Reflection of Others
In a couple between a man and woman, the man is known for being the dominant one in the relationship. In the story "Woman Hollering Creek", by Sandra Cisneros. Cleofilas Enriqueta Deleon Hernandez, is a woman who suffers from her husbands over dominance of the relationship. Cleofila is woman with ambitions to live a meaningful life filled with love and happiness just like in her telenovelas. Instead, she lives in isolation with Juan Pedro Martinez Sanchez, her husband who she loves dearly, but is constantly abused by him. The only friends Cleofila has are her lady neighbors, Dolores and Soledad. In their actions and responses, many women unwittingly reflect the viewpoints and focus of their friends and neighbors
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The husband of the families is responsible for protecting and providing for them, "Because the towns here are built so that you have to depend on the husbands."(224). Unlike Dolores and Soledad where they no longer have men in their lives to depend on, Cleofila does. Her husband is well capable of being someone she can depend, instead she's abused by him. This goes to show that Cleofila can leave him, but has no power to do so. Early in the story before the abuse starts she mentions how she would defend herself if any man struck her, "She had always said she would strike back if a man, any man, were to strike her."(222). But when her husband first hit her she did absolutely nothing, which shows how powerless she …show more content…
The moment she moved across the border with her newlywed husband is when the isolation started. She was no longer going to receive the support from her friends and family like she always had. Her husband also refused to let her contact her family " She hasn’t been allowed to call home or write or nothing."(227). Cleofila coming from Mexico and moving into a town where she knows no one, she also, doesn’t speak English. This just makes her isolation worse. Cleofila reflects Dolores and Soledad because their isolation doesn’t allow them to do anything. They spend their days gardening, watching tv, and
In the short story “Woman Hollering Creek” the conflict of the story is between the main characters Cleofilas, the protagonist, and Juan, the antagonist who are married. The conflict stems from Cleofilas’ perception of how a wife should be treated versus Juan’s idea of how to treat
“Sweat” by Zora Neale Hurston and “Woman Hollering Creek” by Sandra Cisneros have common themes of spousal abuse and gender power struggles. The female characters roles within their household are very different. Cleofilas is forced to stay home alone with no car while her husband works. Delia on the other hand makes the living for her household while her husband Sykes lives off of her wages and does as he pleases, including cheating on her. The female characters in both stories find freedom from their abuse and struggles with their husbands, but they find freedom in very different ways. Another woman aids Cleofilas in her escape, and she has somewhere to go, back to her family. Delia has to put up with her abuse for 15 years of marriage, far
Juan Rubio was not feeling the same about his wife anymore, Richard and his sisters had to deal with the separation of his parents, and Consuelo no longer wanted to be submissive to her husband. After the move, Consuelo was exposed to a different lifestyle for women and how they handled certain situations in America. Her American friends often questioned her level of importance. Once she married Juan Rubio, Consuelo knew she would become “the anchor” of her husband and the house. Because of this, she is stuck in an internal battle with herself. She wants to be the support system her husband demands while living up to Mexican values, but desires to have the new freedoms American women have. Juan’s infidelity and the downfall of their marriage was the push that helped change Consuelo. Although she did not want to lose the affection of her husband and children, she did not want to fall victim of the stereotypical housewife. Consuelo was not finding joy in merely serving her family but wanted recognition for who she is as a woman. “But all such scenes did not end with laughter, for Richard’s mother was a different person altogether now, and constantly interfered when her husband was in the act of disciplining a child, and these interferences grew until they flared into violent quarrels” (Villarreal 134). At this point, Counselo shows us she has developed a voice of her own. She was acting and saying
Hemingway can be seen as a women's man, he was attracted to women, and marriage did not prevent him from having affairs. Whatever his life was, one of the main themes in his writing remained his determination to understand the difference between the two genders. This difference always mattered in his texts, as we will see in this short story, written by Hemingway, “Up In Michigan”. In this story, Hemingway tries to tell the story in the way he thinks a woman would see and live it, during the story, he will alternate the two point of views, the man’s (Jim), and the woman’s (Liz), and he will end the story on Liz’s view.
Women’s Escape into Misery Women’s need for male support and their husband’s constant degradation of them was a recurring theme in the book House on Mango Street. Many of Esperanza’s stories were about women’s dreams of marrying, the perfect husband and having the perfect family and home. Sally, Rafaela, and Minerva are women who gave me the impression of [damsel’s in distress].CLICHÉ, it’s ok though. It’s relevant They wished for a man to sweep them of their feet and rescue them from their present misery. These characters are inspiring and strong but they are unable to escape the repression of the surrounding environment. *Cisneros presents a rigid world in which they lived in, and left them no other hope but to get married. Esperanza, however, is a very tough girl who knows what she wants. She will keep dreaming and striving until she gets it. She says, "I am too strong for her [Mango Street] to keep me here" (110). Esperanza learned from all of these women that she was not going to be tied down. She said, "I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain" (88). **Especially after seeing that Sally was suffering so much. Sally’s father is making her want to leave home by beating her. Sally "said her mother rubs lard on the places were it hurts" (93). There is not enough lard in the world to be able to cure the pain within Sally’s heart. Sally, "met a marshmallow salesman at a school bazaar" (101). Pretty soon " sally got married, she has her house now, her pillowcases and her plates" (101). Her marriage seems to free her from her father, but in reality she has now stepped into a world of misery. This was supposed to help her heal; " she says she is in love, but I think she did it to escape." (101). Unlike the other women Sally has no escape, no poetry, not even papaya coconut juice, not to mention, " he does not let her look out the window" (102). That is why "she sits at home because she is afraid to go outside without his permission."(102). Rafaela’s situation also involves imprisonment in her own home. Cisneros introduced us to Rafaela, a young beautiful girl whose expectations from marriage were to obtain a sweet home to live in. Instead...
Cleofilas grew up in a male dominant household of six brother and father, and without a mother, she no woman figure to guide her, give advice on life, or how to love a man. Cleofilas turned to telenovelas for a woman’s guidance on love and appearance, and she began to imagine her ideal life through the television series. Once Cleofilas was married she moved away into a home with her husband, were she pictured everything to be like the couples on the telenovelas, but she soon starts to realize life isn 't exactly like how they view it in the telenovelas. In the story Sandra make the statement ‘From what see can tell, from the times during her first year when still a newlywed she is invited and accompanies her husband, sits mute besides their conversations, waits and sips a beer until it grows warm, twists a paper napkin into a knot, then another into a fan, one into a rose, nods her head, smiles, yawns, politely grins, laughs at the appropriate moments, leans against her husband’s sleeve, tugs at his elbow, and finally becomes good at predicting where the talk will lead, from this Cleofilas
The author, Sandra Cisneros, grew up as a Mexican-American woman in Chicago, Illinois. Her mother was Mexican -American and her father was from Mexico; she makes a clear point the difference between the two cultures. She graduated from Loyola University in Chicago and from there enrolled in a Writers’ Workshop at the University of Iowa. Bad Boys, a book of poetry, was published by a small press company that specialized in Latino literature in 1980. It received little notice. But her first fiction collection, House on Mango Street, was published in 1984 and gained the noticed of the New York publishing establishment. “The work is organized, like Mango Street, around the central female protagonist, whose views of her extended family help to clarify her own character” (Perkins, 390). The story “Woman Hollering Creek” came from her 1991 book of stories entitled Woman Hollering Creek and Othe...
When the United States was taking shape a nation, many events took place, and they played an important role in defining the country in different ways. One theme that comes up is the role women played in the development of America as a nation. For long, the society has been focusing on the role of men from different races and ethnicities in the development of America. The women of the Great Plains are among those that the American society had failed to recognize on many fronts, including their lives before America started to become a great nation in the mid-nineteenth century. These women lived between the Appalachian Mountains and the Rocky Mountains horizontally and between Arctic Circle and Mexico vertically, where the land is
Cleofilas, must endure the hard labor of her husband’s temper and if she doesn’t take on both gender roles for example: housework, caring for her children, and the outside duties of the home, she suffers the consequences of her husband and the beatings. Juan Pedro, Cleofilas husband is just like society in this situation, he doesn’t think twice about laying a hand on his wife. Whereas, in Cleofilas situation, society doesn’t want to get involved and will place the incident “under the rug” they don’t want to be asked questions, by the husband or the
She strives to be a good housewife and mother, but why does she have to settle and put her dreams of finding a true love on hold? Cleófilas does not want to let her life pass her by, and so she takes action. A river was nicknamed La Gritona, which means “loud-mouthed” or “barker”, because a woman hollers in anger or pain. Her personality was quite the opposite of the creek, “so pretty and full of happily ever after” (Cisneros, 222). When Cleófilas and her husband enter the ice house, she “sits mute” (Cisneros, 223) and remains respectful, two accurate words to describe the protagonist. The world of fictional glamour is farther away because traditional expectations presume woman will exhibit such proper behavior. It was not until the end of the excerpt where Cleófilas took her life into her own hands and directed her own telenovela. She took her baby and decided to go back home to safety and happiness with the help of a woman named Felice. When crossing La Gritona, Felice “let out a yell as loud as the mariachi” (Cisneros, 227), something that can be heard from a distance. The driver is loud and vivacious and freely herself. Cleófilas received her happy ending, which involved her and her laughter that “gurgled out of her own throat, a long ribbon of laughter, like water” (Cisneros, 228). Water moves freely, and vast amounts could dominate. Cleófilas left her marriage and refused to settle for her
In the story “Woman Hollering Creek” Sandra Cisneros covers the many challenges of being a married woman through the character Cleofilas. Cleofilas is married to a man that would not only mentally abuse her ,but physically also. Cisneros shows how double standards make it difficult for women; putting men above women. The culture has always been dominated by men.
Imagine living in a family that struggled and strained to support itself. Any efforts to improve the lives of strangers and acquaintances would seem futile and unobtainable. People in the United States of America had to live with these hardships during the Great Depression. A series of stock market crashes during the 1930’s was the main cause ot the Great Depression. As a result of the Great Depression, many regulations, orders, and government organizations were created. The livelihoods of people living in the U.S. were changed drastically due to a drop in job availability and education. People across the country tried to improve the way they lived, specifically southern women. Though the lives of southern women were changed during the Great
Women Hollering Creek was considered one of Sandra Cisnero's best works. With a Texan view, this 22 short story novel was set upon the late 1960's to 1980's era. There are three distinct sections: “My Lucy Friend who smells like Corn”, “One Holy Night” as well as “There was a Man, There was a Woman”. Each part contains short stories within them. These all consist of a heartwarming girl, Esperanza,who matures into a woman and how she faces these gender roles through love and violence. Cisneros alters the name Esperanza with Chayo, Rachel, Lupe, Ines, and Clemenica, to explain differences between them along with to give the story more lewd effectiveness.
Minerva does not try and escape even though she “is always sad like a house on fire—always something wrong. She has many troubles, but the big one is her husband who left and keeps leaving” (Cisneros 63). Minerva is clearly unhappy, but because she is accepting of her role and she will not leave him. She does not have the power to leave her husband and if she tried she would probably be beaten or worse. Esperanza wants to help Minerva but there is nothing that she can do for her: “Next week she comes over black and blue and asks what can she do? Minerva. I don’t know which way she’ll go. There is nothing I can do” (Cisneros 63). Esperanza knows that she cannot do anything for Minerva. It will take the power of Minerva removing herself from the abusive situation to actually save herself. Minerva having no power in her marriage is a clear relationship back to the theme of women accepting their role with men as their superior.
When Drew rejects Clemencia, she moves on to his son, controlling and sleeping with him, staying in power. I think by controlling her son, she wants to show Drew that she controls him. Drew was the only thing that she wanted, in fact she wanted to be with him but he said he wouldn’t leave his wife. One thing to note is that she sleeps with those, whose affair when comes out in the open could hurt someone and those that are Mexican, she doesn’t consider them to be “potential lovers”. Drew’s affair would hurt his wife, and Drew’s son’s affair would hurt Drew. Clemencia becomes like “La Malinche” who is always “guilty of betray” (Wyatt). She may not be directly betraying anyone but she is the reason for the betrayal. She wants others to feel what she felt when her mother betrayed her for someone from a different