“Summer” by Giuseppe Arcimboldo
The painting “Summer” by Giuseppe Arcimboldo is a simplistic yet bizarre painting made up of fruits and vegetables. The style of painting represents an intellectual movements that was supposed to appeal to sophisticated patrons in the Late Renaissance. He offers different tones to the painting with a light center that transitions to a black.
To start off, Arcimboldo has a unique style of painting. He paints fruits in specific places to make up a face and body. One of the most creative parts of the entire painting is his use of the different fruits and vegetables. Such as, the creative placement of the squash that conveys the image of a chin. He also uses multiple heads of lettuce to build the actual head and
October/ Octubre by Patssi Valdez (1995: fig.1) gives the viewer an inside look into this brightly colored world similar to magical realism as we stare at a table with item and a window view that looks outside at swirls of frosty cold air. This large scale acrylic painting on canvas measures to 78 1/16" x 26 3/8" x 1". At first glance we, the audience, are faced looking at a table with blue patterned table cloth and three objects on top; a book of Sor Juana, a golden pear, and a potted plant holding two yellow tiger lilies. At the bottom foreground of the painting, we can see a red and blue circular rug underneath the table with a pair of pointed black shoes, suggesting that this is a female’s home. The background of this painting, depicts
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Additionally, Lie placed tall trees in the foreground of the painting to give a sense of the scale between the observer’s perspective and surrounding objects. Furthermore, Lie used dark, cold colors, such as purple, blue and black, to depict the feeling of a winter’s afternoon. Lie also used snow on the ground as an obvious indicator of the time frame in which the painting is occurring. However, in contrast to the dark cold colors used, Lie also used subtle hints of orange, yellow and red to show that there is some presence of light in the piece. The background of the painting is a sheen of yellow, suggesting the presence of light and the forming sunset.
One Fat Summer by Robert Lipsyte, is a very good book for teenagers that feel insecure about themselves and have low self-esteem. In the book they will read about a young boy name, Bobby who overcomes his fears of being fat and being bullied by Willie, one that is much stronger then him physically, but not emotionally. The basic theme of this story is to stand up for yourself no matter the situation.
This painting is set within what seems to be the nineteenth century. One can infer this information based on the clothing, furniture, and architectural styles prevalent in the picture. The main figure that is central in the piece, the older man, fits the role of what appears to be a teaching position, where the boys that surround him are his students. The scene displayed here is one of an examination day. Each boy must t...
...is the focal point with the orthogonal of the gestures of the apostles lining up towards it. Masaccio makes good use of chiaroscuro, since his figures have soft, round edges and their bodies are apparent under their drapery. The drapery shows creases and edges which allow for that to happen. Masaccio also employs directed lighting in which the sun comes from the right and all the figures’ shadows are to the left, which is what would happen in real life. Furthermore, Masaccio uses soft, subdued colors, such as green, blue, and pink. The mood of Massacio’s painting is static with all the figures standing in contrapposto with their one knee sticking out and the individuals in Classical and naturalistic proportions. Masaccio placed his scene in the recognizable Arno Valley. Also, Masaccio’s story has no disguised symbolism and rather depicts a straightforward story.
To inspire the visualization of the idyllic Florida’s fields, this canvas is sized to produce that impression of your presence in the coast. With a sense of solitude that is accompany by the magic of the discovery of a beautiful romantic peace, this canvas transmits you the desire to be there. The scene makes you feel that you have found that special site where you want to be for the rest of your life in concordance with nature. It is easy to spot in this paint how diverse and unreceptive subtropical locality in early Florida define the subjective state of being. In this art he totally complies with one of the most delightful characterizations of Romanticism, he puts together the heart and the mind to idealize the authenticity of the wilderness in the scene according to what the artist considered relevant to present.
The representation of the new age of exploration, which serves as an allusion to man’s potential, is starkly contrasted with the depiction of Icarus that serves as an allegory for man’s limits, indicating the shift from a euro-centric universe. This painting is an oil canvas landscape of the sun setting on the horizon of the ocean sea, while the ships were sailing through the body of water. The focus on humanism during this period is clearly portrayed by the presence of the plowman, shepherd, and fisherman performing their daily task. Lighter colors are used, which differ from the darker colors that were emphasized during the Dark Age or Medieval period. Shadows can be seen on the ground next to the plowman, showing the increasing artistic methods that begin to be utilized.
Tiziano Vecellio was an artist in the 1400’s - 1500s. He completed paintings like “Women with a mirror, Man with glove, and Cruxifiction. He lived somewhere in the 1400s and 1500’s although we do not know when. He was known for his use of color. In this paper I will argue that Tiziano Vecellio was a true renaissance artist. I’m going to argue this through his life, and artwork.
Back in 1990, a man named Gary Soto decided to write an autobiography about himself, titled A Summer Life. One of the more interesting portions of the book was when Mr. Soto described a summer day back when he was six years old. On that day, young Gary found out what it felt like to be a true sinner, as he stole an apple pie from the local bakery. Some readers found this as one of the more interesting parts, not because of the plot, but because of the literary devices used, such as detail, imagery, and pacing. The three aforementioned literary devices are almost a backbone to the story, because without those three, the story would be shortened and fairly bland. The following three paragraphs will each describe a literary devices used by Mr. Soto to enhance the quality of his story.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
This essay is about Dances at the Spring. The art work was painted in 1912 by Frances Picabia. The size of the painting is 49 5/8x 49 7/8x 2 inches. The painting is housed at the Philadelphia Museum of Art. The form represents abstract art. The artist used geometric angles with swirling motions that are kaleidoscopic using vivid colors. The content of the art work are two girls dancing at a peasant dance at a festival. The painting represents the art form of Dadaism, which is a movement in the art community that was thought to be against art in the traditional sense and was meant to insult and outrage the community. Dadaism began around the same time as World War I in the early 1900’s.
Olive trees reflects the artist’s Dutch heritage by its origination and in his passion for bright colors, which comes from a Dutchman’s reaction and love for colors. The main influences perceptible in this painting are those of Millet, Romanticism, and the Impressionists.
Rosetti’s age did not appreciate his art because they thought that the style Raphael established was the crowning of all paintings. This style was based on dark colours, artificial settings and a triangle composition. Rosetti wanted to free ...
BQ - The painting’s textures are rather simple to my taste, there is some detail made on the mountainside in the background of the painting, but other than that, there is no texture that really pops out. The colors are also sort of lifeless in their usage. There is a lot of brown used in this painting, and while there is some blue as well, the blue does not invoke any sort of life to it, it simply just looks rather tranquil and empty. The brown by itself seems to represent lack of life as I personally correlate brown with lack of life as plants turn brown when they die or deserts, like the one depicted here, also tend to be brown and lifeless. I too noticed that the sun depicted in this painting seemed to either be a rising sun or a setting sun, given the lighting effects in the painting, but ...