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Media portrayal of Latinos hispanic prezi
Immigrants assimilating into American society
Stereotype about immigrant
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Immigrant population has been steadily increasing in the U.S in the past twenty years. Immigration has been accompanied by myths and stereotypes that have caused strong support and opposition towards immigration legislation and policies. Due to popular television and movies, the average American has many misconceptions about what it is like to be an immigrant living in this country. In order to rid our nation of these misconceptions and generalities, they need to be identified and dispelled. This paper identifies and dispels some of these misconceptions, myths and stereotypes targeting the migrant populations. The scope of this essay will be limited to the Latino population by examining the narrative of two films between Quinceañera and Spanglish.
Immigration reform has remained a hotly debated topic in the national discourse of the U.S. The media and films have continuously portrayed immigrants as depriving American citizens of jobs and as welfare-seekers. A common misconception that has been used in films is that immigrants, especially Latino work as servants doing menial jobs in order to achieve upward mobility in the society. According to Brayton, there were constant association between the Latina immigrant population and domestic labor is made in films. However, this should not be reason enough to stereotype a whole grouping. Spanglish and Quinceañera show that the success of the Latino protagonists depends on the altruism of the Anglo society. Undeniably, immigrant groups offer a certain diversity that makes it hard to create generalizations based on stereotypes and prejudices.
The representation of Latino as maids or servants in films often serves to illustrate an ideology about the protagonist or family that they work fo...
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Harrell, Belle, “Multiculturalism Must Come to a Truce: Hollywood and the Perpetual Browning of the Nation” (2006). Electronic Theses, Treaties and Dissertations. Paper 4253 Print.
Harrell, Belle. Multiculturalism must come to a truce Hollywood and the perpetual browning of the nation. Saarbrücken: VDM Verlag Dr. Müller, 2007. Print.
Quinceañera. Dir. Glatzer R. Sony Pictures Classics, 2006. Film
Romero, Mary. Maid in the U.S.A.. New York: Routledge, 1992. Print.
Soto, Rosa E.. Looking Latina cultural perspectives on images and representations of Latinas in film, television and popular culture. Gainesville, Fla.: University of Florida, 2006. Print.
Spanglish. Dir. Brooks James L.. Columbia Pictures, 2004. Film.
Valdez, Inés. "Reel Latinas? Race, gender, and asymmetric recognition in contemporary film." Politics, Groups and Identities 1.2 (2013): 181-198. Print.
Afterwards, in the 1990s films portraying Latinos would take a somehow new direction, one of the most famous filmmakers would be Gregory Navas, he directed the movie My Family/Mi Familia, a film that portrays the lives of a Mexican-American family and the difficulty that the couple faced in order to establish in the U.S. “by passing as immigrants and all the struggle to integrate their family in another country” (Peña Acuña, 2010). The film let the audience see a potential reality that most immigrants went through when they first moved to the United States and how the system worked differently and the way immigrants had to adapt not only to the system, but also to the language and culture.
The Latino Generation: Voices of the New America is a book written by Mario T. Garcia. This book tells the individual life stories of individual Latino Americans all attending the same class at University of California, Santa Barbra. The book discloses stories and events told by 13 students each who narrate from first person and give us a brief description of their life. The book is composed of 13 sections with an additional introduction and conclusion (Garcia, Kindle). Within this reflection I will describe the key points within this book and compare the stories within this book not only to each other, but also to additional stories of Latino Americans and how Garcia’s book rids the general public of misconception of Latinos.
I disagree with Nicolas Barquin's statement that the "evolution [of Latino portrayal in films] as being [improved] is pseudo-hypocrisy because as ideologies and views on race have advanced, representation through the film medium has remained consistent in the discrimination of Latin@s in film. " Although it is true that the Anglo producer's depictions of Latinos have for the most part remained discriminatory, Latino portrayals have given the American audience more realistic portrayals to work with. Film depictions have come a long way since the early days of using white men to play Latino roles. As the years went by, and a greater understanding of Latino culture emerged, film representations of assimilation became a lot more realistic. The cultural gap between Julio Desnoyers and today?s portrayals of Latinos such as New York Undercover?s Agent Torrez is extremely wide.
As showed in the film, Latino American often misrepresented and underrepresented both in front of and under the camera. American Hispanic often portrayed as lazy, unintelligent, greasy and criminal. Hispanic women often pictured comfortable sexuality as prostitution in film production; while Hispanic actors limit to criminal characters such as drug dealers, gangster, and provide the power for the white American. Audiences have less interaction with Latino in their real world might be easily framed by media images regarding the race and ethnicity. The lack of Hispanic history and culture understanding allows these media portrayals to change and form unfavorable behavior and attitude against Latino communities.
It is true that “The George Lopez Show” does not stoop to the usual levels of stereotyping Hispanics as lazy or gang members (Morales, 2002). For the most part the show does a good job in portraying Hispanics in a non stereotypical way, however, the way that certain characters on the show talk, such as the mother and the brother, are very much the stereotypical Mexican dialect. Also, Lopez’s children are extremely lazy, which is stereotypical of the Hispanic culture, although its also very abundant in teenage culture too (Morales, 2002).
Immigration has always been an issue in the United States, which is often portrayed as harmful and as major threat to American culture. As a result, various anti immigration policies have been aimed against immigrants in order to prevent and preserve the miscegenation of American culture, such as English only policies. Among the largest minority groups in the U.S, are Latinos who currently compose of 15% of the U.S population (Delgado and Stefancic 3). Unfortunately, Latinos have been accused of taking American benefits, jobs, and have wrongfully been depicted as a result of not assimilating to American culture. Latinos are often accused of resisting assimilation, but what has failed to be acknowledged is that there are obstacles set in place that are preventing Latinos from completely assimilating. Among those greatest obstacles there is discrimination. Institutional as well as individual discrimination have prevented many Latinos from feeling a sense of belonging. As a result Latinos have been reluctant to assimilate. Another major component is proximity. Many Latinos are native to nearby countries which allows for easy communication with family members as well as their culture. Moreover, it also allows for a constant influx of immigrants that replenish and preserve Latino cultures and traditions in the U.S. Lastly, Latino movements are working diligently to promote unity among communities for the purpose of creating a sense of identity and pride amongst Latinos, such as the Chicano movement.
Andre, Judith. “Stereotypes: Conceptual and Normative Considerations.” Multicultural Film: An Anthology. Spring/Summer 2014. Eds. Kathryn Karrh Cashin and Lauren Martilli. Boston, MA: Pearson, 2013.
As muscle-bound figures such as the Terminator and Rambo stormed big screen, it was also during this period that we witnessed the ostensive arrival of “racially sensitive” buddy cop films. Lethal Weapon 4 (1998) directed by Richard Donner is a buddy cop film, which portrays a more subtle ‘modern’ type of racism. In saying so, the film examines inter-racial relationships attempting to diminish racial issues and present characters with equity in order to give comfort and reassurance to a wider ethnic audience. With calls for more minority representation on screen, black-white interracial buddying seemed to make political and financial sense to Hollywood studios (Chan 110). However, minority representation on screen presented a much more complex underlying notion to be represented on screen. In relevance to Lethal Weapon 4, this essay attempts to examine relevant points from Shoham and______ article .
The number of Asian American communities is growing in the U.S. population, however, these groups of people are often marginalized and misrepresented in mainstream media. In today’s mainstream media, there is a visible lack of Asian American representation on film. Asian actors, when given roles in film and television, are rarely cast for central roles and form about only 3% of prime-time characters (Ramasubramanian, 2011). Not only is the number for casting Asian and Asian Americans low, the roles of these characters are often portrayed in the stereotypical ideology which has been present for decades. But why are Asians portrayed the way they are? Why has Hollywood maintained its representational practices when it comes to the portraying Asians? Why do these portrayals persist in the presence of a growing Asian population and racial diversity? What is the significance of the Asian American segment for Hollywood? To what extent does the consideration of the Asian American market influence the way Hollywood portray Asians? These are the questions that surface when watching films, and in the lens of an Asian American, many Asians and Asian American do not fit the mold created by Hollywood. First, I will introduce the range of common film representation of Asians. This literature review will focus on the negative and positive light of Asian representation , the structure of Hollywood film industry and its effect on representing Asian race, the social acceptance of Asian stereotypes, and Asian American’s social identity theories.
Hollywood’s diversity problem is well-known; however, the extent might be surprising to most Americans. According to a 2014 report by the Center for the Study of Women in Television, Film & New Media, found that females comprised only 30% of all speaking characters among the top grossing films of 2013. (Lauzen, 2014) However, minority women faired far worse than their Caucasian counterparts. As a matter of fact, if one looks at the numbers even female characters from other world’s were as better represented in film than some minority women; the numbers are as follow for women: Caucasian (73%), African American (14%), Latina (5%), Asian and other world tied (3%). (Lauzen, 2014) If the lack of representation were not enough consider a 2009 study which found that when minority groups are portrayed on television the portrayal tends to be negative. (Alexandrin, 2009) A study by Busselle and Crandall (2009) found that the manner in which African-Americans are portrayed, often as unemployed criminals, tends to have an influence on the way the public perceives African-American’s lack of economic success. Furthermore, the news media does an equally poor job in the ways that African-American’s are presented; according to the same study while 27% of Americans were considered “poor” in 1996 the images of America’s “poor” being presented by news media was heavily Black (63%). (Busselle & Crandall, 2002) Today, this can be seen in the way that African-American victims of police brutality are depicted in the media. Even when African-Americans are murdered at the hands of police for minor and non-violent offenses (e.g. Mike Brown, Eric Gardner, and Tamir Rice) they are often portrayed as thugs, criminals, and vandals. What’s more, seve...
What is the vision of the “American Dream” Hispanic immigrants believe is waiting across the border? What kind of discrimination does the Hispanic public face in their daily lives in the U.S? What kinds of social mobility do Hispanics have in store after crossing the borders of the U.S? These questions define the lives of Hispanic immigrants. The importance of finding out how exactly these topics influence their lives however, is pertinent to finding the hardships and daily boundaries Hispanics face in their day-to-day routines in the United States.
Judith Ortiz Cofer, a professor of english and creative writing, tackles gender roles as well as cultural stereotypes in “ The Myth of the Latin Woman” and challenges them by attempting to replace the stereotypes with the realities. In “The Myth of the Latin Woman” Cofer discusses her life in America as a Puerto Rican woman. She also shares her stories of when she was stereotyped and how gender roles play a role in how Latinos are viewed. Stereotypes will follow you around because of your appearance and how the media portrays Latinas.
The Myth of the Latin Woman: I Just Met a Girl Named Maria, an essay written by Judith Ortiz Cofer, discusses the racial stereotypes Cofer struggles with as a Latin woman who travels across America. Throughout her life, Cofer discusses her interactions with people who falsely misjudge her as a Latin woman. Additionally, Cofer mentions other Hispanic women she has met in her life, who also suffer with racial assumptions. Although several people would disagree with Cofer and claim that she is taking racial remarks too seriously, racial stereotyping is a significant issue that should not be overlooked in our society. People should not base someone’s worth by their outward appearance or their ethnic background.
Ethnicity and appearance has become a tremendous problem in the media due to the fact that they try to use it as a power to control creativity of abstaining the truth in media. According to journalist Nishijima, A, she refers to the Oscars and explains that it is very absurd how the media is slowly progression in lacking diversity. This was recognized when watching the Oscars and seeing that based off predominantly white nominees. Nishijima quotes “Boone Isaacs decl...
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...