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Sexism and objectification of women in music
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I. Introduction Gender plays a big role in music, I became aware of gender role in music when noticing how most songs talks about women and how they are being either exploited or empowered. Most music videos even in the 80s either objectified women or respect sexuality. Women are usually sexually alluring in music videos, stage performances and even in the song lyrics. Most music video uses video vixens or video girls that are usually dressed or performing sexually. For example, “Siouxsie Sioux frequently performed wearing black leather and rubber bondage attire, as well as heavy eye make-up, making overt statements about her sexuality. When asked about her appearance, Siouxsie said "image represents in a way, a kind of rejection of a stereotype, a blonde, dumb cuteness that was sought after by most singers, especially female", conveying that she dresses for her own pleasure and not others.” …show more content…
In my opinion, this music video would offend a lot of feminists but what I appreciate about music in the 80s and 90s is the fact that women could dress like strippers and not get judged for it. For example, in this Girls, girls, girls music video most of the video models wore high waist underwear and leather clothing. It was proper to sing or rap about women in a dirty way but at the same time still, respect women. Visually and textually it shows that they are men, they love women and their bodies. For me, there weren’t any curse words or women being sex symbols in this music video, the band simply wanted to show that they’re masculine and they valued what most men loved in the 80s and 90s era which was girls and motorcycles/cars. I personally never heard this song before writing this essay but I actually really like it, especially after watching “The end live in LA” on YouTube, the performance was really good. What I like most was the guitarist who played the best tones throughout the whole
Throughout our society, gender essentialism has manifested itself in many ways, one of which is through music. Risman (1988:2) writes, “Essentialism is the assumption that basic differences in orientation and personality between men and women are rooted in biology and nature.” Gender essentialism has four key parts: 1) sex differences are based in biology and nature, 2) sex differences are fixed/innate, 3) men have deep unseen properties in common because they look alike, and vice versa with women, and 4) categorization is exclusive (Taylor 2017: Week 1 Day 2). Beyonce’s
Popular music in the United States throughout the decades have always consisted of different genres of music and during the late 70’s and early 80’s, many of the popular bands consisted of only male artists and members. In an era dominated by male artists, Fleetwood Mac featured their lead female singer Stevie Nicks, who went on to transcend the gender expectations of the time and pursue a solo career in the midst of heavy adversity. Fleetwood Mac’s lead singer, Stevie Nicks, is a prime example of the evolution female artists have endured as they struggled to gain equal footing in this male dominated industry. This essay will examine the different factors contributing to Stevie Nicks’s popularity, along with her breaking these normative masculine roles and the way she combined different genres and personal
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.
... it brought in sultry rhythms and made some adults worried about over-sexualizing music. However, today it is very common to hear something sexual in a song or verse. In today’s music industry, many women are just as successful as the men.
The effects of objectifying women in music videos are entirely negative. Women grow up with the idea that they should always seek to attain a men’s attention. Hip-hop music videos do not represent females as the human beings that they really are. This creates an inequality o...
Frisby, C.M., Stevens, J.A. (2012) Race and Genre in the Use of Sexual Objectification in Female Artists’ Music Video. Howard Journal of Communications (Vol. 23, Is. 1, p. 66-87)
My object of analysis is going to be “boy bands” which I am defining as “a band of boys usually playing pop music that is marketed towards young women.” I am going to specifically look at the band 5 Seconds of Summer and I am going to look at how their music and success becomes undermined because their target audience is primarily young women. I am going to do this using feminist theory and this project will examine how ideologies regarding the connection between young women and the band itself being written off artistically are almost embedded within society, in that people say things such as “this band sucks” without ever really listening due to their classification as a boy band. This is primarily linked back to who they are marketed toward,
Will sexism ever come to an end in today’s society? Are women going to let men step all over them? Jennifer Mclune discusses in her article, Hip-Hops Betrayal on Black Women, how black male singers objectify and degrade black females in the music industry. The purpose of this article is to show how black women are being deceived in the hip hop industry and being used as sex symbols instead of showing them for their true colors. Mclune (2015) voices her strong argument in attracting her audience by using ethos, tones, and the use of word choices.
In society today, media such as movies and music share huge roles in the dynamics of culture especially concerning communication. In Dream Worlds 3: Desire, Sex, and Power in Music Video we see how famous singers and producers in the making of their music videos have the power of illustrating our language and beliefs. From the music we listen to and things we watch, we are constantly gaining new knowledge by the message that is being presented to us. The main focus of this specific documentary was how women in the music or media industry all together are treated. From this documentary and lectures in class we see that media objectifies, stereotypes, and degrades women and their bodies as advertisements and money makers. Themes in the film discussed
We have always been told from a young age that there is a big difference between men and women. First of all, they look different from their body structure, their views are different, and what’s expected from them is different. But since then, the world has changed so much, to a point where women are able to do things that men can do and vice verse. There are still things that both aren 't able to do just because of nature. As connecting to jazz music, it is considered american classical music, which can be used to describe as strengths of American diversity. Women that have been associated with jazz music have held much respect.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
There is a direct relationship between what is portrayed in music and the effect it has on its audience. Generally speaking, in modern music, woman have been placed in a certain mold. The molds portrayed in music have caused women to have negative self-perception. Through the lyrics presented in the songs and the images portrayed in the music videos, certain hip-hop songs may cause women to view themselves in the same light portrayed in the songs. The tone, lyrics, and images presented in the songs effect the intended audiences immensely. Hip hop music that objectifies black women negatively affects their self-perception because they view themselves as commodities.
The attitude towards women has changed dramatically since 1990, the year that this film came out; you will however, find a few men who still have the attitude that women were put on this earth for their enjoyment. In the early nineties, women were hyper-sexualized and viewed as pawns in a game. MTV showed music videos with scantily clad women, which were seen as extremely scandalous at the time. The nineties was also an era of growth, liberalization and sexual discoveries that carried over from the eighties.... ...
As one moves past the initial onslaught of rhythmic beats that calypso has to offer, it is difficult to miss the way in which it reverberates with negative and demoralizing images of women to their male counterparts. Whether it is within the lyrics of Sparrow’s “Drunk and Disorderly” or Square One’s “My Ding-a Ling”, an ample number of verses are often dedicated to making lewd comments about the female body and the suggestive body language described through thinly veiled rhymes and puns, can be offensive depending on the listener. The half naked models being displayed on the various album covers of calypso, soca and rap mix tapes further reinforces these negative connotations. This bandwagon has been jumped upon by many, including the rap genre in the last two decades, wanting to capitalize on a marketing strategy that generally purports to flag consumer attention, playing on their sense of eroticism. The sections titled “Music, Sex, Sexism” and “Woman Rising” within Peter Manuel’s text: Caribbean Currents, dive into the many issues surrounding gender within music as well as female portrayal specifically in calypso. Observations can be made simply by reading through the textual comparisons. Many aspects of this subject area allude to the fact that the issue of gender portrayal in music can be construed differently depending on who the critical listener happens to be. With the increased awareness and heightened sensitivity to the way in which females are portrayed in popular media, it is important to reflect on the impact these lyrics have on male-female relationships within the communities who most often enjoy this music genre.
The lyrics of music play an important part of interpreting the meaning of the song. The roles which women have been allowed by the society to embody have changed drastically. Women may question their roles because of what they see portrayed by popular culture or media. Change in female’s identity can be seen in how women are viewed or how they portray themselves in popular culture specifically through music. In general, music continues to...