Washington's Roles In Washington Portraiture, By Gilbert Stuart Savage

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In his effort to depict Washington in his three roles as general, statesman, and patriarch Savage draws on canonical portraits of Washington fulfilling these roles. Works by other portraitists such as Charles Wilson Peale show Washington in the vicinity of a battlefield in uniform. These portraits highlight his leadership qualities and bravery. They follow conventions of war portraiture found in both the colonies and in Europe at the time, such as George Washington at the Battle of Princeton by Charles Wilson Peale. (Fig. 4) Practices in Washington portraiture shifted after the war when we enter his role of a statesman. Instead of bold uniforms and military settings, portraits like the Athenaeum Portrait of George Washington by Gilbert Stuart …show more content…

It was actually during Washington’s lifetime that the title of “father” began to be used in relation to the man and the country. In 1776, some addressed him as “our political father” in a letter and in 1778, an almanac called him the “Father of His Country.” Therefore, imagining Washington as a father figure to the United States was a common practice by the time Savage created his work. Historian and biographer, Richard Brookhiser explores this idea in his book Founding Father. In it, he speculates the effect the term and social entity of “fatherhood” might have had on Washington by examining the father figures in his own life and lack of biological offspring. Though Washington never commented for or against the title, it is plausible to assume that this association of fatherhood might have influenced his relationships and actions. By painting Washington in his private life and in a father like role, Savage draws on the opinions of the public and reinforces this image of Washington in his …show more content…

Drawing on recognizable conventions in portraiture, Washington is shown as a general and a statesman. Savage also establishes a new presedent by visualizing the first president in a patriarchal role. By placing him in the domestic context of his own home with his family surrounding him, Washington becomes the vision of fatherhood, despite not fathering any children of his own. By including this aspect of Washington’s identity in his work, Savage draws on the popular metaphor of Washington being the “Father of Our Nation,” a notion established before the nation in question even existed. Though his skill as a painter is lacking compared in this work compared to contemporaneous family portraits, this image had an extremely popular exhibition and an even more popular life as a print. Published at the end of Washington’s time as president, the work stands as a testament to the role Washington play in the early days of the United States while also commemorating his long awaited return to his private life at Mount

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