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We were the mulvaneys passage ap lit essay
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Two probing questions that you have as a result of your reading: 1. Family, as well as the significance of names, is at the heart of We Were the Mulvaneys. How does this affect each character’s identity? Does this theme connect to Oates’ other books? 2. God and religion are mentioned a lot, particularly in situations involving the two female Mulvaneys. How do each of the characters define religion? Is religion just something inserted into the plot for structure to the women’s lives? We Were the Mulvaneys does not belong to a particular literary genre and appears very realistic in the events and reactions of the characters. It puts forth dark themes, such as violence and revenge, as well as themes shaped by religious undertones. Much of …show more content…
Ephraim. This gloom, brought on by the aftermath of Marianne’s rape, surrounds the family with negativity and causes those around them to “turn away” from the family altogether. Judd expresses his feelings in the quote in a sarcastic tone, demonstrating the disdain he has for the people who had known the Mulvaneys essentially forever, but seemed “not to see them.” No one in the town is able to look beyond the stigma that comes with the Mulvaney family because they will “spoil the happy occasion” with their presence. This connects to the theme of alienation which affects every member of the family. 5. “Yet he believed he scarcely knew Marianne at all. He loved her, but scarcely knew her. Members of a family who’ve lived together in the heated intensity of family life scarcely know one another. Life is too head-on, too close-up. That was the paradox. That was the bent, perplexing thing. Exactly the opposite of what you’d expect. For of course you never give such relationships a thought, living them. To give a thought - to take thought - is a function of dissociation, distance. You can’t exercise memory until you’ve removed yourself from memory’s source.” (We Were the Mulvaneys
McCullough describes the family as a paradox. "It was, plainly, a family of paradoxes: privileged and cushioned beyond most people's imagining, yet little like the stereotype of the vapid, insular rich; uneducated in any usual, formal fashion but also uninhibited by education - ardent readers, insatiable askers of questions; chronically troubled, cursed it would seem, by one illness or mysterious disorder after another, yet refusing to subject others to their troubles or to give in to despair" (pg. 37).
Theme of religion came out clearly in this story: “Philippa had what are known as High Church proclivities, and took the matter seriously” (Fox 1). People in this context honor God by fasting. One lady, Julia said that she could not eat an egg on a fasting day. Mr. Yeates said that his wife always had a gift for the church and that she highly honored the elders of the church. These are indications of a society that had religion at heart.
“I slept… but I was disturbed by the wildest dreams. I thought I saw Elizabeth…. as I imprinted the first kiss on her lips, they became livid with the hue of death…and I thought that I held the corpse of my dead mother in my arms…and I saw the grave-worms crawling in the folds of the flannel” (43).
Memory is both a blessing and a curse; it serves as a reminder of everything, and its meaning is based upon interpretation. In Julia Alvarez’s In the Time of the Butterflies Dedé lives through the memory of her family and her past. She tells the stories of her and her sisters lives leading up to their deaths, and reflects upon those memories throughout her daily life. Dedé lives on for her sisters, without her sisters, but all along carrying them with her throughout her life, never moving on. Dedé lives with the shame, sadness, and regret of all that has happened to her sisters, her marriage, and her family. Dedé’s memories serve as a blessing in her eyes, but are a burden
Generations of family, living in the same community can leave an identity for themselves, making them live with it for generations to generations. The Finches, The Ewells and Dill's family are three families who are all criticized and sometimes applauded for their way of living.
I had come to feel that my mother’s love for me was designed solely to make me into an echo of her; and I didn’t know why but I felt that I would rather be dead than become just an echo of someone (Page 36).
I had only to close my eyes to hear the rumbling of the wagons in the dark, and to be again overcome by that obliterating strangeness. The feelings of that night were so near that I could reach out and touch them with my hand… Whatever we had missed, we possessed together the precious, the incommunicable past. (170)
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
Miss Brill’s loneliness causes her to listen in on conversations. This is her only means of achieving a sense of companionship. She feels that for a moment she is “sitting in other people’s lives just for a minute” (98). Aside from that, she is part of no one’s life.
Celie is not the only character to undergo a change in her religious outlook and complete the journey “from the religious to the spiritual”. Nettie also is brought up as a devout believer in the Christian church however throughout her time in Africa and with the help of the Olinka people she discovers a new more “internal” form of religion similar to Celie’s new found spirituality. The journey from the religious back to the spiritual is reflected in the distance between the white missionaries in Britain and America and the African tribes. The missionaries represent the formal ‘white’ church and the Olinka fulfilling the idea of pantheist spirituality. This is a journey Nettie makes physically and spiritually. Shug and Mr.’s views on religion also change during the novel, and as Walker intends, all make this ‘journey’ with “courage and the help of others”.
She would not have grieved over someone she did not love. Even in the heat of her passion, she thinks about her lost love. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked safe with love upon her, fixed and gray and dead. Her love may not have been the greatest love of all time, but it was still love. Marriage was not kind to Mrs. Mallard, her life was dull and not worth living, her face showed the years of repression.
Of the novel’s many focuses, Ishiguro is certainly interested in the workings of memory. Kathy’s retrospective narrative voice demonstrates the very human struggle to define ourselves and our identities, a relationship between memory and identity plays out in front of the reader; psychological principles in action. The eagerness to preserve early memories suggests Kathy wants to remember who she is, a strong sense of identity helps strengthen the narrative. When compared to Ruth, who fades gradually through the story, Kathy’s desire to keep old memories alive is presented as a better way to move forward. Ruth is a shadow of her former self when Kathy describes her life as a donor; she appears to willingly put memories of Hailsham to the back of her mind and as a result loses a sense of identity, becoming increasingly bitter and reflective. A further comparison between Kathy and Ruth shows Kathy to be far more open and honest about her memory of Hailsham. Ruth, while at the Cottages, twists their experiences to suit her own self-image, revealing herself to be ultimately insecure.
Mrs. Mallard is an ill woman who is “afflicted with heart trouble” and had to be told very carefully by her sister and husband’s friend that her husband had died (1609). Her illness can be concluded to have been brought upon her by her marriage. She was under a great amount of stress from her unwillingness to be a part of the relationship. Before her marriage, she had a youthful glow, but now “there was a dull stare in her eyes” (1610). Being married to Mr. Mallard stifled the joy of life that she once had. When she realizes the implications of her husband’s death, she exclaims “Free! Body and soul free!” (1610). She feels as though a weight has been lifted off her shoulders and instead of grieving for him, she rejoices for herself. His death is seen as the beginn...
“It was a new discovery to find that these stories were, after all, about our own lives, were not distant, that there was no past or future that all time is now-time, centred in the being.” (Pp39.)
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...