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Character of Othello by Shakespeare
Character of Othello by Shakespeare
Iago character analysis essay
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Recommended: Character of Othello by Shakespeare
Iago is the only character in Othello that directly addresses the audience. Due to this, there is a connection between the audience and Iago that doesn’t exist with any other character in the play. Furthermore, “Iago speaks directly to the audience about how he is about to fool the characters around him. By doing so, he acknowledged the audience as equally intelligent, and not as gullible as Othello”(Beier 6). The connection is even stronger because Iago acknowledges the audience as equally intelligent. While Iago’s intentions are undoubtedly evil, he seems to be far more intelligent and cunning than the characters around him. This makes Iago more fascinating because he is able to almost effortlessly fool those around him. The characters around …show more content…
Iago does give reasons, such as his suspicion of Othello having a sexual relationship with his wife and how Cassio undeservingly received a promotion over him. He gives these reasons to try to justify his actions, and appear good to the audience. However, “The audience learns with terror that he does not know if Othello has cuckolded him, but he will act as if he is sure” (Beier 6). Iago lacks a good reason to hate Othello as much as he does. Readers will contemplate whether or not the reasons Iago had for hating Othello are true reasons, if there is something else motivating him, or if there was no motive at all. Iago’s motivations are a mystery to the reader, and this ultimately makes him more …show more content…
Everyone experiences emotions such as anger and jealousy, though acting upon these emotions doesn’t happen as often. We as humans will generally suppress thoughts of acting upon emotions to avoid consequences. Instead, most fantasize about what they would do if they could get away with it. When we read of evil characters in literature, although we may not agree with their actions, part of us envies them for acting upon their emotions despite the consequences. Iago is one such character. Iago is jealous that Cassio is promoted over him, and he also suspects that Othello had sex with his wife. Iago does not suppress the urge to act, and he devises an evil plot against Othello which he does carry out successfully. While readers may not agree with all of Iago’s actions, they can still admire his willingness to
Iago’s Subconscious Motive Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renowned for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly associated with a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives.
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged. Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him.
I won't be surprised at the choice of the Iago in "Othello" movie as a choice of villain to compare with the Joker in the "The Dark Knight" movie. The thing that won't surprises me is the way that throughout the play, Iago claims to be something he is not and uses that to influence and fools peoples in the Othello movie, by trying to make them do what he wants. One of the most noted the way that address me to identified the above for what he says, "I am not what I am," this shows the way that there is a crucial and big difference between the inner part of Iago and the outer part of him. Iago is evil, for this reason, lies in the way that he feigns loyalty and service to Othello whilst all the time using that as a guise to plot Othello's downfall.
Iago's reasons for his hatred of Othello begin with the fact that in choosing a lieutenant, Othello passed over Iago in favor of Cassio, but Iago may have hated Othello even before that. Roderigo opens the play by exclaiming to Iago, “Tush! never tell me? I take it much unkindly that thou, Iago, who hast had my purse as if the strings were thine, shouldst know of this” (1.1.1-3). The "this" is the elopement of Othello and Desdemona.
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
One of the most interesting questions that crops up is concerning Iago’s motives. What are his reasons to kill every major Venetian in Cyprus? Shakespeare seemingly sets the stage for Iago’s actions, giving him two distinct reasons to avenge Othello. The first is the fact that Othello promotes Cassio, an "arithmetician" to the rank of lieutenant and passes over Iago who is but a sergeant. Secondly, Iago is suspicious of his wife, Emilia and thinks she is sleeping with every other man but him—including Othello. There are other reasons that Iago talks about in his soliloquies—the primary one being jealousy or "the green-eyed monster." Iago resents the love that Othello and Desdemona share and also takes offence at the fact that Othello is older, yet he has a young and beautiful wife, power, and respect, all that Iago desires. However, all these reasons seem to be false and made-up just for the sake of being excuses for his malice. He also uses these reasons to convince Roderigo to hate Othello. The real motive seems but a slip on Iago’s part when he says in act five, as he waits to stab Cassio:
That’s Othello’s weakness that Iago deems as useful. Othello’s love turns to jealousy. The question is how sympatric is Othello to the reader. Othello feels betrayed. But Othello loses his look of a gullible, good guy when he decides he wants Cassio and Desdemona dead. The rage of his jealousy turns the character of Othello the readers know on its head and creates a different look. Only during and after the death of Desdemona can the reader see the good that was once in him. Othello shows regret and kind of a sense of torment. Clearly parts of him doesn’t want this to happen. And after the death of Desdemona he sees the misplaced change and rage he had. When Othello hears of Iago’s disseat he changes back to the good Othello that was present in the start of the play. He might be filled with regret and a new rage for Iago, but is morals seem solid
He says: "I love the gentle Desdemona", and this suffices to explain his feelings. It is obvious that Othello is a much 'deeper', more sensitive man than Iago. Another contrast is that Iago's motivation is himself and his self-interest. Iago desires success and gain for himself and no other. It appears that his major grudge against Othello is that he promoted "a fellow almost damn'd in a fair wife" (that is, Cassio) above himself.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Though Iago may not have a purpose of participating in many of his acts of evil, he presents it as a self-obsessed, driven supremacy. He plots to destroy Othello and to gain dominance by observing each weakness from Othello, and takes advantage of it. He uses his aid of human nature to help with his evil schemes and plots throughout the play. Because he identified Othello’s weaknesses and was able to use verbal persuasion to not only gain Othello’s trust, but to also use that as a benefit to what he wanted to accomplish. It is of great importance for an evil mastermind to not only know the nature of evil but to achieve the nature of good.... ...
middle of paper ... ... At first, Iago cites his rage about being passed over for the promotion to lieutenancy as his reasoning for hating Othello. Then, his rage is suddenly the result of suspecting Emilia and Othello of having had an affair, not because of the promotion that he did not receive. Roderigo calls Iago out on his change in motivation.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
Othello doesn’t realize Iago doesn’t care towards him and never did after Iago wasn’t promoted to lieutenant. Iago plays the as the main director of what happens in Othello’s life. Othello doesn’t realize it thought. Iago is able to hide his emotions towards others. Which allows Othello not to notice he is faking every emotion of helping Othello. Iago is always at ease when in the eyes of his peers. “He moves jovially and at ease among the gentlemen of Cyprus, even as he sets up Cassio for a drunken fall” (Barnes 15). This shows how committed Iago was to strike revenge against his foes. Only a psychopath could hide their feelings in front of the people you want to hurt. “Iago refuses to show the "outward action" which would "demonstrate / The native act and figure of [his] heart / In complement extern" (“Where Iago Lies” 19). Because of Iago, Othello creates his own anxiety. He has anxiety because he now worries that Desdemona may be cheating on him with Cassio. Iago creates Othello’s fear by twisting his words to have different meanings. “Iago: O, beware, my lord, of jealousy/ It is the green-eyed monster which doth mock/ The meat it feeds on” (Shakespeare 1816-1818). Iago is manipulating Othello into believing that Othello shouldn’t be jealous, which tricks Othello into being jealous. The green-eyed monster is another term for jealousy. It is Othello though that allows him to get trapped in anxiety. Iago exploits him to bring Othello to a tragic
Iago’s is filled with rage and envy because he was passed over for a position he felt he deserved. Without conscience, Iago vows to take back what he feels is rightfully his by whatever means necessary. As we can see right from the beginning of Act 1, Iago begins to weave his web by revealing his true intentions to Roderigo as he justifies his hatred toward Othello. “O, sir, content you; I follow him to serve my turn upon him.” (Pg. 246, lines 41-42).