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Analysis where are you going where have you been
Analysis where are you going where have you been
Analysis where are you going where have you been
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Joyce Carol Oates is known for stories that have an everlasting effect on readers. Oates writing style was explained best herself, “I would like to create the physiological and emotional equivalent of an experience, so completely and in such exhaustive detail, that anyone who reads it sympathetically will have experienced that event in his mind” (Joslin 372). Oates’ short story Where are You going, Where have you been? perfectly fits the description of her work by placing the protagonist of the story Connie in a very uncomfortable situation with the antagonist Arnold Friend. The story focuses the aforementioned Connie and Arnold, Connie is 15 year old girl who loves the spotlight and all the attention that comes with it. Her beauty and vibrant …show more content…
The tragic situation of Connie relates to the real life chain of murders in Tucson, Arizona. Tom Quirk iterates that Oates seems to get her creative imagination from “real criminal and real crime”, the irony is the story of Connie is sadly all too familiar in society (Quirk 413). The characters of Eddie and Ellie Oscar are figures that are not particularly familiar to readers. The lack of dialogue from these characters tend to neglect their significance, however studying them may actually connect a few dots that Oates purposely leaves for the reader to wonder. The comparison of Eddie and Ellie inclines that they are actually the same person. From research into Ellie’s appearance and mysterious motivation to remain unnoticed by Connie hints at the notion that instead of young teenage boy named Eddie accompanying Connie at the restaurant, it was none other than Ellie disguising himself. Although some find it bizarre that Connie could not see Eddie/Ellie for who he was while spending hours with him, one must take into account that Connie was more into herself rather than the boy she was with. Along with Connie’s natural infatuation with herself, the drive-in restaurant presented distractions such as the bright lights and loud music which aided Eddie/Ellie. The main antagonist Arnold Friend makes various statements and questionable actions that support the theory that Ellie has already encountered Connie at some point in time, thus providing the explanation as to how he knew so much information about
Where Are You Going, Where have You Been by Joyce Carol Oates is a tale of a naive young lass taking her first steps into the illusion of the teenage dream. For the regular viewer of the film Smooth Talk, one would not pick up on the elaborate history behind the movie. Dating back to the 1960’s, the written story sheds very little light on the true sadistic nature of the means and intentions of Arnold Friend. Going back even further, the written tale is based on Life Magazine's article “The Pied Piper of Tucson” the true story of a middle aged man who preys on adolescent girls, getting away with devious sexual acts and sometimes murdering said adolescents. Without this previous knowledge, both the story and the movie seem for the most part innocent, with only a tad of creepiness generated
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
Though this story is very dark and painful to read, Connie's actions are realistic enough to connect some readers to the protagonist, thus helping the reader understand the story better. In the short story “Where Are You Going, Where Have You Been”, through juxtaposition and imagery, Joyce Carol Oates makes us believe that Connie fits the character archetype of the typical teenage girl, and creates a connection between the character and the
“Where Are You Going, Where Have You Been?” is a short story that is about a fifteen year old pretty teenager named Connie, who does not get along with her mother and is irritated by her sister. Her sister can do no wrong in her mother's eyes while she is constantly getting criticized. Connie enjoys listening to music, watching movies, and spends a lot of time going out with her best friend and meeting boys. Until one day, a creepy guy, she had seen out one night shows up in her driveway when her family is out. He introduces himself as Arnold Friend and insists that Connie go for a ride with him and threatens to harm her family if she doesn't. In the story, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates portrays Arnold Friend as a rapist; he creates the climax of the story in which Connie is taken from her home and family, by him through violent means.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
When Arnold Friend presents himself in Connie’s life, she is faced with fear as to what men can do. She is driven to follow the pop culture that surrounds her by experimenting with guys she meets like, Eddie, whom she meets at the restaurant, and joins him in the alley. Even through her experiments of sexuality, she is fearful of actually becoming an adult. Arnold Friend takes her by force into adulthood, but this violent act represents a shift within Connie herself: the abandoning of childlike fantasy for the realities of being a mature woman. Oates describes the scene of Arnold Friend takes her innocence as, “Something roared in her ear, a tiny roaring, and she was so sick with fear that she could do nothing but listen to it-the telephone was clammy and very heavy and her fingers groped down to the dial but were too weak to touch it. She began to scream into the phone, into the roaring. She cried out, she cried for her mother, she felt her breath start jerking back and forth in her lungs as if it were something Arnold Friend were stabbing her with again and again with no tenderness. A noisy sorrowful wailing rose all about her and she was locked inside it the way she was locked inside the house” (Oates 501). After this scene, Arnold Friend left Connie utterly broken and had taken advantage of
...nie receives little attention at home and therefore craves attention from boys. Teenagers at Connie's age search for connections and companionship while evolving into young adults, discovering the powers of independence. Connie is searching for the good in Arnold as she is enjoying the attention he gives her. It is possible that in this state of wonder, Connie may not realize she is in danger until control over the situation is lost. Readers are left waiting for Connie to be rescued, fighting for her to be safe. One would like to think that she should have and could have gotten out of the situation had she not have been so naïve. However, the fear and anxiety Joyce Carol Oates portrays through Connie's character leaves Connie unable to protect herself from harm. Although this may seem unreasonable, could you be absolutely sure of what you would do in such a situation?
Friend, but as irony would have it, he would turn out to be just the
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
“Where Are You Going, Where Have You Been?” is told from the point of view of a girl with “long dark blond hair that drew anyone’s eye to it” named Connie. Connie was a very pretty fifteen year old girl, which loved to go out with her friends and meet new people. Laura’s, the best friend of Connie, father “drove the girls the three miles to town and left them at a shopping plaza so they could walk through the stores or go to a movie”. It became a lifestyle for Connie which eventually became a problem being that she met a suspicious
Gale Kozikowski, Stan. " The Wishes and Dreams Our Hearts Make in Oates's 'Where Are You Going, Where Have You Been?'. " Journal of the Short Story in English. 33 (Autumn 1999): 89-103.
Have you ever been so focused on achieving your dreams that you become unaware of your current situation? When we focus on the goals ahead of us, we fail to see the obstacles and dangers that are in front of us. In order to achieve our goals we involuntarily put ourselves in an unwanted situation. Connie, herself, struggles to achieve her goal of being a desirable girl that turns heads when she walks into the room. She becomes so set on being this girl that she doesn’t realize the danger of the situation. In “Where Are You Going, Where Have You Been?” Oates utilizes metaphors, diction, and imagery to show how Connie is in a constant tug between her reality and her dreams, and how this confines her freedoms in a world that is surrounded with malevolence.