“For He calls Himself a Lamb!” In a biblical worldview, there is only one person referred to as a lamb, Christ Jesus. William Blake captures the essence of Jesus Christ as the symbolic Lamb of God in his poem “The Lamb.” A biblical worldview can be simply defined as a Christian’s outlook on life. Evidence of a biblical worldview can be seen through the poem’s symbolism, theme, and imagery.
19th century poet, William Blake considered himself to be a devout Christian. However, he disagreed with many of the aspects of the Christian religion as an “institutionalized system.” Blake believed a person can only truly understand Christ through knowledge, every person should desire to be like Jesus, all men are the sons of God, and God’s presence can be seen in all of humanity. Blake articulated his biblical outlook on life and his opinions of the church through several of his poems and essays.
“The Lamb” exhibits Blake’s outlook on life as a Christian. The poem is best known for “the lamb” symbolizing innocence. In literature, a lamb represents innocence and the biblical lamb represents Jesus Christ’s purity and innocent sacrifice. The innocence theme is dispersed between a child’s innocence and Christ’s innocence. “Little Lamb, who made thee? / Dost thou know who made thee?” The first two lines of the first stanza present the poem’s child-like innocence theme. The speaker of the poems asks a child one of the most inescapable questions of life, “who made us,” followed by the answer to the question. “Little Lamb, God bless thee! / Little Lamb, God bless thee!” Through two stanzas, the inevitable question is asked and then answered. The speaker of the poem also references Jesus as a symbolic lamb, “He is called by thy name, / For He ca...
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This association emphasizes her Christ-like nature – like Jesus, she is a "lamb of God," an innocent being sacrificed. The three-fold association of children, lambs, and Christ was immediate and obvious in 19th century culture – as in William Blake’s poem "The Lamb."
William Blake focused on biblical images in the majority of his poetry and prose. Much of his well-known work comes from the two compilations Songs of Innocence and Songs of Experience. The poems in these compilations reflect Blake's metamorphosis in thought as he grew from innocent to experienced. An example of this metamorphosis is the two poems The Divine Image and A Divine Image. The former preceded the latter by one year.
Abstract: William Blake's Songs of Innocence contains a group of poetic works that the artist conceptualized as entering into a dialogue with each other and with the works in his companion work, Songs of Experience. He also saw each of the poems in Innocence as operating as part of an artistic whole creation that was encompassed by the poems and images on the plates he used to print these works. While Blake exercised a fanatical degree of control over his publications during his lifetime, after his death his poems became popular and were encountered without the contextual material that he intended to accompany them.
In Blake’s poem “The Lamb” from Songs of Innocence, Blake proves that in order to keep innocence alive, a child must not question. It is in a child’s nature to trust all that has been told. Therefore the lamb represents childhood as well as innocence. The lamb is personified as being a gentle creature without sin, and the poem itself is characterized by pleasant light imagery. This imagery is an indicator that innocence is a desired state of being. In the first stanza of the poem, the narrator asks questions regarding
Although a worldview ensues what a person believes about the great questions of life, a biblical worldview stands far more intense since it’s filtered through the bible and the outlook stays Christ focused. The book of Romans in the Bible provides an example of what a biblical worldview should be like. As a result of Paul’s truths in Romans 1-8, believers have been able to grasp an understanding of the teachings that express the idea of a biblical worldview that God intended us to perceive.
In the poem, "The Lamb," from Songs of Innocence, William Blake asks the little lamb, "Little Lamb, who made thee? Dost thou know who made thee?" (1351). It is here where the author purposely questions the reader and leaves the reader, wandering for an answer to that precise question. The author then continues by leading the reader to an indirect possible answer to his question by saying "Little Lamb I'll tell thee! / He is called by thy name, / For he calls himself a Lamb" and proceeds a line later with "He became a little child; / I a child & thou a lamb." It is apparent that he doesn't exactly give a direct answer. He mentions in an roundabout way that the lamb's creator calls himself a Lamb and that he became a little child. This vague background provides an idea who the creator actually is, but not enough to somehow match the creator with God from the biblical texts. And, since the information is vague, the reader really can't come to a narrowed conclusion because the answer itself depends on the reader's beliefs and experiences and so therefore leaves the true answer to the question still unanswered.
However, keep in mind that this poem was published in 1794. A renowned movement in history had just taken place a few years before this poem was published. That movement was The First Great Awakening. Christine Heyrman of The Univeristy of Delaware describes the First Great Awakening as “a revitalization of religious piety that swept through the American colonies between the 1730s and the 1770s.” (Heyrnman 1). This means that just before Blake published his poem, a revamping of Christian culture was being taken place in The United States. This is essential information to keep in mind because Blake, less than thirty years later, questions Christianity in its entirety through a poem called “The
William Blake is remembered by his poetry, engravements, printmaking, and paintings. He was born in Soho, London, Great Britain on November 28, 1757. William was the third of seven siblings, which two of them died from infancy. As a kid he didn’t attend school, instead he was homeschooled by his mother. His mother thought him to read and write. As a little boy he was always different. Most kids of his age were going to school, hanging out with friends, or just simply playing. While William was getting visions of unusual things. At the age of four he had a vision of god and when he was nine he had another vision of angles on trees.
"Characteristics of Modern Poetry - Poetry - Questions & Answers." ENotes - Literature Study Guides, Lesson Plans, and More. Web. 09 Jan. 2012. .
William Blake was a poet and artist who was born in London, England in 1757. He lived 69 years, and although his work went largely unnoticed during his lifetime, he is now considered a prominent English Romantic poet. Blake’s religious views, and his philosophy that “man is god”, ran against the religious thoughts at the time, and some might equate Blake’s views to those of the hippie movement of the 20th century.
He led strong beliefs that were occasionally mentioned in his work. One was that everyone is equal and is mentioned in 'All Religions Are One': "As all men are alike (tho' infinitely various)" He based most of his works in the style of Romanticism - Blake wrote from the heart, he let his thoughts and beliefs take over. Some of Blake?s poems include ?
...nity of all living things, including himself. The harsh reaction of organized religion to this idea is illustrated in the second "Little Boy Lost," in which the youth is actually burned for his rebellious thinking. The first set of poems tells of the boy's lack of success in a religious system in that did not seem to really care about the boy, and left him floundering. It then describes his introduction to God in the forest, who brought him back to his mother, the earth, which showed him proper reverence of God through nature, not priestly education. The second poem captures organized religion's harsh reaction to this unorthodox and rebellious thinking, and destroys the boy for trying to reach outside of the accepted normal teachings. Together, the poems show an evolution from Blake's dissatisfaction with organized religion to an outright indictment of its practices.
William Blake’s Songs of Innocence and Songs of Experience are collections of poems that utilize the imagery, instruction, and lives of children to make a larger social commentary. The use of child-centered themes in the two books allowed Blake to make a crucial commentary on his political and moral surroundings with deceptively simplistic and readable poetry. Utilizing these themes Blake criticized the church, attacking the hypocritical clergy and pointing out the ironies and cruelties found within the doctrines of organized religion. He wrote about the horrific working conditions of children as a means to magnify the inequality between the poor working class and the well to do aristocracy.
In 1789, English poet William Blake first produced his famous poetry collection Songs of Innocence which “combines two distinct yet intimately related sequences of poems” (“Author’s Work” 1222). Throughout the years, Blake added more poems to his prominent Songs of Innocence until 1794, when he renamed it Songs of Innocence and Experience. The additional poems, called Songs of Experience, often have a direct counterpart in Blake’s original Songs of Innocence, producing pairs such as “The Lamb” and “The Tyger.” In Songs of Innocence and Experience, Blake uses musical devices, structure, and symbolism to develop the theme that experience brings both an awareness of potential evil and a tendency that allows it to become dominant over childhood
William Blake's poems show the good and bad of the world by discusses the creator and the place of heaven through the views of Innocence and Experience while showing the views with a childlike quality or with misery.