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How are thrushcross grange and wuthering heights similar
Characters of heathcliff
Social class and social inequality
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“What good is social class and status? Truthfulness is measure within. Pride in one’s status is like poison – holding it in your hand and eating it, you shall die”. This was stated in the Sri Guru Granth Sahib, the central religious text in the religion of Sikhism. The quote is used to describe the social class system in society and how it will lead to a downfall to those who become contemptuous with their status. In the novel, Wuthering Heights by Emily Bronte, the author illustrates two separate households in which both houses represent inverses from one another. Wuthering Heights and Thrushcross Grange, the two houses in the novel, are in many ways set in opposition to each other. Wuthering Heights is depicted as an intimidating household …show more content…
In the academic journal Wuthering Heights and Violation of Class by T. K. Meier, the writes about the elements which transcend social class and a related theme of moral decline due such violations of class. An important character this journal talks about is Heathcliff. He is seen as a man who “seeks not to destroy the existing social system but merely to dominate it”. His demonic vengeance is directed against individuals, and his aim is to secure the traditional prerequisites of economic power and social elevation for his posterity. We see Heathcliff as a nameless illiterate savage at the beginning of the novel and is transformed into a gentleman’s son after being picked up by old Earnshaw. He achieves in time a violent communion with Catherine and toleration from Nelly Dean, two members of the household who are going undergoing a reduction from their former positions. Heathcliff humbly accepts his new status, but it becomes a foreign concept to him once he realizes his status is higher to that of Hindley’s given where he started at the beginning of the story. While in this depraved state, he seeks vengeance towards Catherine and Edgar, however, he abandons his lust for revenge “in favor of a mystical communion with Cathy’s soul, leaving two generations of economic and conjugal ruin behind him”. Heathcliff demonstrates a prime example on how he violated his class status and became contemptuous with it by seeking revenge on the people he loved. Yet, he chose not to seek his revenge because of his love for Catherine and realizes that all of his hate was for nothing and only made himself more miserable than he already was, showing his moral decline in the
In a place where law and social rules do not seem to apply due to isolation from society, childish and primitive instincts begin to be unrepressed, with wilder acts of violence showing savage emotions and actions in order to fulfill desires. As McKinstry claims, the characters are living in a world where “fantasy and desire overcome adult laws of reality and order” (McKinstry 142). This isolated environment leads to many acts of socially intolerable violence, such as physical harming of others and the putting of more helpless lives in danger. Unacceptable cruelty is apparent from the very beginning of the novel, when Heathcliff is first brought to the Earnshaw manor and is treated as an inferior being by being called “it” by Nelly and…… One of the most absurd examples of this is when Hindley is retrieving Hareton from Nelly during one of his common drunken o...
The Linton and Earnshaw family's dependence on the erratic British social classification system galvanized the caustic nature of characters in the story and influenced their decisions greatly. Without the existence of such communal prejudices, the Linton family would have condoned the impecunious past of the Earnshaw family and permitted lovers to love who they had been destined to adore. Catherine Earnshaw and Heathcliff, the two instigators of every emotional and physical situation in the story would have been truly happy, leaving them no need to have any injurious intentions for those around them. The precarious importance placed on British social class had been the sole devastating factor in the characters' lives and the stimulus for the cataclysmic nature of personages in Emily Bronte's Wuthering Heights.
Martha Nussbaum describes the romantic ascent of various characters in Wuthering Heights through a philosophical Christian view. She begins by describing Catherine as a lost soul searching for heaven, while in reality she longs for the love of Heathcliff. Nussbaum continues by comparing Heathcliff as the opposition of the ascent from which the Linton’s hold sacred within their Christian beliefs. Nussbaum makes use of the notion that the Christian belief in Wuthering Heights is both degenerate and way to exclude social classes.
Although, Mr. Earnshaw tried to make Heathcliff an equal part of the family, Heathcliff never truly fits in. Heathcliff is from a completely different social class than the rest of his “family”. This led to the hatred that Hindley felt towards Heathcliff. Hindley robs Heathcliff of his education, forces him to work as a servant at Wuthering Heights and frequently beats him. Throughout this all, Heathcliff never complains.
The Lintons and Earnshaws are part of the Gentry class of Victorian England; they are both landowning families, fairly high up in the class hierarchy. But the genetic natures of the families are entirely different: the Lintons are well behaved, subdued, spoilt, steady, sensible and arrogant; in comparison, the Earnshaws are strong willed, moody, generous, free spirited, easily influenced, laid back and non-formal. The nurture of the characters is connected very strongly to social status: Heathcliff is denied social status initially by his birth and subsequently by Hindley, which creates great hatred in Heathcliff: this denial of status is perceived much more seriously than what we consider serious today. Catherine chooses Edgar over Heathcliff for reasons of social status, even though she and Heathcliff are so similar. Hareton is also denied social status, which turns his attitudes against the Gentry class and creates rifts between him and other characters: for example, it makes Cathy and Linton, who would be his equals, look down on him.
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
The initial downward spiral of Heathcliff’s life was predominantly caused by harsh influences in the environment in which he was raised. Heathcliff, an adopted child, grew up in Wuthering Heights, a desolate and dystopian estate when compared to the beauty of the neighboring Thrushcross Grange. In childhood, Heathcliff displayed evidence of a sympathetic personality through his emotional attachment to Catherine and kind attitude towards Nelly. At the time of Mr. Earnshaw’s death, Nelly describes a scene where, “Miss Cathy had been sick, and that made her still; she
In Wuthering Heights by Emily Bronte, what first appears to be an overabundance of descriptions about a mansion in nineteenth century England easily turns into a myriad of sentiment, hatred, and love among the protagonists. The work can be classified as an unprecedented satire, using indirect actions of its characters to convey a forthright message regarding human misdeeds. The first few pages of the book presents two main characters, Mr. Heathcliff and Mr. Lockwood, where both serve an important role in intensifying the plot. They have nearly opposite personalities, as Heathcliff is a humble, reserved landlord while Lockwood is an arrogant, agitated fellow. It can also be inferred that through some of the actions Lockwood engages in that he represents an immoral figure that mankind should grow to despise, in a time where benevolent behavior and personality is highly valued. Consequently, this kind of behavior serves to condemn him in an irreverent way, as a plethora of contempt eagerly follows him nearly every place he travels to.
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
The basic conflict of the novel that drives Heathcliff and Catherine apart is social. Written after the Industrial Revolution, Wuthering Heights is influenced by the rise of new fortunes and the middle class in England. Money becomes a new criterion to challenge the traditional criterias of class and family in judging a gentleman’s background. Just as Walpole who portrays the tyrannies of the father figure Manfred and the struggles of the Matilda who wants to marry the peasant Theodore, as depicted in the quote “(…) improbability that either father would consent to bestow his heiress on so poor a man, though nobly born”(p. 89), Brontë depicts a brutal bully Hindley who torments Heathcliff and separates Catherine from him. Heathcliff, a gypsy outcast picked u...
In this dark, romantic novel, by Emily Brontë, elements of Gothic style are used to show the concept and effects of generational curses. The second-generation characters in Wuthering Heights experienced the generational curse of their parents, due to the poor decisions they made. The generational effects are mistreatment, not learning how to be comfortable with who they are, and being victims of their own environment. Only by the very end of the novel, does Brontë depict that there is hope of overcoming the generational curse.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a destructive force, motivating him to enact revenge and wreak misery. The power of Heathcliff’s destructive love is conquered by the influence of another kind of love. Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff.
Perhaps the ultimate symbol of this corruption is Linton Heathcliff, the son of Isabella and Heathcliff. Linton is a pitiful, scatterbrained boy, who seems to be completely occupied with his own thoughts. When Heathcliff meets Linton for the first time, Linton breaks down into tears, and Heathcliff describes the boy as, “...a shame of (Linton’s) mother, never to waken your filial regard for me! You are my son, then, I’ll tell you; and your mother was a wicked slut to leave you in ignorance of the sort of father you possessed” (194). In this short dialogue between the two, the reader can infer a lot. First, Heathcliff, the owner of Thrushcross Grange, is a product of the abuses he suffered during his childhood at Wuthering Heights, which has caused him to become a violent, obsessive, and demeaning character. He later becomes a shell of himself, constantly mourning the loss of Catherine, and his transformations symbolize the change in Thrushcross Grange from a place of high class to one of as little esteem as Wuthering Heights. Also, Linton is the child of one member of each house. As he is, a small, pitiful character, he symbolizes how the intermingling between the members of Wuthering Heights and Thrushcross Grange has caused the status of both to
Written by Turki S. Althubaiti, Race Discourse In Wuthering Heights, is a critical essay that is part of the European Scientific Journal - an online peer reviewed, open access journal, that is issued monthly and contains high quality research articles. The critical essay was written on March 15, 2015, and was produced in order to explore Emily Bronte’s use of racial discourse within her novel Wuthering Heights. The essay would appeal to those interested in humanities or more specifically, the way nineteenth-century race is explored in Wuthering Heights.
Heathcliff is characterized “as dark almost as if it [Heathcliff] came from the devil.” (45) Throughout Wuthering Heights, Heathcliff is treated poorly and is mainly a product of a troubled childhood. This man then manifests into a person that is hardly capable of holding back his impetuous actions, and, therefore, exemplifies the capacity of the most powerful emotions. Although he may not be the ideal protagonist, it is ultimately not his fault and in the end is defined by the events in the story. Due to the extreme emotional and physical pain endured throughout his life, Heathcliff exhibits the strongest love and hate towards others through passion and revenge.