Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Frankenstein literary analysis
Ethical dilemmas in frankensteins
Dr. Frankenstein and the creature as one
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Frankenstein literary analysis
You Are What You Are The controversy between vengefulness and compassion is one that many debate within society. Whether seen on the news or experienced in person, I myself along with the majority of people instinctively assess whether an offender committed a crime out of honesty or true malicious intent. Further, judges are professionally employed with the duty to decide the severity of a punishment depending on the offender’s overall character. Yet even with conclusive verdicts, these decisions almost always remain controversial. Similarly in Frankenstein by Mary Shelley, the question of “Who is the real Monster?” is a never-ending fierce debate, and one that particularly altered me through my experiences of Frankenfest. Reading the novel, it initially seemed obvious that Victor Frankenstein’s creation is clearly the “Monster, and that Victor is merely a victim of his own benevolent scientific pursuit. But after watching climatic scenes …show more content…
I learned that while the Monster wanders around showing feelings of admiration and sensitivity towards others, his outward appearance alone is what causes much hatred to be inflicted onto him – and regrettably, so much hatred to be radiating out. It was clear that the creation serves as an example of a being that is not truly evil, but one that was simply trying to fit into the world. Consequently, he lashed out as a result of society responding exactly the opposite: rejecting him. As I now understood, what makes a monster is not always necessarily dependent on one’s actions, as those actions could strongly be influenced by
Since the fall of Adam, humanity has always been keenly aware of the existence of good and evil, right and wrong, justice and injustice. Any person who has been betrayed or abused has felt the weight of injustice. Anyone who has been mistreated has experienced the desire for vengeance. However, opinions begin to differ when defining the boundaries of justified revenge. Varying perceptions prevents humans from viewing and validating the motives of others. In Mary Shelly’s Frankenstein, the two main characters were driven to madness by their desire for revenge against each other. In the book, Victor Frankenstein and his creature both relayed the same story; however their individual perspectives drastically shift the roles of the perpetrator and the victim. Mary Shelly’s brilliant juxtaposition between the Creature and his Creator demonstrated the relativity of justified revenge.
...od; misery made me a fiend. Make me happy and I shall again be virtuous" (Shelley 66). In the novel, Victor has two chances to provide this happiness for the creation. In both cases, all the creation desires was a companion, be it Victor or a new creation. And, in both cases, Victor is influenced by his initial reaction of disgust at the sight of his original creation. This reaction originates from a preconception, a fear caused by the human nature to prejudge based on past experience. This prejudice is indeed the source of the pain and torment in Mary Shelley’s Frankenstein. If a "monster" exists in the novel, it is this aspect of human nature.
What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor Frankenstein. The novel looks at “Monstrosity” and “Humanity” in a deeply analytical way.
In the novel, Frankenstein, by Mary Shelley, the Creature's only need is for a female companion, which he asks Victor Frankenstein his maker to create. Shelley shows the argument between the creature and Frankenstein. The creature says: "I demand a creature of another sex, but as hideous as myself " (Shelley 139). Shelley shows what the creature wants from Frankenstein and what his needs are. Shelley gives us an idea of the sympathy that Frankenstein might feel for the creature even though he neglects him. The creature confronts Victor demanding his attention and expressing his needs. I feel a lot of sympathy for the creature based on him being able to forgive Victor for abandoning him and being able to communicate with him.
The literary critic Harold Bloom, in his Afterward in the Signet Edition of Frankenstein states that, “The monster is at once more intellectual and more emotional than his creator.” Bloom continues to say that the creature is more human, more lovable, and more to be pitied than Doctor Frankenstein (292). Throughout the novel Frankenstein, the monster portrays more human qualities than his creator Dr. Frankenstein. Dr. Frankenstein appears less human than his creation because he rejects his own creation and he fails to plan for the results of his experiment. As the monster wanders through the novel searching for companionship and acceptance, Dr. Frankenstein refuses to provide the support expected of a parent or creator. While the monster appears human in his attempts to socialize with his peers, Dr. Frankenstein represents the monstrosity that occurs when humans tamper with life.
In Mary Shelley’s Frankenstein, Victor Frankenstein, the protagonist, produces a monster and instead of teaching his monster the mannerisms and norms of society, he abandons him. Victor expects his monster to make it in the harsh, critical society without being taught correct demeanors because he believes that having correct mannerisms is intuitive. A common viewpoint of the book is that Frankenstein’s monster should receive the blame, because he should have had proper nature, but in reality, society nurtured him to act out. Victor isolated the monster, and other members of society followed in Victor’s example and also treated him as so; which made the creature’s actions monstrous. Frankenstein played God, causing society to view his creature as a monster and as a risk to the public, but Frankenstein did not intend to create the monster as dangerous in nature; society nurtured him to act as a beast.
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.
Like a child longs for a mother’s love, the monster longs for the love of his creator. When the monster was first created, Victor says that the monster looked at him “while a grin wrinkled his cheeks.” The monster looks at Victor with love and instead of receiving love in return, he receives complete rejection. The monster cannot understand why his own creator does not love him like God loved Adam. The monster believes he should be like Adam but is “rather the fallen angel.” God made man in his own image and loved Adam even with his flaws. Yet, victor made “a monster so hideous that [Victor] turned from [his creation] in disgust.” This rejection from Victor makes the monster angry and
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
In the book, the reader comes to find that Victor Frankenstein emulates this human nature, to betray. Victor shows his betrayal by creating life out of death, and by leaving his creation as soon as it is brought into the world- just for being displeasing to the eye. Although the Monster was considered the pinnacle of betrayal, the real monster was Victor Frankenstein himself, and the human nature that he universally
A monster is usually viewed to be a supernatural creature that humans judge based on looks and not necessarily on personality. In the novel, Frankenstein written by Mary Shelley, the monster is a creature Victor creates but abandons immediately because he is horrified by his own creation. Due to the monster’s appearance, society does not give the creature a chance to show his true self. Therefore, the monster faces an external conflict because of Frankenstein’s and society's rejection, making it difficult for him to blend into his new life. Victor creates the monster because of his unusual compulsion of aspiring to be like God. However, Victor does not know how to treat or be responsible for his creature. Victor Frankenstein is the true monster
Victor Frankenstein was the creator of the monster in the book. He was an ambitious man who had high hopes and dreams for himself, but this characteristic was the cause of his downfall. He had a ruthless desire to obtain forbidden knowledge- a knowledge that only God was worthy of having. This lead him to lock himself in his laboratory, disregarding his family, friends, and health. His one purpose was to create life. In his quest to create a human being and bestow the power of life, Victor eventually did create a creature, but this lead to a situation
In many instances the hero and the villain are very easy to tell between, but in the novel Frankenstein by Mary Shelley these two symbols come together to create confusion among readers. Many can argue that because Frankenstein’s creation viciously murdered so many people he is the obvious the bad guy in the story but what people must take into account is all the things in the creations life that caused him to behave as he did. He was one of the ugliest beings on earth, not knowing where he came from, and having no one love him. He did not begin to turn violent until his creator left him to go the world alone and be disowned by everyone that met him. Frankenstein wanted so badly to play God but when he had finally gotten what he wanted his disrespect for others took over and made him the ultimate villain. He stole what his creation needed to survive, love, acceptance, and an authority figure. Ultimately, it is Frankenstein’s selfishness that brings down not only his own self, but that of his creation as well.
Mary Shelley’s Frankenstein or; The Modern Prometheus, published in 1818, is a product of its time. Written in a world of social, political, scientific and economic upheaval it highlights human desire to uncover the scientific secrets of our universe, yet also confirms the importance of emotions and individual relationships that define us as human, in contrast to the monstrous. Here we question what is meant by the terms ‘human’ and ‘monstrous’ as defined by the novel. Yet to fully understand how Frankenstein defines these terms we must look to the etymology of them. The novel however, defines the terms through its main characters, through the themes of language, nature versus nurture, forbidden knowledge, and the doppelganger motif. Shelley also shows us, in Frankenstein, that although juxtaposing terms, the monstrous being everything human is not, they are also intertwined, in that you can not have one without the other. There is also an overwhelming desire to know the monstrous, if only temporarily and this calls into question the influence the monstrous has on the human definition.
Frankenstein shows that what looks like a monster in appearance my not be and what looks normal on appearance may be a monster. While a scary ugly creature may look like a monster a true monster is formed from within and is scene through actions. Along with this knowledge is power and power has the ability to make monsters. The pursuit to know more is a never ending road that leads to lies, secretes, and monstrosity. “How much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow,” while knowledge is boundless and beautiful an excess of anything can create a monster.