William Cooper's Town

1005 Words3 Pages

Taylor, Alan. William Cooper’s Town: Power and Persuasion on the Frontier of the Early Republic. New York: Random House, Inc., 1995.
A book review by Jonesia Wilkins
When writing William Cooper's Town, Alan Taylor connects local history with widespread political, economic, and cultural patterns in the early republic, appraises the balance of the American Revolution as demonstrated by a protrusive family's background, and merge the history of the frontier settlement with the visualizing and reconstituting of that experience in literature. Taylor achieves these goals through a vivid and dramatic coalescing of narrative and analytical history. His book will authoritatively mandate and regale readers in many ways, especially for its convincing and memorable representation of two principles subjects- William Cooper, the frontier entrepreneur and town builder, and his youngest son, the theoretical James Fenimore Cooper, who molded his own novelistic portrayal of family history through accounts such as The Pioneers (1823).
While William Cooper's Town is ready in approach, its fluid and expeditious-paced narrative is virtually relentless in fixating on one major theme: the pursuit of ostentatious status in a republic that subscribed to democratic values but remained bound by hierarchical conceptions of gregarious worth from the colonial history. Building the story around the terms "ascent," "potency," and "legacies," Taylor reflects William Cooper's elevate from penuriousness and ambiguity to great wealth an influence and conclusively his frivoling away of the family fortune through a accumulation of restless overreaching, transgression, and transmuting economic circumstances beyond his control. Cooper's goal of perpetuating his estat...

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...ved sister Hannah in a horse-riding contingency and how her recollection influenced the depiction of the female character in The Pioneers Taylor disputes Cooper's assertion in the 1830s that his novel ha to with his family, attributing this denial to the novelist's discomfort with the authenticity of a boisterous, democratic Cooperstown at odds with the harmonious and deferential Templeton of fiction.
Alan Taylor has written the book, William Cooper's Town so affluent in texture and implicative insinuation that it is arduous to do it justice in any brief review. His work defies simple categorization as it moves in a seamless manner between William Cooper's world and that of his novelist son. Taylor deserves the highest accolade for availing us to rethink the nature of the historians art while conveying us to a particular frontier of the early American republic.

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