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More handpicked essays just for you.
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Many people today hope for a fairy tale romance in which they get the person of their dreams without a hitch, more often than not, though, this is not the case. In William Shakespeare’s A Midsummer Night’s Dream he attempts to answer the question “Why isn’t love ever simple”. He attempts to answer this through the experiences of the four lovers Helena, Hermia, Lysander, and Demetrius.
One way Shakespeare tries to answer this question is through Helena’s experiences with Demetrious, specifically his rejection, and later love, of her. Helena was at first desperate for Demetrius’ love, following him as he searched for Hermia and showering him with signs of her affection. “Your virtue is my privilege: for that/It is not night when I do see your face” (Shakespeare 2.1.227-228). Surprisingly, this changed when Demetrius showed similar feelings towards her, and she took it as more signs of hatred from him. She seemed willing to do anything to gain
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As Demetrius evaded all attempts at romance from Helena, she kept persisting despite his obvious disapproval. Had the fairies not made Demetrius fall in love with Helena, they most likely would never have been together. This shows that sometimes in the pursuit of love, the other person just isn’t interested and you have to deal with that. In the real world there won’t be any magical solution to your problems, and you can’t simply force someone to love you. This also serves as a source of hope, as Helena did end up in the relationship she wanted. Shakespeare showed that, even though there might not be an easy solution to the problem, that doesn’t mean you can’t overcome it at all. In this way he shows that it can be good to keep trying if you truly love that person, but at the same time, you cannot control how they feel and must ultimately accept the outcome, because no fairies will come to your aid if you dislike
An important passion shown in this story is the passion of friendship from Helena. Lysander and demetrius were both deeply in love with Hermia, but suddenly they became slaves for Helena, under the spell of a love potion. This antagonises Helena and she blames it all on Hermia and her cruel joke. She says to Hermia, “The sisters’ vows, the hours that we have spent, when we have chid the hasty-footed time for parting us,-o is all forgot” (III.II.199-201)? Helena asks her if she has forgotten about their friendship, about the vows they took to be like sisters and never leave each other. This shows that although Hermia may have forgotten their friendship, Helena will always remember because friendship is really important to her. Friendship is a bond Helena feels really passionate about and takes very seriously. Another quote that shows Helena’s passion for friendship is “ Both warbling of one song, both in one key, as if our hands, our sides, voices and minds have been incorporated”(III. II. 207-208). This represents that Helena took their friendship sincerely and she believed in them and nothing could break their bond. Her last bit of her anger com...
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
...ouple that will never be, but finally all is set straight. Because the spell is still on his eyes and no one but the fairies know, Helena is finally free to love him as much as she wants and she is being loved in return. Hermia, as well, had persistence. When the spell was wrongly cast upon Lysander's eyes she kept telling him that he was to be in love with her, and that they are supposed to be together. They were to have a life together, and everything that comes out of his mouth is a lie. She knew deep down he did not and could not mean what he said. She never lost her faith and she was right. In the end each couple has their true love.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
Helena describes love as the "admiring of his qualities" and as possessing the ability to "transpose to form and dignity" (1.1.238-240). Though this may not be a perfect definition, it is much closer to the Biblical definition as described in 1 Corinthians than most common definitions of Helena's day. Because of the strong influence of the shallow culture in which Helena lives, she, too, finds it difficult to keep society's pressure out of her definition of love. One of the first things she points out in her soliloquy is the fact that, "Through Athens I am thought as fair as she" (1.1.232). She then proceeds to explain how she wishes Demetrius would think she is as fair as Hermia. If Helena believes so strongly in love coming as a result of admiration of one's personality, one must question why she loves this man who focuses merely on the appearance of women and pays no regard for who they are as a person. Then, again, the number of men in her day who didn't found their love on such superficial characteristics was probably pretty low, if not zero. Either way, Helena's perception of love is not perfect, her thoughts are still influenced by the surrounding culture.
In "A Midsummer Night's Dream," William Shakespeare explains the difficulties of the nature of love. Both false love and true love prevail in the end, leading the reader to come to the conclusion that all types of love can triumph. Hermia and Lysander represent the existence of a "true love", while Helena and Demertrius represent the opposite extreme. Shakespeare presents the idea that love is unpredictable and can cause great confusion. Love is something that cannot be explained, it can only be experienced. Shakespeare challenges us to develop our own idea of what love truly is.
Thanks to the mistakes of Puck (the fairy) and simply fate, the next morning she finds the both men are in love with her. At first Helena is confused and offended by the actions of the men, however seeing the frustration of her sister, she becomes proud that the love tables have turned. Helena is no longer the ugly, unwanted sister. After an argument Hermia and Helena are supposed to fight. Helena is determined to prove she is the better sister. Falling in a deep sleep in the woods, with the help of Puck, she wakes in Demetrius arms. Demetrius is still in love with Helena like the night before. When they return to the palace they are
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
Demetrius are both in love with Helena due to the magic flower. Helena does not understand
In A Midsummer Night’s Dream, Helena fails to understand how to give and receive love and consequently any connection she feels will most likely end badly. In A Midsummer Night’s Dream, Demetrius and Helena demonstrate how once a notion of love is obtained it is easily discarded. In Act 1, scene 1 Helena describes love how she pictures it to be, but in reality, she is found trying to win love over ratting out her friend (Hermia). Helena describes her love for Demetrius and how love is being shown in her eyes, therefore she does not practice what she preaches.
Sometimes love can make people do crazy things that can either be a good kind of crazy or a bad kind. In A Midsummer's Night's Dream, by William Shakespeare, the fairies decide to intervene in other people's love life which has lots of mishaps and mistakes being made while trying to solve other people's issues. The romance issue can have hardships but if it all works out, it can have lots of joy and can be a wonderful thing. Helena is obsessed with Demetrius but he does not love her back until flower juice gets put in his eyes.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
The play shows how the ideal relationship is that in which the affections and the reasonable mind are both in harmony. At the start of the play, both Demetrius and Helena are clearly at fault. Demetrius has allowed his love for Helena to abate; she, by fawning on him, is guilty of doting, which exacerbates his dislike. An honourable man would stand by his promise and try to re-discover his love for Helena, and it is this which draws Lysander's taunt that Demetrius is "spotted and inconstant". In time, perhaps, Demetrius might reconsider Helena's merits, but in the brief ti...
Shakespeare’s A Midsummer Night’s Dream is often read as a dramatization of the incompatibility of “reason and love” (III.i. 127), yet many critics pay little attention to how Shakespeare manages to draw his audience into meditating on these notions independently (Burke 116). The play is as much about the conflict between passion and reason concerning love, as it is a warning against attempting to understand love rationally. Similarly, trying to understand the play by reason alone results in an impoverished reading of the play as a whole – it is much better suited to the kind of emotive, arbitrary understanding that is characteristic of dreams. Puck apologises directly to us, the audience, in case the play “offend[s]” us, but the primary offence we can take from it is to our rational capacity to understand the narrative, which takes place in a world of inverses and contrasts. The fantastical woods is contrasted to the order of the Athenian law, and Elizabethan values of the time are polarised throughout the narrative, such as Helena’s feeling ugly even though she is tall and fair. A Midsummer Night’s Dream is thus not solely a comedic meditation on the nature of the origin or meaning of love, it also cautions against trying to rationalise the message of the play. Puck, who by his very nature cannot exist in rational society, propels the action of A Midsummer Night’s Dream. He is a manifestation of mischief and the unpredictability of nature, which governs not only the fantastical woods outside of Athens, but also the Athenians themselves when it comes to love. Yet, it is Puck, and thus nature, which rectifies the imbalance of the lovers in the beginning of the play. Rationalising, o...
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.