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The count of monte cristo analysis
The count of monte cristo analysis
The count of monte cristo analysis
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The Count of Monte Cristo is a novel which creates an epic tale about vengeance and the limits of human justice. Throughout the novel, the tale of a young man named Edmond Dantes lurid imprisonment is followed. The story of his time in captivity, remarkable escape, and stringent revenge plan combine to create an altogether meritorious tale. In Alexandre Dumas’ The Count of Monte Cristo the character Edmond Dantes illustrates the theme that happiness and the belief in God are some of the predominate factors in life which makes one mortal. As the novel begins, Dantes is described as a kind young man who has every right in the world to be happy. This is due to the fact that he is becoming captain of The Pharaon and is marrying the love of his …show more content…
This is due to the fact that after his transformation he no longer possesses the feeling of happiness in his life. This is shown when the narrator says, “Farewell to kindness, humanity and gratitude. Farewell to all sentiments that gladden the heart” (Dumas 131). This shows how Dantes leaves behind all of the sentiments which cause people joy and happiness in life. This is significant because this point in the novel is when Dantes turns into a cruel and inhumane being. Therefore, the fact that he is inhumane during a time of unhappiness supports the thesis by showing how happiness gives one their humanity. During this time, Dantes also believes himself to be an almighty being whose power is equal to God. This is shown when the narrator says, “And do you regard yourself as one of those extraordinary beings? asked Villefort; Yes, I’m one of them, said Monte Cristo” (Dumas 211). This shows how Dantes believes himself to possess powers which are equal to those of God. This is significant because during this time Dantes is a very malevolent and barbaric being. Therefore, the fact that he is such a cruel being when he believes himself equal to God reinforces the thesis by showing how one’s belief that God is the only almighty being causes one to have humanity. In The Count of Monte Cristo by Alexandre Dumas Edmond Dantes shows that one’s humanity heavily relies on one’s happiness
	The story of Edmond Dantes starts out as him being a sailor, aboard the Pharaon; he’s soon to become captain of the ship. Monsieur Morrel is the name of the owner of the Pharaon and a great friend of Dantes. He treats Edmond with great respect. There’s also a little special lady in Dantes life, the beautiful and wonderful Mercedes. A dream job and a dream wife, who could possibly want more?
Out of ever perplexity Dante faces throughout his journeys in Inferno, Purgatorio, and Paradiso, this one of merit and grace is the most significant one. This thought entails what the whole Comedia is about by essentially determining the principal matter of his revolutionary work – each one’s merit produced by God’s grace. His use of “merit” and “grace” brings the reader’s attention to focus on how this determines the measurement of understanding. The tension between merit and grace plays one of the most important roles in the Divine Comedy because it is seen everywhere especially when Dante finally learns to understand each step of his journey. Dante is enlightened on the judgment of souls and he devotes himself to reach grace and, ultimately, sanctity.
In the beginning of the novel, it is clear to see that Danglars is envious of Dantès’ position on the Pharaon, and just his life in general. For example, when Dantès is made captain of the Pharaon, “[m]orrel
Despite fear, Virgil reasures Dante with indirect and divine love. Virgil and Dante are anxious and weary about the journey that they are about to take on. However, Virgil reassures Dante that he will not leave him in the underworld. Instead, they both will eventually ascend to paradise. He believed that sometimes it is important to live through other people's happiness in order to seek happiness.
Akin to many of Alexandre Dumas’ other masterpieces, “The Count of Monte Cristo” is a dramatic tale of mystery and intrigue that paints a dazzling, dueling, exuberant vision of the Napoleonic era in France. In this thrilling adventure, Edmond Dantès is toiling with the endeavor of attaining ultimate revenge, after being punished by his enemies and thrown into a secret dungeon in the Chateau d’If. He reluctantly learns that his long intolerable years in captivity, miraculous escape and carefully wrought revenge are all merely vital parts in his journey of awakening to the notion that there is no such thing as happiness or unhappiness, there is merely the comparison between the two. Ultimately, the irony that Dumas is presenting through this novel suggests that the inability to attain happiness through the hypocrisy that is revenge is because one is really avenging their own self. This becomes evident through his dramatic transformations from a nave, young sailor, to a cold, cynical mastermind of vengeance, and finally to a remorseful, humble man who is simply content.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Like Faria did for him, Dantes provides Maximilien with his fortune and even helps to foil a poisoning plot against his fiance,Valentine. Fulfilling these duties shows in action how Dantes considers Maximilien to be a son figure. Not only that, but much of the language the author uses to describe Maximilien around Dantes is couched in terms of a father and a child; Maximilien remembers a promise “... in the way selfish children remember their parents…” (390) and follows the Counts instructions after he “...[bows] his head and [obeys] like a child” (452). This language makes the way Dantes is an authority figure to Maximilien explicit. Also explicit is Dantes’s own confession to this familial relationship when he says “I’ve come to regard you as my son” (526). Dantes proves in words as in actions to serve as a father figure to
...eral chronicle of Dante’s life. This is not the case, as historical information proves, Dante led a full life separate from his love of Beatrice. This story instead serves as a description of the power that Love wields over the sensitive and romantic. Indeed, Love could wield this power over anyone He chooses, though he chooses only those with the poet’s soul, through which God can speak and tell humanity of the power of Love. God inspires those who are open to him, in a way that they can understand. In the case of Dante, God spoke to him through Love and produced a tale that will convey the same message to all those who are able to hear. Dante was not writing for those without a poet’s mind, a fact he makes clear throughout the text, and the reason for this is evident: they would simply not understand.
While he lies on the ground gasping for breath, Caderousse tells the Abbe Busoni that he does not believe in God. Only moments later, Edmond Dantes reveals himself to him, and he spends his dying breath asking the Lord to forgive him. Edmond Dantes, looking at his corpse, whispers “one”. This was the first evident moment in Alexandre Dumas’s The Count of Monte Cristo where Edmond Dantes achieves any justification on his enemies for the wrongs they have done to him. After twenty years of meticulous planning, Dantes carries out his plan of ultimate revenge on his enemies in order to achieve the justice he believes he deserves. In his novel, Dumas shows that to obtain true justice—whether personal or societal—one must understand the limits of
Both Shakespeare’s King Lear and Dante’s Inferno explore the reasons for, and results of, human suffering. Each work postulates that human suffering comes as a result of choices that are made: A statement that is not only applicable to the characters in each of the works, but also to the readers. The Inferno and King Lear speak universal truths about the human condition: that suffering is inevitable and unavoidable. While both King Lear and the Inferno concentrate on admonitions and lamentations of human suffering, one of the key differences between the works is that Inferno conveys an aspect of hope that is not nearly as prevalent in King Lear.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
“There is no greater pain than to remember, in our present grief, past happiness…”(Canto 5) is what Francesca mentioned to Dante and I believed that this is where Dante himself founded that he shouldn’t dwell on the past and this is also where he learned that lust isn’t truly needed in life. That there is love, but lust is an unnecessary part of life. The deeper that Dante would go feel started to change his view towards people. He began to feel pity and sadness towards each and every soul he met during his journey. Once he met Brunetto Latini, Dante explained that he lost himself in a valley and that 's why he was sent there. The Pilgrim explaining himself proves that he was truly on a journey of self-discovery. Once he met Satan himself Dante realized, “the lovely things the heavens hold” (Canto 34) which one of the steps to self-discovery, finding the beauty in
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.
...te become surer of himself and less of a coward. Dante lost respect for some of the shades, at the beginning of the poem he spoke with respect to the shades and pitied them immensely. Towards the ending of the poem Dante lost most respect for the shades and went as far as kicking a shade in the head demanding that the shade answers him. This shows a decline in the value of respect rather than gaining more knowledge in how to be respectful. Excellence is a core value related to personal development and Dante shows in increase in excellence as his journey comes to an end. Over all Dante’s character improves by the ending of the poem. Though he has been through hell he comes out with a new understanding of life, appears less depressed and more courageous.