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How does society influence one's values
How does society influence one's values
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Now we can move onto the role sexuality plays in these works. In the film “West Beirut” (at 20 minute mark) Omar and Tarek begin to talk about the woman their uncle is with. They view her in an overtly sexual manner and even film her from Omar’s room. They share highly provocative and sexual stories, smoke a cigarette, and then confidently strut around town, while “Rock Your Baby” plays in the background. This is the beginning of sexual tones in the movie. As the movie progresses we see a shift in attention from the adolescents sexuality to sexuality in a larger frame in society. This shift is brought about when Tarek enters Oum Walid’s brothel. Upon entering we are presented with the sight of guns and two angry men. One of the women working in the brothel …show more content…
When Tarek first enters the brothel, two angry men came out and grabbed guns. The tension created by the brothel could be enough to cause violence in the area, and as we’ve seen earlier in the movie, one attack could cause a big change to politics. After the first attack in the movie, Beirut is divided into east and west Beirut, and Tarek can no longer attend school. A similar situation could occur due to sexuality, if the men in the brothel decided to attack those of another faith. A scene like this nearly did play out when two men of differing faiths had bed the same woman. Although they did end up taking revenge on rosie instead of each other, we can still see the role sexuality has in religion. As Oum Walid says “Since when does a bed have a religion?” Another example of the role of sexuality is the “Secret Code”. The secret code is that in Zeytuni having a bra on your car or person is what gets you safe passage. The bra determines whether or not you’ll be killed for passing through a no go zone or not. This shows a that sexuality has an enormous amount of power and influence in
“Araby” is a bildungsroman story, about coming of age, the passing through innocence to experience. This story takes place in Ireland, but in the boys dreams he visualizes Araby, a very exotic or “sexy” setting, in the east, similar setting to Aladin. It is a place of high wealth and romance, the perfect setting for a young boy to come about his sexuality. He visualizes a woman in Araby, and wants to give her all the gifts he can, including a chalice from the church. The problem with this twelve year old boy giving this woman a chalice is that the chalice is used to carry Jesus’s blood, and in a very religious place of Dublin, Ireland, this would be a horrible sin to use a chalice as a form of sexuality. The young boy in this story wants to confess his love for Meghan’s sister but does not understand how or why he wants to do this. His mind is trying to pass over from innocence to experience, prelapsarianism to postlapsarianism, but the people surrounding him do not give him the information to complete this change. As a result of this, the young boy becomes frustrated and angry, but he does not exactly know why. Dublin in this time is not the place for having sexual thoughts before marriage, and that is all this young boy will
The quality of graphic language and depictions of sexuality help to develop the narrative and develop the characters.
It revolves around the issues of gender oppression, sexual assault, and importance of social status. Alifa Rifaat manages to express her opinions towards these themes by writing about a typical Egyptian marriage. She puts in focus the strong influence that a patriarchal society has. She also manages to prove how important social status is in society. The uses of literally elements such as theme and irony help express this view. It shows that in a typical Egyptian society women are commonly oppressed by all males in society
Although she has more freedom compared to Mira where she at least can talk to boys, sexism rises as an issue for becoming almost acceptable. The boys in her school always talk about sex and even brags about to each other. Mira and her other friends thinks it is inappropriate for boys to talk about such a sensitive topic since women are usually on the receiving end. They have to look and act pretty for men, and are only good as their trophy wife. Porn in specific advertises this notion and brings the boys ' standards up. Boys begin to imagine what they want their girl to have and be.
The intersectionality of race and sexuality can be translated as the relation between the two elements and how they are influenced by one another. Meaning that the objectification and discrimination of black women’s bodies was directly shaped by white race. For example, the involvement of medical and scientific knowledge in the constructing of black sexuality as animalistic, uncivilized became the sexuality known to the world. The implementation of ideal sexuality was socially constructed to police minorities’ sexuality.
The Middle East has never welcomed gays. In fact, although infrequent in practice, some countries such as Saudi Arabia, Iran, Yemen and Egypt condemns the criminality of ‘unnatural’ intercourse by death or a heavy prison sentence (Kotecha, 2013, p.1). Although some activists in Lebanon are emerging to defend these rights, Lebanon still belongs to the above list in the legal point of view and in practice and that’s what makes it far from being the heaven for gays in the Middle East. As a first step toward being Liberal, Lebanon should show real openness by making serious incentives toward giving homosexuals their rights.
Unlike sex, the history of sexuality is dependant upon society and limited by its language in order to be defined and understood.
Sex. Let us talk about it. After all it is part of human nature, animals do it, people do it, yet as a woman one is expected to keep their sexual desires to themselves. Why? It is acceptable, if not expected, of a man to voice his sexual conquests but a woman is deemed promiscuous and unruly if she makes her desires visible. The Victorian ideals of purity and innocence have long been ingrained in society, even to the point of tainting the media in favor of chastity and modesty. Female representation in film has long battled against stereotyped visions of sex kittens and housewives who lack narrative arches, and ultimately bear the meaning of a male story rather than make one themselves. Throughout film history, one can notice spikes of female empowerment and, in particular female sexual desire, but overall the acceptance of sexual behavior has been placed primarily on the male character. Interestingly, research shows that during the 1960s a sexual revolution gave way to the notion that young women were more willing than young men to have sex before marriage, yet the media did not follow suit. These young women of the mid-20th century with sexual
Sedgwick (1985) states that Girard’s structure of the erotic triangle was seen as symmetric, as it was not “disturbed by such differences as gender” (pp.23). However, she proposes that the structure of the triangle should be considered asymmetric as it is disturbed by gender. This is because of the difference between the “disrupted continuum between sexual and non-sexual male bonds and the relatively smooth continuum of female homosocial desire” (Sedgwick, 1985, pp.23). Furthermore, Sedgwick (1985, pp.25) states that the power relationships in a -maledominated society suggest a special relationship between male homosocial desire and maintaining patriarchal power. This idea can be transferred to Cristal and Nomi’s relationship, where Cristal maintains her patriarchal power as the lead of the dance revenue, Goddess, while seemingly also having a desire for Nomi as she asks about Nomi’s sex life. This is evident when Cristal asks Zack if he had sex with Nomi, which resonates with McWhorter’s (1999, pp.10) view that sex becomes something that is interrogated and an object of administrative measures. This is further displayed where Cristal questions Nomi if she had sex with Zack to become the lead of “Goddess” or if she wanted to. The use of close up shot when Cristal immediately replies in a determined tone, without listening to Nomi’s answer, that “I say you did it for the spot” emphasizes Cristal’s envy which is reinforced through the close up shot of her jealous, almost angry facial expression. This suggests that Cristal may have feelings towards Nomi thus emphasizes the erotic rivalry between the two females. Therefore, it seems that Sedgwick’s (1985, pp.22) triangle can be adapted to the power relations between women as seen in the film suggesting that the female-female bond may be more potent than the male-male
In the article “An Anthropological Look at Human Sexuality” the authors, Patrick Gray and Linda Wolfe speak about how societies look at human sexuality. The core concept of anthology is the idea of culture, the systems of attitudes, beliefs, and behaviors people acquire as a member of society. The authors give an in depth analysis on how human sexuality is looked at in all different situations.
“The Yacoubian Building” by Alaa al-Aswany is a novel set in a ten-story building located in downtown Cairo around 1934. It revolves amongst the lives of several of the residents in the building who are struggling to survive their everyday life and the corrupted government in Egypt. During the course of the novel, I observed that necessity versus dignity seemed to be one of the most obvious and painful recurring subjects. The inadequacy of the government has altered many of the characters’ interpretations of morality. Despite the many despicable actions and crimes “The Yacoubian Building” depicts, its narrator almost never explicitly judges the novel’s characters. Instead, Al Aswany goes to great length to demonstrate how these characters are all victims of their cruel society. As such, Busayna comes to consent her employer's groping in the backroom because she has a family to support; Abduh’s moral hatred to homosexuality, yet he surrender to Hatim seduction in order to escape poverty. Souad pretends to appreciate sex with her elderly husband Hagg Azzam because he provides for her son from another marriage; Taha’s failure to become a policeman because he is the son of a doorman has ultimately leads him to Islamic extremism and violence.
Throughout the course of Arabic literature and film, heterotopias have been used in a multitude of ways. In some cases, they have been the spaces in which characters have encountered their coming of age, or loss of innocence. In others, heterotopias act as a space that connects masses of people from seemingly opposite ends of the social spectrum. In using heterotopias in both literature and film, the audience is forced to see circumstances in ways that are not customary. We see life’s happenings that are essentially the most sacred and private in a descriptive light and are exposed to details of life’s intimacies that are essentially unheard of.
In comparing the work of Luis Negron and Audre Lorde, one becomes able to unveil the often unrecognized distinction between the erotic and the pornographic aspects of sexuality. Moreover, the main character of The Chosen One, displays the very contrast that Lorde refers to in The uses of the Erotic. Although, the character representing these sexual variances happens to be male in The Chosen One. The need for the distinction between pornographic and erotic allows for Lorde to display the importance of feminine power within sexuality. After defining the importance of living instead of existing within an erotic culture, it can be presumed that the encounters of the boy in The Chosen One are seen as pornographic acts of oppression and not real
Throughout “Araby”, the main character experiences a dynamic character shift as he recognizes that his idealized vision of his love, as well as the bazaar Araby, is not as grandiose as he once thought. The main character is infatuated with the sister of his friend Mangan; as “every morning [he] lay on the floor in the front parlour watching her door…when she came on the doorstep [his] heart leaped” (Joyce 108). Although the main character had never spoken to her before, “her name was like a summons to all [his] foolish blood” (Joyce 108). In a sense, the image of Mangan’s sister was the light to his fantasy. She seemed to serve as a person who would lift him up out of the darkness of the life that he lived. This infatuation knew no bounds as “her image accompanied [him] even in places the most hostile to romance…her name sprang to [his] lips at moments in strange prayers and praises which [he] did not understand” (Joyce 109). The first encounter the narrator ex...
Just as other interpersonal themes, sexual themes in film are often depictions of sexual themes that exist in real life relationships. For this very reason, it is very easy for a person to compare his relationships with that of a relationship shown in media or film. Some relationships are total train wrecks from the start while others are not necessarily ideal, but healthy. Although not seen very often, ideal couples in film are attributed with characteristics that are seen by society as desirable; youthful, attractive people who are hyper-sexual and affectionate. As cliché as it sounds, sometimes relationships are simply “complicated”. Such is the case in the film It’s Complicated.