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The streetcar named desire analysis essay
The streetcar named desire analysis essay
The streetcar named desire analysis essay
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Tennessee Williams’ A Streetcar Named Desire is filled with symbolism throughout the story, where everything has a meaning and the little things people would not think about would have a big part in the play. Tennessee Williams really makes people think hard about every aspect of the play being a symbol, specifically the characters Blanche DuBois and Stanley Kolwaski. One symbol that can be easily recognizable is Blanche’s preference to be in the dark and away from light. Although we see signs of Blanche’s “phobia” of the light, this symbol is not “noticeable” until Scene Nine, when Mitch confronts Blanche about never seeing her in the light. This depiction symbolically describes how Blanche feels about her appearance. Blanche is older and …show more content…
Blanche DuBois is French for, as Blanche describes it to Mitch, “It’s a French name. It means woods and Blanche means white, so the two together means white woods. Like an orchard in the spring!” The color white could stand for “the color signifying essential purity and even innocence but easily stained.” The significance of woods is unclear. However, it is possible that the “woods” represent covering or concealment. The “white,” meaning Blanche’s true nature, is concealed by the “woods,” or her lies and deception. The way she refers her name to Mitch could have symbolism as well. As the article suggest, the symbolism of her name is “the purity is the old south tradition and education she wants to adhere to, but it is past its spring and is undermined by the unavoidable social forces.” Stanley Kolwaski is an Old English-Polish combination for “Stone clearing” and “Smith.” This representation of “stone clearing” clearly relates to when Blanche tells Stella on Scene Four, “Thousands and thousands of years have passed him right by, and there he is―Stanley Kolwaski―survivor of the Stone Age!” The representation of “Smith” could represent being a typical, common man, especially for the time …show more content…
Biff wanted his dad to talk to his math teacher to convince him to give Biff four extra points. Biff believed Willy could do it, as Biff stats, “because if he (the teacher) saw the kind of man you are, and you just talked to him in your way, I’m sure he’d come through for me.” Biff looked up to his father so much, as if “Willy was as good as god.” He was Biff’s role model. However, once he found out about his father’s affair, all he can see is what a liar and a failure Willy is. Willy tries to lie his way out of the situations, saying “She’s a buyer. Buys for J.H. Simmons… she’s just a buyer.” Biff does not fall for it, calling him “fake” and “phony little fake.” Ultimately, this effects Biff’s desire to go to summer school and college were gone. Instead, Biff ran away from success, keeping the secret of his father, which became “the controlling factor of his life own life.” To Willy, this life event led ultimately led him to suicide. There were other factors that led to Willy’s suicide, such as “his failure as a salesman and the subsequent failures of his sons.” However, the affair was a more significant factor for two reasons: cheating on his loyal wife who has always been by his side and Biff knowledge of the
The loss of her beloved husband kept Blanche’s mental state in the past, back when she was 16, when she only cared about her appearance. That is why at the age of 30 she avoids bright lights that reveal her wrinkles. Blanche does not want to remember the troubles of her past and therefore she attempts to remain at a time when life was simpler. This is reinforced by the light metaphor which illustrates how her life has darkened since Allan’s suicide and how the light of love will never shine as brightly for Blanche ever again. Although, throughout the play Blanche sparks an interest in Mitch, a friend of Stanley’s, who reveals in Scene three that he also lost a lover once, although his lover was taken by an illness, not suicide, and therefore he still searches for the possibility of love, when Blanche aims to find stability and security.
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
Superficial is the first impression that Blanche gives when she enters the play. Consumed by appearance and face value, she is unable to see that Stella’s new lifestyle is not as horrid as she imagines. In comparison to Belle Reve, it is true that these New Orleans slums may not meet Dubois standards, but Blanche is unable to see beyond the way things appear in order to realize that Stella’s world does not revolve around material items. This flaw is intertwined with her vanity and her need keep up appearances. On the surface, Blanche appears to be snobbish and conceited.
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
Biff loses respect for his father and soon realizes what lie he has been living. Willy is in denial about his involvement with Biff’s failure in life, and when he is confronted about it by Bernard asking, “What happened in Boston, Willy? (141), Willy quickly becomes defensive, saying, “What are you trying to do, blame it on me? Don’t talk to me that way!” (141). After finding out about Biff’s reaction of burning his favorite University of Virginia shoes that symbolize Biff’s hopes and dreams for the future, Willy realizes what impact the affair had on his son. Willy’s lack of acceptance of reality affects his relationship because he never owned up or admitted he had an affair. This weighs heavy on Willy because the hate from his son will always be there. Biff loses all respect for his father and sees not only a failed business man, but in general a failed man. Throughout it all, Willy’s wife still remains supportive of him and constantly reminds him of her love for him. Despite this, Willy still yearns to have what he does not and pursues “the other woman.” It is bright as day that Willy finds some sort of comfort and validation for his affair with a woman who makes him feel wanted, yet his wife does the same thing. This guilt is always carried around with Willy which is just another contributor to the death of Willy
During the late nineteen-forties, it was common for playwrights such as Tennessee Williams to use symbolism as an approach to convey personal thoughts, through the attitudes of the characters and the setting. Williams' actors have used symbolism to disguise the actuality of their thoughts and to accommodate the needs of their conservative audience. A Streetcar Named 'Desire' has a few complicated character traits and themes. Therefore, they have to be symbolised using figures or images to express abstract and mystical ideas, so that the viewers can remain clueless. Williams not only depicts a clear personality of the actors
Blanche represents a deep-seated attachment to the past.5 Her life is a lesson how tragic events events in the past can ruin a person's future. Her husband's death affects her the most.
In the play A Streetcar Named Desire author Tennessee Williams writes about Blanche DuBois, a woman who is seeking help from her older sister Stella Kowalski. Blanche comes to stay with Stella and her husband Stanley after finding out that Blanche and Stella’s childhood home had been taken from under them. The play goes on to show the dramatic downfall of what is Blanche DuBois. Throughout the play we see her slowly break down till finally she is pushed over the edge. William's uses a great deal of allusion to convey a real meaning to why characters do what they do. It’s not just an example, each allusion has a deeper meaning to the character it’s associated with. Blanche DuBois is the character used associated with allusion. Williams uses allusion with Blanche to present how she masks her true identity to the real world, saying she’s a pure southern belle when really she is truly a lost lonely soul.
Symbolism is greatly used in the play to emphasize Blanche’s mental instability, this is most evidently found in the use of colors and shading. The first example of this is in both her name Blanche Dubois, which in French means white and her last name woods, this translates to ‘white woods’ and the fact that she dresses entirely in white upon her arrival. The color white symbolizes, purity, health and virginity, which in spite of the irony, this is the image she attempts to exhibit. This is her trying to appear new and fresh. There is noticeable symbolism that metaphorically taints this white purity, such of that in scene five when Blanche spills coke on her white dress. She frantically tries to remove it, she wishes to remove this so it doesn’t stain her. Like she sees how her past has. The fact that she has slept with so many men and this spill shows how she is in fact corrupt and stained with her past. This symbolism is an early suspicion to her insanity and promiscuous past which is only unraveled later in the play. We as such may not intentionally see this from the start. Only the illusory image, which she tries to create for herself, suggests the...
She went on to sleep with other people and that must have not been as fulfilling to her life as she thought she would be. She was fired from her job as a teacher which could have made her feel hopeless and miserable, not having any income to survive, as in her case, buying a lot of expensive things. When moving to her sister’s place, she wanted to act as if she was more superior to her sister’s husband, Stanley Kowalski, as they were constantly disagreeing with each other. But she would sometimes tease him, or they would sometimes be an underlying flirtation between them. They might have found each other somewhat attractive, but also found each other irritating. Blanche’s constant bathing seems like she is cleansing herself from the past, wanting to be forget and be free from it and start a new life. She wants to have a husband who can take care of her. She wants security and love. She thinks that Mitch could be a good choice. They seem to like each other upon first
The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.
After Mitch forcefully removes the paper lantern from the light bulb, Blanche “utters a frightened gasp” (1.9.14). Within the scene, the paper lantern serves yet another symbolic function. The night when Blanche meets Mitch, she asks him to place the lantern onto the light bulb. Just as the lantern protects Blanche from the light which reveals her age, it creates a façade which conceals her past. With Mitch’s love Blanche believes that the proper persona which she invented for herself could become her identity, thus magic becomes reality. However, as Mitch undresses the light bulb, he exposes Blanche vulnerabilities. Even though Mitch possesses masculinity, he does so to a lesser extent than Stanley. This passage is mildly reminiscent of Stanley and Stella’s wedding night when Stanley smashes the light bulbs in the apartment. Even though Stanley’s actions are more extreme than Mitch’s both carry a sexual connotation and reveal animalistic tendencies. Furthermore, as Mitch stares intently at Blanche in the light, “she cries out and covers her face” (1.9.25). By turning on the light, Mitch for the first time has gotten a good look at Blanche, but to do so he is violating her sense of self-worth. Although Mitch continues to berate Blanche for lying to him, he is still physically attracted to Blanche. Mitch’s cruelty is accepted by Blanche and later in the scene still asks if Mitch
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
Written in 1947, A Streetcar Named Desire has always been considered one of Tennessee William’s most successful plays. One way for this can be found is the way Williams makes major use of symbols and colours as a dramatic technique.
The color white symbolizes pureness and purity, which Blanche does not live a pure nor clean lifestyle. The color white resembles a state of innocence which Blanche is living the total opposite. Instead Blanche lives a very sad life which evokes her to become an alcoholic, and to also partake in sexual promiscuity with different men in the story. Which does not at all comply with the fact she wears the color white so