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How are women portrayed in homer's odyssey
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Women in Homer's Odyssey, Joyce's Ulysses and Walcott's Omeros This essay explores the role of women in Homer's Odyssey, James Joyce's Ulysses (1922) and Derrick Walcott's Omeros (1990), epics written in very different historical periods. Common to all three epics are women as the transforming figure in a man's life, both in the capacity of a harlot and as wife. In Homer's Odyssey, Kirke, represents the catalyst who encourages Odysseus's transformation into a mature man. Homer uses Kirke, a godly nymph who displays divine powers, to portray the harlot. After sailing away from the Laistryones, Odysseus and his crew land on Aiaia. They disembark and scavenge the island for food, but instead find the nymph in her palace. Empowered by the gods to bewitch the crew, Kirke turns Odysseus's men into swine. Homer uses the word swine to describe the soldier's subconscious state of mind after years at war that involves raping women and plundering towns. "For ten years, [they] had been in Troy, fighting a war in a he-man world, where no dialogue between men and women takes place.." (Campbell 54). Both divine and mortal, the gods immunize Odysseus by sending the messenger, Hermes, with the black root and milky white substance to neutralize Kirke's power. 'The Lady Kirke mixed me a golden cup of honey wine, adding in mischief her unholy drug" (Homer 175). Casting her spell and thinking it took, Kirke sends Odysseus to lie with his crew in the sty. "Down in the sty and snore among the rest!" (Homer 175). Kirke's brew failing, Odysseus draws his sharpened sword and in one bound places it against her throat. Kirke asserts her power and Odysseus subverts it, a tryst the gods deploy to rid Odysseus of his rogue and a... ... middle of paper ... ...racelets. Smelling her aroma, feeling the air stir from her passing, mesmerized by the serpentine grace of her body, he could do nothing but acknowledge her power. When Maud dies, Major Plunkett makes his home on the island where he commemorates the life of the woman he loves, Helen. Works Cited Campbell, Joseph. Mythic Worlds, Modern Words: On the Art of James Joyce. New York: Harper Collins, 1993. Mamner, Robert D. Epic of the Dispossessed: Derek Walcott's Omeros. Columbia: University of Missouri Press, 1997. Hexter, Ralph. A Guide to The Odyssey: A Commentary on the English Translation of Robert Fitzgerald. New York: Random House, 1993. Homer. The Odyssey. Trans. Robert Fitzgerald. New York: Random House, 1990. Joyce, James. Ulysses. New York: Random House, 1986. Walcott, Derek. Omeros. New York: Harper Collins, 1990.
Heubeck, Alfred, Stephanie West, and J.B. Hainsworth. A Commentary on Homer's Odyssey. New York: Oxford UP, 1988.
"Could I forget that kingly man, Odysseus? There is no mortal half so wise; no mortal gave so much to the lords of the open sky." proclaims Zeus, the king of all gods in Homer's The Odyssey. He, among countless others, harbors high regards for Odysseus, the mastermind of the Trojan War turned lost sailor. However, the epic poem is sprinkled with the actions of gods and goddesses pushing Odysseus towards his path home to Ithaka, giving the mortal war hero little exposure to the limelight. So when does all the high and mighty talk of Odysseus' power prove true? Only in the absence of godly intervention can the title character live up to his name. In Homer's The Odyssey, excessive reliance on the gods' assistance weakens the overall effect of Odysseus as the hero; while, as a break from the norm, Odysseus' single-handed defeat of the Kyklops Polyphêmos adds true suspense to the story as well as merit to Odysseus' character.
Fagles, Robert. The. The Odyssey. New York, NY: Penguin Books, 1996. Katz, Marilyn.
would change became reality. This was a threat to the power of the king. The different
The Fruitland Community differs from the novel, Anthem more than it is similar. Bronson Alcott designed a community which would help others carry out all their philosophies. His practical needs to act on his high ideals made this community popular, but only for a short time. In the Fruitland community people are not free in all respects. This brings similarity and differences in relating Anthem stated that no individual is free. No one could express one’s thoughts, ideas, or even one’s feelings in Anthem. The Fruitlanders did have individuality, but the people in Anthem felt that it was a sin to see themselves as an individual person. The Fruitland leaders “wanted to eliminate cattle from the drudgery of farm labor and spare them from the degradation of slaughter for food. However, they also meant to end the need for human contact with animals due to the fact they felt that animals were revolting to the spirit” (3). The Fruitlanders only used resources that would grow above ground; consequently, their food became scarce. They only produced eno...
Tracy, Stephen V., The story of the Odyssey. Princeton, N.J. : Princeton University Press, c1990. PA4167 .T7 1990
This oppression of the Third Estate along with the financial problems that fell on the common people would lead to the French Revolution. Overall, the people of France revolted against the monarchy because of the unsuccessful estate system and the inequality it led to, because of the new enlightenment ideas that inspired them, and because of the failures of the monarchy.
... World Literature. Ed. Martin Puncher. New York: W. W. Norton & Company, 2012. 441. Print.
Friar Lawrence didn’t think of what was lawfully right, but of the destiny of two people, that were very important to him. He cared for them, and wished Romeo and Juliet well. He valued them as his own children. It goes to show that Friar Lawrence was human, also, and not perfect, since no one can be perfect.
The Odyssey: Portrayal of Women How does Homer portray women in the epic, The Odyssey? In order to answer this question you must look at woman and goddesses as two separate groups of people who are "people". This is because they are portrayed in two separate ways. You see, a regular woman like Penelope is looked at as beautiful but has.
The image of seductresses is a recurring motif in The Odyssey. These women are a temptation to Odysseus. They attempt to keep Odysseus from accomplishing his goal: his homecoming. Circe is a bewitching goddess. She entices Odysseus’ crew into her palace with her enchanting voice. However, after she feeds them, she promptly turns them into pigs. Circe also succeeds in enticing Odysseus; he stays with her one year as her lover. It is so long that his crew declares that it is “madness” (326). They say that it is “high time” that Odysseus thinks of his homeland (326). Later on, Odysseus and his crew encounter the sirens. Knowing the danger they pose, Odysseus has all his men’s ears stopped up with wax. However, Odysseus wishes to hear their song; so he asks his crew to tie him to the mast. The song of the sirens is so sweet and enticing. Their “ravishing voices” almost make Odysseus forget his desire to return home (349). His heart “throbbed” to listen longer; he signals for his men to let him go free. The grea...
Heubeck, Alfred, J.B. Hainsworth, et al. A commentary on Homer's Odyssey. 3 Vols. Oxford 1988
Lawall, Sarah N. “The Odyssey.” The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 206-495. Print.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
These three major factors: the hopeless leader and government, the revolutionary ideas and roles of the philosophers, and the starving people of France established and applied the ideas of Enlightenment to bring forth the French Revolution. This blood stained revolution was unavoidable because, as explained in Rousseau book of The Social Contract, the legitimate power comes from the people. That being said,