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Character sketch of roderigo in othello
Honour in othello
Honour in othello
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‘Othello’ begins with a meeting between Iago and Roderigo outside Brabantio’s house. We are taken into the plot through the two men’s animated discussion about the fact that Othello has eloped with Desdemona of whom has captured Roderigo’s heart. We learn of this affair as an act of stolen love or ‘witchcraft’ on Othello’s part. Othello is portrayed very badly in this scene and Iago’s wit makes him truly believable. The fact that Othello is written about as a ‘burglar’ or ‘foul thief’ suggests to the reader that he is not worthy of Desdemona. However, our assumptions are foiled when Othello is finally asked for his side of the story. ‘True I have married her. That is the top and bottom of my offence, no more . . . I won his daughter’. Perhaps it is his version of the story, the method by which he attained this ‘treasured gift’ that warms our hearts to the ‘black ram’. It is easy for one to sympathise with the beautiful tale of love. How she ‘loved me for the dangers I had passed, and I loved her.’ Othello won her through his impressive stories and adventures he encompassed when he was travelling.
The whole ordeal of the elopement serves to indicate the fact that there must be a strong bond between the two characters. Desdemona and Othello both lost extremely good reputations. Desdemona, ‘a modest maid of such a still and quiet disposition that she blushed at her own shadow’. The fact that Desdemona ‘In spite of her youth, her country, her reputation, everything!’ eloped with Othello is in itself a very ‘bold’ action of love. Desdemona lost her father’s respect the one to whom ‘gave me life’ and to whom she was ‘eternally grateful’.
‘Valiant Othello’ also had a good reputation and it was his good luck that he was ‘vital for state business’. Perhaps the admiration Venice had for him disappeared.
The language used between Othello and Desdemona to profess their love uses images of one’s soul and heaven to suggest they are in harmony. ‘To see you here before me. Oh my soul’s joy! If after every tempest come such calms, may the winds blow till they have wakened death, and let the labouring bark climb hills of seas, Olympus-high, and duck again as low as hell’s from heaven! If I were now to die, ‘Twere now to be most happy; for I fear My soul hath her content so absolute that not another comfort like to this succeeds in unknown fate’’ Othello is saying that his happiness is so complete that he’ll never again equal it so he wouldn’t care if he dies now.
Firstly, the determinist argue that “everything we do is cause by forces over which we have no control (James & Stuart Rachels 110). The free will this theory speaks of is most likely on the biological level, as there are many natural events that occur that people have no control over. For example, the act of cellular reproduction, this
In philosophy today, free will is defined as, “the power of human beings to choose certain actions, uninfluenced by pressure of any sort, when a number of other options are simultaneously possible.” Philosophers have debated the issue of whether humans truly possess free will since ancient times. Some argue that humans act freely, while others believe that, “Every event, including our choices and decisions, is determined by previous events and the laws of nature—that is, given the past and the laws of nature, every event could not have been otherwise,” which is an idea known as determinism (Barry, #14). This relationship between free will and determinism continues to puzzle philosophers into the twenty-first century. An example of a piece to the free will puzzle, are the schools of thought of Incompatibilism and Compatibilism. Incompatibilism is defined as,
Desdemona is a stunning, youthful, white, Venetian debutante. She is her father's pride and joy, but she refuses to marry any of the rich, handsome Venetian men that her surroundings expects her to spend the rest of her life with. Instead, she elopes with Othello – an older black man, an outsider to Venetian society. Turns out, this is a pretty intrepid move – Desdemona not only defies her father's expectations (that she marry a white man of his choosing), she also thumbs her nose at a society that largely disapproves of interracial marriages. In this way, Desdemona's relationship with Othello speaks to the play's concerns with Sixteenth Century attitudes about sex, gender, and race. Desdemona withholds many attributes to the play Othello by Shakespeare. She leads on a perfect life, as the perfect woman, but will it last forever?
The love between Othello and Desdemona is a great venture of faith. He is free; she achieves her freedom, and at a great cost. Shakespeare, in creating the figure of her wronged father, who dies of grief at her revolt, sharpened and heightened, as everywhere, the story in the source. Her disobedience and deception of him perhaps cross her mind at Othello’s ominous ‘Think on thy sins.’ If so, she puts the thought aside with ‘They are loves I bear you.’ . . . Othello is a drama of passion and runs to the time of passion; it is also a drama of love which, failing to sustain its height of noon, falls at once to night. (141)
Determinism is the theory that everything is caused by antecedent conditions, and such things cannot be other than how they are. Though no theory concerning this issue has been entirely successful, many theories present alternatives as to how it can be approached. Two of the most basic metaphysical theories concerning freedom and determinism are soft determinism and hard determinism.
In the Shakespear’s play “Othello” it is clear to see that the relationship between him and Desdemona is a complicated one wrought with passion and confusion which leads to emotional trauma and physical abuse. At point and times in the story of “Othello” love was transmuted different. Othello was not as gentle and kind as Desdemona when it came to his lover he a times exhibited symptoms of insanity. He also at times exhibited lack of confidence that is found in the perceived unity of marriage. This was apparent that the two lover on loves battlefield were on two opposing sides, Desdemona was honest and faithful to Othello until their tragic end.
There exists a kind of person who can be called by no other name than by “Magnificent Bastard”. They are masters of deception, bloody brilliant, unstoppable in achieving their goals even when it means grinding others into the dust, and yet they have such a flair, such a charming disposition, that they are often admired by even those who are wronged by them. Iago in Shakespeare’s play Othello is one such character. The audience may love or hate him, but either way they must admit that he commands the spot-light. In spite of this, the reason why Iago acts as he does is shrouded in mystery. Even when directly speaking to the audience about his motivations, Iago is not always truthful. In reality, while Iago derives great pleasure from manipulating others, his driving motivation throughout the entire play is his own jealousy; from being unrecognized for his greatness, to an impossible love for Desdemona, and of the virtuous characters all around him.
Firstly, when the men of Brabantio, Desdemona’s father, confront Othello’s men, Othello calmly says, “Keep up your bright swords, for the dew will rust them.” (10). Othello is confronted on the matter of his elopement with Desdemona with force and with words. Not only is he very cool about his dealings with violence, but also when he is asked to tell the story of how he had Desdemona fall in love with him he states the truth, and he doesn’t leave out any details of how he accomplished it. He openly admits that had any other man told his story, that man also would have won her heart.
The problem of free will and determinism is a mystery about what human beings are able to do. The best way to describe it is to think of the alternatives taken into consideration when someone is deciding what to do, as being parts of various “alternative features” (Van-Inwagen). Robert Kane argues for a new version of libertarianism with an indeterminist element. He believes that deeper freedom is not an illusion. Derk Pereboom takes an agnostic approach about causal determinism and sees himself as a hard incompatibilist. I will argue against Kane and for Pereboom, because I believe that Kane struggles to present an argument that is compatible with the latest scientific views of the world.
Free will vs. determinism is an argument as complex, intertwined, and co-dependent as nature vs. nurture or the age-old question of whether it was the chicken or the egg that came first. Philosophers have contemplated the question for ages, and arrived at no satisfactory answer.
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
Love, if he loves, must be to him the heaven where he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood.” Othello is pure and powerful in his goodness.... ... middle of paper ... ...
One of the most widely discussed topics in the field of philosophy is the concept of determinism. Determinism is “the thesis that only one continuation of the state of things at a given moment is consistent with the laws of nature” (Inwagen). In other words, people do not act of our own accord but rather by the hand of a greater force in a predetermined series of events. The theory of determinism opposes that of free will, which is the belief that we have the choice to do whatever we want to do. This theory has been mulled over and over again by philosophers who believe that the laws of nature highly suggest the existence of only one pathway of events, a path that is strictly based on an exact chain of cause and effect that can be traced back
Within and beyond philosophy, lies the tension between the universal concept of free will and determinism. From a general standpoint, individuals are convinced that they rule and govern their own lives. Free will embodies that individuals have the freedom to dictate their own future. It asserts that our minds and essence have the capacity to choose our own actions and direction, whilst also choose alternative paths. Determinism on the other hand, suggests that life is a product of necessity and causation, built upon the foundations of the past and laws of nature. It threatens the thesis of free will by positing that the world and everything in it is knowable through strict cause and effect relationships - eliminating the possibility of freedom