Zora Neale Hurston's Their Eyes Were Watching God
In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus able to find himself or herself in the God that they worship.
Grandma embodies the initial faith of the book. Her faith is in the spiritual and her allegiance is to Jesus and God. Of all the characters in the book, Grandma has the least power. She is the only one who has lived through slavery and witnessed the change in history that took place after the Civil War. During slavery, she is not only materially oppressed through lack of power and material wealth, but also emotionally oppressed. Because of the oppressive society created by slavery, she has no control over her own life. The only way she can feel as if she has any power is to believe in a God. Her worship of God, therefore, becomes a representative power for her. She is empowered by the belief that she can at least count on God, if in nothing else. When she is escaping from the plantation she is against all odds, but she says that “And den de Good Lawd seen to it dat Ah wasn’t taken…But nothin’ never hurt me ’cause de La...
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... for him rids her of powerlessness, and she regards him as God, because she loves him and is ready to leave at his command. After Tea Cake’s death, Janie still clings to her love for him, which empowers her. As long as “he [isn’t] dead” she can contain the power of her love for him, and “he could never be dead until she herself had finished feeling and thinking” (pg. 193). Through her faith in love, Janie is able to conquer powerlessness. At the end of the book she displays her newfound power by telling her story.
Grandma’s spiritual convictions and the other characters’ material faiths caused them all to overcome their powerlessness. The title Their Eyes Were Watching God reveals each character’s belief in a different God. But all these different faiths had one purpose: to find one’s own self and sense of power in the society in which they inhabit.
If Ah ever gits tuh messin’ round another woman it won’t be on account of her age. It’ll be because she got me in de same way you got me—so Ah can’t help mahself." Tea Cake professes his love to Janie by saying that she is the only woman he thought of marrying. Tea Cake knows that he will be loyal to Janie, but can not control other women's urges to flirt with him. When Tea Cake tells Janie that he is the man in her life he says:"You don’t have tuh say, if it wuzn’t fuh me, baby, cause Ah’m heah, and then Ah want yuh tuh know it’s uh man heah." (Ch.18). Tea Cake wants Janie to know that he is nothing like her other husbands, but is perfect for her. Tea Cake is essentially perfect for Janie because he helped her accomplish her her ultimate dream of love. Janie and Tea Cake’s marriage is the key to a good marriage because they treat each other with equality and
..., she found her identity. It did not come easy for Janie. It took her years to find out who she really was.
Janie then leaves Joe and doesn’t speak to him again until he is on his death bed. After Joe’s passing Janie meets a young man called Tea Cake. The town’s people feared that Tea Cake was only with Janie to attempt to steal her money. Janie ignored these warnings and runs away with Tea Cake anyway; Tea Cake soon gambles all of Janie’s money away. Not wanting Janie to provide for the two of them, Tea Cake moves the two of them to the everglades to harvest crops. Tea Cake allows Janie to be his equal and even lets her work in the fields with him. A hurricane rolls into Florida and instead of leaving with everyone else Tea Cake and Janie stay. During the storm while trying to protect Janie, Joe is bitten by a rabid dog and contracts rabies which eventually leads Janie to shoot him in self-defense. After buying an extravagant funeral for Tea Cake Janie returns to Eatonville to tell her story. Throughout Janie’s life her care takers/husbands have played four very different roles in molding Janie into the strong woman she becomes: Nanny wan an overbearing parental figure, Logan was her first husband that treated Janie like his slave, Joe was her second husband who held Janie as a trophy, and Tea Cake her third and final husband was Janie’s
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
When Janie is with Tea Cake she feels complete in all aspects of life, and feels no need to depend on anyone else but him. When Tea Cake passes away we see Janie almost dependent soley upon herself, but she still confides in her best friend Pheoby when she returns
Grey, Katie. "Their Eyes Were Watching God: Analyzing Relationships." teenink. Teen Ink, Web. 20 Nov. 2013. .
Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she grows into a stronger woman through three marriages.
The Harlem Renaissance was all about freedom of expression and the search for one's identity. Zora Neale Hurston’s, Their Eyes Were Watching God, shows these goals through the main character Janie and her neighbors. Janie freely expressed what she wanted and searched for her identity with her different husbands. Even though Janie was criticized by everyone except her friends, she continued to pursue. She lost everything, but ultimately found her identity. Hurston's writing is both a reflection and a departure from the idea of the Harlem Renaissance.
In the end, Janie found herself being defined by other people, so to say Logan, Joe, and Tea Cake. During her marriage to Logan, Janie is viewed as a spoiled and non-hard working girl that needs to learn what it means to make a living. In her marriage to Joe, Janie is only needed for her outward appearance for him to define as his possession; never did he consult her about what she wanted. In both of these relationships she was forced to be something that she was not. Once Tea Cake came along everything had changed; going from following another man’s orders to being able to live a fun-loving life. Throughout the time she spends with him, finally free from being defined by someone else, Janie Crawford discovers who she is and what love is.
Tea Cake, in this moment, takes the initiative for Janie allowing her to move forward in her life. Through his actions, Tea Cake breaks these boundaries set by Joe thereby creating a new impression of gender
When Tea Cake enters Janie's life, Janie really starts to come out of her shell. She lets down her hair that was kept up the entire time with Starks. This symbolizes Janie letting all her inhibitions out. In finding Tea Cake, Janie has "completed her voyage" of self-discovery. Tea Cake allows her to feel exhilarated and young again. She makes more friends and becomes more social. During this time in her life Janie is an excellent role model for other black women. She does not give a second look at what other people think about her, which is very admirable. This is shown when Hezekiah Potts tells Janie that Tea Cake is too low of a man for Janie yet, she stills persists on seeing him. Many people also think that Tea Cake is courting Janie for her money only. Janie pays no regard to these onlookers though.
Through her three marriages, the death of her one true love, and proving her innocence in Tea Cake’s death, Janie learns to look within herself to find her hidden voice. Growing as a person from the many obstacles she has overcome during her forty years of life, Janie finally speaks her thoughts, feelings and opinions. From this, she finds what she has been searching for her whole life, happiness.
Some people would argue that God is a being who watches over us, however other would argue that God manifests through nature, our surroundings, and us. Transcendentalism revolves around the idea that God is nature. It also supports the theory that God is all around us and inside of us and we should be self-reliant and strive for simplicity. These transcendentalist ideas and traditions were present in Their Eyes Were Watching God, by Zora Neale Hurston, as Janie experienced herself and the world around her head on over time.
Janie associates God with love as many people do, calling on religion only in the best and worst times of life. The first two thirds of the novel does not have many points in which God seems relevant to Janie's life. This all changes when Janie falls in love because she feels like she needs to thank God for bringing Janie and Teacake together. The hurricane scene is one area in the novel where love and the relationship between God and nature is brought up. When the hurricane is worsening in severity, Teacake guiltily asks Janie if she wishes she were back in her big house instead of with him.