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Gender and roles of women in literature
Gender and roles of women in literature
Gender and roles of women in literature
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As in a few of Chaucer's tales, he once again asks a discussion question. This time the question is, “Who seemed the finest gentlemen to you?” The debate for who is the finest gentleman is between the three characters, the knight, the magician, or the squire. All three characters each show modest characteristics of a fine gentlemen during the Franklin’s Tale. First, the knight, Arveragus. The knight is described as both a wise and honourable man.
In beginning of the tale, he is married to his beloved wife Dorigen. He notably suffered a lot for her but eventually won her over. The marriage between them most importantly is different than most. Arveragus swears that they will live a “secret” and peaceful life of equality. So, Arveragus took Dorigen back to his native land where they lived in a friendly relationship together. This was very uncommon in this time period because there was very little equality between genders. This shows the knights respect for his wife, a real display of a fine gentleman. Also after Dorigen tells him all that has happened with the squire he confesses
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Arveragus embarks on a journey as a knight. While her husband is away Dorigen is devastated and is eventually greeted by a squire ,who confronts and confesses his love for her. The squire was known to be the handsomest man alive. He was young, strong, wealthy, mettlesome, and discreet. He also sang and danced better than any man. Dorigen offers her love in a playful manner. She proposes that she will love him if he is able to remove all the rocks from the coast of Brittany. This seems like an impossible task at first, but a magician helps him along the way. The magician creates an illusion with the moon and tide so that it makes it seem as if the rocks disappeared. The squire, Aurelius, declares Dorigen must keep her promise, but later allows her to get away with it. Respecting the marriage between Arvarahus and Dorigen, a noble thing to
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as curteisye through satire. In the fourteenth century curteisye embodied sophistication and an education in French international culture. The legends of chilvalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, and he reveled in his cultural status, but he also retained an anecdotal humor about curteisye. One must only peruse his Tales to discern these sentiments. In the General Prologue, he meticulously describes the Prioress, satirically examining her impeccable table manners. In the Miller's Tale Chaucer juxtaposes courtly love with animalistic lust, and in various other instances he mentions curteisye, or at least alludes to it, with characteristic Chaucerian irony. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
Throughout literary history authors have created and restored figures from all times that seem to represent what is honorable and chivalrous. The two literary legends compared in this paper are Beowulf and Parzival. These two figures in their own way find within them what is virtuous.
The title characters in both Beowulf and Sir Gawain and the Green Knight were both considered paragons of excellence by their peoples. Yet, upon close inspection of the specific actions of these characters, stark differences emerge. While Gawain is virtuous and exemplifies selflessness, Beowulf's heroism is marred by his pursuit of fame and wealth, which seems to dominate his every action. The discrepancy can be explained by a contextual analysis of both heroes. Gawain's code of chivalry emphasized perfection and thus he is flawless. Beowulf on the contrary adheres to the code of heroism, which is much less stringent on man's actions, and much more open to interpretation.
Falstaff’s blatantly honest soliloquy has provided the audience with a direct insight into his mind, and contrasts well with Hal and Hotspur’s speeches, in which their moral order and regard for honour is evident. Falstaff helps to show the change in Hal to the audience. Falstaff himself is no different to the Falstaff of Act 1, unlike Hal who has obviously undergone a great deal of change. Falstaff’s speech is highly typical of the tavern world’s way of thinking: straightforward, sometimes humorous, spoken in prose, and only the values of the tavern world taken into consideration, with no regard for such insubstantial, un-physical concepts as honour. In this way, and spoken directly to the audience, Falstaff effectively expresses his unashamed resolution not to submit to moral order.
After the wedding the old woman prompted him with an option of what the knight wanted, either her being ugly and loyal or beautiful and unfaithful. The knight responds with an answer that compliments what all the woman want, “Wommen desiren to have sovereynetee As wel over hir housbond as hir lov”(1044-1045). The knight allowed her to choose however she pleased which brought her joy and made her become beautiful and faithful. That took away the feeling of death the knight had and caused him to fall in love with the
The three heroes discussed here, Beowulf, Sir Gawain and King Arthur, are heroes for different reasons. Beowulf, our earliest hero, is brave but his motivation is different than then other two. To Sir Gawain personal honor and valor is what is important. King Arthur, Sir Gawain's uncle, is naturally the quintessential king of the medieval period. Though all men to a certain extent share the same qualities, some are more pronounced than in the others. It is important to see how these qualities are central to their respective stories and how it helps (or hinders) them in their journeys.
Lanval, a handsome knight, falls desperately in love with a beautiful maiden, who grants the knight her love on the condition that he keep their bliss in full secrecy. Upon returning home, Lanval is confronted by Guinevere, who attempts to seduce him . After her initial advances are rejected, the Queen tries a new tactic, attacking Lanval 's masculinity: "I have been told often enough that you have no desire for women. Base coward, wicked recreant, my lord is extremely unfortunate to have suffered you near him. " By questioning Lanval 's worthiness to serve by Arthur, Guinevere is questioning Lanval 's very status as a knight, and once again we see a knightly protagonist put into a hopeless situation as many of his chivalric duties--- courteousness to the Queen, faithfulness to his King, honesty and loyalty to his lover, and defense of his own honor--- are forced into an unresolvable conflict. Lanval defends his honor and honors his King 's trust, but breaks his promise to his lover and grievously insults the Queen: "I love and am loved by a lady who should be prized above all others... you can be sure that one of her servants, even the very poorest girl, is worth more than you, my lady the Queen, in body, face and beauty, wisdom and goodness. " Lanval 's inability to simultaneously commit to all of his knightly responsibilities is comically underscored by his polite hesitation ("my lady the Queen") even
Courtly love was a secret love or romance between the first knight and the king’s lady that would usually begin with something as small as an exchange of looks through eye glances. Next, a declaration is then discussed by both parties to pursue a relationship under the table from their king or anyone else in the castle. “Gawain glanced at the gracious looking woman …Gawain and the beautiful woman found such comfort and closeness in each other company (line 970,1010)”. Sir Gawain had courted Guinevere while he was at kings Arthurs castle but being here in Bertilak’s Castle he now found a much more stunning lady superior to Guinevere, Lady Bertilak. He had really fallen in love with lady Bertilak at first glance and Lady Bertilak was in love with his heroicness. Moreover, the relationship was established, Sir Gawain was to love her and be obedient to all of her commands as well as to always be polite, courteous and to never exceed the desires of the lover. At one point of the story, Lady Bertilak goes to Sir Gawain’s room in the morning while her husband is away and everyone is sleep because she desires to be with him, “I shall kiss at your command ...should it please you, so press me no more (line 1303). Abiding by the rules of courtly love Sir Gawain is to be a good knight and do as she pleases but
Marie de France’s “Lanval” is a Breton lai dominated by themes common to 12th century literature, which through its exploration of love, erotic desire, wealth, gender and community, tells the story of a young knight who finds himself caught between two worlds: his lover’s and his own. Forced to separate these societies by a warning in which his lover states, “do not let any man know about this…you would lose me for good if this love were known” (Lines 145-148), Lanval must keep his love a secret and exist apart from the Arthurian world into which he was born. Consequently, romantic love between Lanval and his fairie queen exists conditionally, that is upon Lanval’s physical and emotional isolation. This restriction suggests that romantic love, as described in terms of erotic desire and physical/emotional devotion throughout “Lanval,” is unsuited for existence in the mundanity of Arthurian society. Therefore, Lanval’s solitude is necessary for his maintaining his relationship with the fairie queen, a fact that suggests the incompatibility of romantic love with Arthurian society, as Marie depicts it.
With the lady, and demands of the court, the future of knights was shifted in a different direction; she demanded that a knight act with strength on one hand, and courtesy and respect on the other. A knight should respect women; he should defend them in their hour of need, shunning the magnetic gravity of mere lust. Love could be a powerful influence over a knight, a force that could propel him to greatness beyond his own abilities; the church declared that only the spiritual love of Christ was superior to the love of a woman, the important aspect here is love was added as a chivalric element.
...ad the Knight tell this long, drawn out, overly chivalric tale as a contrast to the Knight's personality. The Knight is an subtly un-chivalrous person who tells a story so full of chivalry that it basically parodies itself. I think that the Knight is making up for his own un-chivalrous behavior by telling a very chivalrous story, as if to show the other pilgrims that he knew how to be honorable.
In The Romance of Tristan and Iseult, our characters face many challenges but must follow a different code for how to deal with them. Tristan is an ideal representative of the chivalric knight that faces a large number of situations where many people would be incapable of maintaining morals. We see the feudal structure of this medieval time in place and its importance to maintaining the structure. The Romance of Tristan and Iseult displays the chivalric roles required in this society through Tristan and his many interactions.
And happed that, allone as he was born,/ He saugh a mayde walkynge hym biforn,/ Of which mayde anon, maugree hir heed,/ By verray force he rafte hir maydenhed” (lines 885-888). The knight only gets to hold this power for a short amount of time before he is caught. For his crime, he presents himself in front of a court full of women who must decide his punishment. We can see why The Wife chose this story in just the fact that an unjust man must plead for his life in front of a court of powerful women. The head of the court, the queen, decides to show him mercy if the knight can find out what it is that women truly desire. The queen and her ladies decide to give him one year to find the answer to her question, if he does not find the answer then the knight will be killed. Not only do the women have power over the knight in this situation, but they have now extended their power over him for an entire year. His life is now dedicated to finding out what exactly women
The knight bases his decision off of information he learns in the beginning of the tale; that “women desire to have sovereignty as well over their husbands as their loves, and to be in mastery above” (Chaucer WBT 1038-1040). With this information, the knight voluntarily decides to give the hag control over his decision, given that a woman’s greatest desire is to have control. The hag rewards the knight’s decision by becoming “both fair and good, as will be plain” (Chaucer WBT 1240). This reward allows the knight to understand that it is beneficial for the hag to have authority in their marriage, as events will end favorably for him if he continues to give her the