expression of this abstract period.
the devastation by creating pieces of work featuring a new dark genre Paintings and drawings