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Importance of wedding rituals
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Practiced in Yemen, a country located in Western Asia, is a marriage ritual known as “Henna Ritual”. To Yemen women and their families, this ritual is a preparation for the changing to her new life of a man’s bride. Like any other special occasion, this ritual takes a lot of planning and holds great meaning to the bride, her groom, and their families. Henna comes from the flowering plant called Lawsonia inermis. In many countries, henna serves as part of their traditions and as part of their cultures. It is used in many ways, but is most commonly used to dye skin by decorating the body in body art or create pseudos’, also known as henna tattoos. Henna consists of a red color and in Yemen is it believed to resemble beauty whereas the plants …show more content…
They guide the bride from her dressing room door to the place that she will be sitting for the ceremony. Singers and percussion instruments are the sound of music while the bride walks. The singers sing around the bride throughout the entire ritual along with her female family members. They carried candles, each carrying different colors. These candles represented the light for the brides’ upcoming life. They also decorated eggs with shapes on them representing the fertility that the bride had and the life cycle and luck of protection against evil spirts that might do her and her future family harm. Music plays a major role within the henna ritual. There are two types of music that are played: songs of events and songs for dancing. Women sing from within their hearts, producing the most beautiful sounds. Many songs that are played and sang during these rituals have been passed down from many generations. The songs focus on the bride during the henna ritual. They talk about the brides’ beauty and elegance, her contributions to others and especially those to those within her …show more content…
The spreading of the henna is extremely important, spreading it on the brides’ soles of her feet and the palms of her hands. They carried the belief that if the henna was spread in these two areas, that any evil would not harm her wherever she traveled, nor hurt the works of her hands. The people of San’a would hire an artist who was believed to be an expert to perform the spreading. This is normally held on a Monday. On Tuesday, the henna artist prepares a mixture then melts that mixture over a fire. The artist, a female, would then use an object to decorate the places of the brides’ body with the mixture, which was made into a hot wax that were covered with the henna. The artist starts at the brides’ hands, going as far as her wrists. Then, the artist does the brides’ feet, going as far as her ankles. Designs that the artist draw include lines, dots, circles, and drawings of grains (only on the hands). Based on the embroidery that the women use and the patterns that are used in that embroidery had to be of specific order due to the embroidery patterns and the design patterns. The patterns that are most commonly used were drawings of grain, dots (usually in groups of three) and triangles. The colors consisted of red, black, and brown. Some believed that the bride should have five dots on her hands, representing a force against evil. Others believed that the amount of dots drawn on the brides’ hand represented the number of
There are a number of activities that take place during the ceremony and each part has its own purpose and significance. As a whole, the procession takes place over a course of four days and within a decent amount of time of the first menstruation. However, in the event of the child being away at boarding school they will go home immediately or if this is not an option then the ceremony must be postponed. The ordering of events take place over the course of the four days directly relate to the myth of the origins of Kinaalda. For instance, in Marie Shirley’s Kinaalda the order and the events that take place resemble closely the events that took place during the mythical origin story. For Shirley’s own ceremony the events that take place include: hair-combing, dressing, molding, race one and race two, nighttime activities, and several others. To prepare for the events that will take place, the people involved do things such as shelling corn and cleaning the hogan. On the first day of the ceremony the girls involved have their hair combed to make the girl resemble Changing Woman and are dressed in their ceremonial clothing, which include adornments of silver and turquoise. When wearing the jewelry some feel that this is a testament of her future. If she wears large amounts of jewels then this will mean she will have a rich life full of success. Usually after the dressing is the lifting of the people. This is something that Changing Woman did during her own ceremony, as a way to thank the people for their gifts (Wheelwright, 1942). They are then to lay on their stomach to begin the process of the molding; this relates to the first girl’s kinaalda myth in which “she was molded and pressed so she would have a good figure” (T...
This event is celebrated differently by many diverse cultures, and as time goes by, some of the traditions change. Even though the traditions may alter, the whole point of this eventful activity stays the same. The point of this event is to recognize the young lady’s transition from childhood to womanhood. This is also known as “the coming of age.” On this one day, it’s all about the girl, nothing else matters!
His description of a wedding also seems very modern, but the importance of dance in the festivities shows another facet of Olaudah's people. The dance defined the different groups within their village. First, and most important, were the married men, followed by married women, single men, and lastly unmarried women. The groups also used the dance to relate stories or tell events that were important to them. This practice probably also strengthened the bonds within the groups.
Leading up to the celebration the girls are taught a certain dance that must be performed at the ceremony. “the new initiates are brought into town for the first time since the initiation process began…” At the ceremony the Mende girls wear a Sowei mask and costume which is considered to be the embodiment of the river spirt Sowo. Once the mask and costume is on the person transforms and her actions are no longer hers but are the actions of the spirt Sowo. A sacred dance is performed and dance moves represent the strength and power of woman as members in the Mende community. “Sowo mask are divided into three structural components- the neck, face, and coiffure. Carved from a single block of lightweight wood, the masks weigh only two to four pounds. The mask displays a shiny black surface representative of the value assigned to smooth dark skin.” The rings around the masks neck demonstrates a trait that is considered beautiful in Mende cultures. Every mask has a different hairstyle, representing the style of the woman the mask is made for, you can see items such as shells, metal and claws on the coiffure.
Henna is the word describing the process of painting patterns on the body and it also refers to the plant Lawsonia Inermis. Lawsonia Inermis is the plant used for making the henna paste. It is a flowering tree that grows 12 to 15 feet tall, so it is not a big tree, more like a large shrub( Petkewich). It grows in warm, arid regions of the world such as India, Pakistan, and Northern Africa, the plant contains the most dye when grown in temperatures close to 120 degrees Fahrenheit, but it wilts at temperatures close to 50 degrees Fahrenheit. The art of Henna is a very old tradition, crucial to many cultures in south Asia and the Middle East. For example, no wedding in India is complete without a night where all the girls from the bride’s side of the family come to put on henna.Not only is it important in Indian weddings, but it is important in almost all Middle Eastern, African and South Asian weddings. When we talk about putting henna on our bodies, it’s not at all simple, there are many styles and and strokes and techniques the artists have to use to make sure they don’t mess up.
A traditional white gown/ ball dress is worn by the bride. She usually has a vial and carries a bouquet of flowers in her hand.
Another custom was the Kalinago used to decorate their bodies with a dye called roucou. This was made from vegetable dye and oil, which the Kalinagos felt toughened their skins and protected against insect bites.
This process is to cleanse the body and to prepare for the rest of the process. The individual himself can rinse their mouth and fingers with water or a priest can say a prayer then wave a wand around the body of the person. Another key element of the ritual is the offering. Offerings can traditionally consist of “money, food and drink, material and symbolic objects.” (Ono)
The rings represent a woman who is healthy, well fed and who is in great physical shape. This condition is the prime state for one to start childbearing, in turn is ready to raise a family. After the rolls, there are thick strands of raffia palm fiber hanging. This covers the woman’s shoulders upon wearing. The women’s entire body is to be cover during the dancing performance by the mask and costume.
From henna to honeymoon: Wedding traditions in the Middle East. (n.d.). Retrieved November 29, 2017, from http://english.alarabiya.net/en/variety/2015/08/06/From-henna-to-honeymoon-Wedding-traditions-in-the-Middle-East.html
My sister and parents have settled on henna as an acceptable form of body art, as opposed to piercings, tattoos, or even hair dye. My sister's artistic talents and desire to decorate herself have been evident since she was little when she longed for the day she could wear the makeup that mom donned every Sunday. One morning, my sister's desire and daring five-year-old spirit got the better of her, and she snuck a tube of bright red lipstick to church. Our mother was mortified, but most of the congregation thought it amusing to see Anna's crimson lips.
During this time colouring and staining of the fingernails was extremely common within the Chinese culture. Men and women would use beeswax, egg white and rose petals’ to brew a bright polish. Methods such as these would turn out to be quite lengthy, as this procedure required the nails to be soaked in the mixture for several hours’. In Chinese culture only the wealthy were permitted to wearing bright colours. Poorer citizens were only permitted to wear dull colours and defiance would result in the death penalty.
The Hindu priest who is likely to carry out the ceremony decides the date of the wedding, using the Hindu's religious calendar. The 'Henna' Ceremony must be carried out a few days before the actual wedding day. Usually the young female members on the bride's side of the family gather together to decorate their hands and sometimes their feet with beautiful patterns, with henna paste that colours the skin. This could be described as an Indian 'hen night'. The atmosphere at Anika's ceremony was joyful, cheerful and jubilant, there was plenty of nattering and laughing.
The purpose of this paper is to compare and contrast between various wedding customs that are prevalent in different continents of the world. The essay sheds light on culturally diverse traditions that originate in different parts of the world. It is the wide variety or cultural conventions that give each nation or tribe a unique identity. Every culture has ...
He usually arrives dressed in his wedding attire on the back of a horse, or sometimes on the back of an elephant. “The wedding altar (mandapa) is built the day of and the groom is welcomed by his future mother in law where his feet are then washed and he is offered milk and honey. His sister in law will attempt to steal his shoes and if she succeeds, the groom must pay her to get them back” (beau-coup.com). At the wedding venue the bride waits for the groom in a room covered in garland, when the groom arrives they exchange garland. After this, the brides family will welcome the grooms family to the wedding. Like Christian weddings, the father of the bride gives the bride away at the wedding, this is called a Kanyadaan. A priest will facilitate the marriage by reciting mantras or holy hymns, but the bride and groom marry each other. The bride and groom are considered married when the groom ties a thread that symbolizes his vow to care for the bride. He ties it in three knots that symbolizes the gods, Brahma, Vishnu and Masheshwara. The ceremony takes place around a fire and the god, Agni is considered the witness to the union. “The bride and the groom then circle the fire seven times, in a clockwise direction, called Saat Phere which signifies seven goals of married life which include religious and moral duties, prosperity, spiritual salvation and liberation, and sensual gratification” (Gullapalli