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The arnolfini wedding
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The Arnolfini portrait is one of the appreciable paintings of the Netherlandish Renaissance, filled with fabulous details and complex symbolism. It is also known as The Arnolfini Wedding, The Arnolfini Marriage or The Arnolfini Double Portrait. This artwork is an oil painting dated 1434 by the early Dutch painter Jan Van Eyck and it has been exhibited in The National Gallery in London since 1842. This painting is small full-length double portrait, which is believed by art historians in order to represent a marriage ceremony of Arnolfini couple in their home in Bruges. Van Eyck applies a complex iconography to demonstrate medieval ideas on domestic life, wealth, status and gender roles in this masterpiece.
Jan Van Eyck was a Flemish painter who was born around 1390, in Maaseik and works in mostly Bruges and is generally considered one of the most important Northern European painters of the 15th century. “Van Eyck was not the inventor of oil-based paint, but he is recognized as being one of the first to perfect its use” (Kloss 95). Van Eyck is known as the pioneer of oil painting, he made major contribution to the improvement of oil painting. He applied new techniques by using oil-based paint to benefit from the longer drying time of oil-paint because it give him chance to blend wet-to-wet in order to increase three-dimension effect and to add more details. In addition these, using oil paint also allowed Van Eyck to differentiate surfaces and to emphasize different textures. It permitted to him “to capture rich jewel-like colors and subtle changes in textures and surfaces” (Stokstad 596).The brilliant colors also help to heighten the realism effect and to demonstrate the wealth and prosperity of Arnolfini.
Jan Van Eyck produced pain...
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...ns and Van Eyck had in mind, they have become immortal trough art” Scallen 30)
Works Cited
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Hall, Edwin. The Arnolfini Betrothal – Medieval Marriage and the Enigma of Van Eyck’s Double Portrait. Berkeley: UniVan Eyckrsity of California, 1997. Print.
Kloss, William. A History of European Art. Chantilly: Teaching, 2005. Print.
Scallen, Catherine B. The Art of the Northern Renaissance. Chantilly: Teaching, 2005. Print.
Seidel, Linda. Jan Van Eyck's Arnolfini portrait: stories of an icon, Cambridge [England]; New York : Cambridge University Press, 1993.
Stokstad, Marilyn. Art History. Ed. Sarah Touborg. 3rd ed. Upper Saddle RiVan Eyckr: Person Prentice Hall, 2008. Print.
Regardless of taste, an appreciator of art should be able to recognize when an artist exerts a large amount of effort and expresses a great amount of creativity. Understanding the concepts incorporated by truly talented artists helps the viewer better understand art in general. Both Van Eyck and Velasquez are examples of artists that stood out in their time due to their unique vision and their innovative style, and are therefore remembered, recognized, and praised even centuries after their works were completed.
The compositions that each piece displays is different and prestige in its own right. Flemish panel painters were largely influential and created extraordinary developments in composition. The artwork tends to be very detailed and filled with symbolic meanings from surrounding objects or even coloring. Jan van Eyck was especially credited for paying exceptional attention to detail that creates such a realistic form, the figures seem lifelike. Much of this realistic appearance is due to the medium that was widely used in the North. The use of oil paints and techniques, such as finer detail with smaller brush strokes and layering of oil paints to create a glaze, were used and developed giving the Northern art distinct characteristics and composition. Italian painters created frescos by applying pigments to wet plaster. The result is a dull, flatter color and they were unable to achieve intricate detail. The com...
Cothren, M. & Marilyn Stokstad. (2011). Art History, Volume 2, 4th Edition. Upper Saddle River, NJ: Pearson Learning Solutions.
Following centuries of a powerful church, chivalrous knights, and harsh struggles, emerged a season of rebirth, rediscovery, and revival. Characterized by humanistic ideals, the Renaissance period marked a new style of art and literature and fresh appreciation of the body and nature. The pinnacle of the period occurred from 1500 to 1520, an era concentrated in Italy and known as the High Renaissance. Two prominent faces of the time were Leonardo da Vinci, painter of the acclaimed, “Mona Lisa,” and Michelangelo Buonarroti, sculptor of the jaw-dropping, “Pieta.” As the Renaissance spread North, Jan van Eyck, gifted artist of the “Arnolfini Wedding,” entered the public eye as well. Gradually, the study of mortal man replaced the study of the Almighty
Years ago, Sister Mary Corita Kent, a celebrated artist and educator of the 1960’s and 1970’s stated, “A painting is a symbol for the universe. Inside it, each piece relates to the other. Each piece is only answerable to the rest of that little world. So, probably in the total universe, there is that kind of total harmony, but we get only little tastes of it” (Lewis "Quotes from Women Artists"). Nowadays, a painting is not the main form of art humans appreciate. In fact, literature of all sorts can be considered a different form of art and often found in literature are symbols. A "symbol" is an object, person or action which represents an abstract idea (Warren “English 102”). In literature, a symbol or set of symbols can have a wide range of meanings. For example, color is a universal symbol; some may say it is a general symbol for life. However, each color separately can symbolize something different depending on the context. Analyzing five piece of literature for symbolism, one will be able to gain a deeper understating of symbols.
Early in his career as an artist, he is credited with the perfection of oil paint, a common medium of Northern Renaissance art. Oil paint is made by adding pigment to linseed or walnut oil and dries slowly allowing the painter more time to make revisions and add detail. It also has a luminous quality that permits the artist to capture rich colors. Van Eyck would eventually settle in Bruges, Flanders to work as the painter and in the valet de chamber (court) of Philip the Good. It is in Flanders that he became one of the most well known panel painters of the 1400s and the Northern Renaissance. Van Eyck’s artwork, especially his panel paintings, contain an abundance of symbolism and have been the focus of many studies in art. Jan Van Eyck’s ability to add a storyline to his artwork through his careful addition of detailed iconography has led to various theories as to what he was attempting to portray through his work. The Arnolfini Portrait, one of Jan Van Eyck’s masterpieces, is also one of his most studied pieces as the symbolism is exceptional and an influence to many subsequent
The painting depicts two figures, the one of a woman and of a man. The dominating central figure is the one of the woman. We see her profile as she looks to the left. Her hands are crossed in a graceful manner. She has blonde hair and her figure is lit by what seems to be natur...
Jan van Eyck, a Northern Renaissance artist was one of the earliest Flemish oil painters, artist and portraitist. He became a court painter to Duke Philip the Good of Burgundy, a sophisticated man in Europe. One of Jan van Eyck’s incredible oil-paint work is ‘Man in A Red Turban’. As his brilliance in the use of oil glaze was extraordinary, he was mistakenly credited with the invention of oil painting. The painted portrait by Jan van Eyck holds a strong sense of personality and a remarkable sense of realism.
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Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
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Kleiner, Fred S. Gardner’s Art through the Ages: The Western Perspective. Vol 2.13th ed. Boston: Wadsworth/ Cengage Learning, 2010.
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Kleiner, Fred S. Gardner's Art Through the Ages. Boston: Clark Baxter, 2009. Print. The.