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Symbolism used in Lord of the Flies
Symbolic meaning in Lord of the Flies
Lord of the flies characterization and symbolism
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In the book Lord of the Flies by William Golding, a significant symbol is the war paint worn by the boys. The war paint is a symbol of them hiding their shame and guilt of human sin as well as bringing forth the true nature of human savagery behind the facade of civilization. The war paint allows the boys to become these evil creatures and do reckless activities without guilt. When these boys apply the war paint, they are no longer themselves. The guilt and shame that all humans have from committing human sin withers away when these boys apply the paint. The boys hiding behind the masks as a relief of their consequences is displayed when the narrator reflects, “He capered toward Bill, and the mask was a thing on its own, behind which
The war paint teaches readers the theme when Jack and his hunters use the paint to mask themselves behind it, giving them a new identity. While attempting to explain the purpose of the war paint, Jack states, “For hunting. Like in war. You know-dazzle paint. Like things trying to look like something else-...” (Golding 63). The hunters use the war paint to remove themselves from civilization, concealing their humanity. When they hide behind masks, they are letting the darkness amongst the island take control of them. In today’s world, people try to hide behind things in order to have a new identity, for example: social media, just as Jack and the Hunters hide behind the paint, in attempt to justify their inhumanity. We also see the war paint used to show darkness and its power when Ralph is considering giving in to the tempting darkness and putting on the paint. While they all enjoyed their meat and the hunters began cheering, “Ralph watched them, envious and resentful” (Golding 75). Darkness of the heart is portrayed as a powerful force, persuading all of the boys to become uncivilized animals, removed from society. Even though Ralph was still slightly angry because the fire was not lit, watching the hunters enjoying their meat and having fun tempted Ralph into giving up his civilized manor and becoming one of them.
In William Golding’s Lord of the Flies there are many examples of symbolism. The conch shell represents order, the appearance of the boys represents savagery, and the fire on top of the mountain represents rescue. These examples are all symbols in the book.
D.H. Lawrence once said, “This is the very worst wickedness, that we refuse to acknowledge the passionate evil that is in us. This makes us secret and rotten.” Sir William Golding tells about the evil and sadistic things that can be expressed throughout humanity in his novel, Lord of the Flies. Lord of the flies is a translation of a Hebrew name for Satan, Beelzebub. In the novel, William Golding portrays the boys’ descent from civilization to savagery through the following symbols: the conch shell, Piggy’s glasses, and the Lord of the Flies.
In Lord of the Flies, the boys believe that there is a beast on the island. In order to camouflage themselves, they paint their faces. The face paint allows the boys to free themselves from their old life and identity. This is the outlet Jack has been looking for to lose the old world. The paint also allows the boys to identify with each other. This is particularly important to Jack. He was already a sociopath before the novel started. As he smears the paint on, he begins to snarl and dance around. “Jack planned his new face. He made one cheek and one eye and one eye socket white, then he rubbed red over the other half of his face and slashed a black bar of charcoal across from right ear to left jaw. He looked in the pool for his reflection, but his breathing troubled the mirror” (Golding 62). When all the boys start painting their faces, it makes them feel less guilty and shameful over the brutal killing of the pig. The boys use the face paint to disguise themselves. This can be compared to the character Mulan in Mulan when she has to change her entire appearance to look like a man because if she appears to be a woman she can not fight in China’s war. At the beginning
Symbolism in Lord of the Flies Fear has the power to control, twist and break the ways of the human mind. The body, and mind are tricked and we find ourselves confused and fighting to piece together a troubling puzzle of straying emotions. Franklin D. Roosevelt stated, “The only thing we have to fear is fear itself”, projecting that fear knows no bounds and is a great power. Fear and power go hand in hand, without fear there is no power, a teacher has no power over a student if the student is not afraid of the consequences of stepping out of line.
One of the most important themes running through the whole story in Lord of the Flies by William Golding is the power of different symbols. Golding frequently uses symbolism, which is the practice of using symbols, especially by investing in things with a symbolic meaning. The main point of each symbol is its use and its effect on each of the characters. They help shape who the characters are and what they will be. The symbols weave their way throughout the story and are more powerful than they first seem.
In William Golding's Lord of the Flies, the boys who are stranded on the island come in contact with many unique elements that symbolize ideas or concepts. Through the use of symbols such as the beast, the pig's head, and even Piggy's specs, Golding demonstrates that humans, when liberated from society's rules and taboos, allow their natural capacity for evil to dominate their existence.
In the Lord of the Flies, William Golding uses a variety of symbols to represent ideas, or abstract notions or conceptions about people, places, and things. A symbol, according to the Webster's Dictionary, is an object that stands for something in addition to its literal meaning. In the book, there is a continual breakdown of society and civilization on the island. During this breakdown, Golding uses symbolism to further explain the process. Some of the things he symbolizes in the novel are the island itself, the conch, the boys clothing, and the violence.
Symbolism is defined as the representation; treatment or interpretation of things as symbolic. In society and in particular, literature, symbolism is a prominent component that helps to illustrate a deeper meaning then perceived by the reader. Symbolism can be anything, a person, place or thing, used to portray something beyond itself. It is used to represent or foreshadow the conclusion of the story. In William Golding’s, Lord of the Flies symbolism of the main characters Ralph, Jack and Simon plays a very important role in helping to show how our society functions and the different types of personalities that exist. An examination of Simon as a symbol of good, Ralph as a symbol of the common man, and Jack as a symbol of evil, clearly illustrates that William Golding uses characters as a symbol of what is really happening in the outside world throughout the novel.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream be otherwise” (13). The unreal character of the mask has played a significant role in the lives of African Americans, who pretend to put on a smile when they feel sad internally. This occasion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart, and Miller 466).
A mask makes one unknown, unrecognized, and mysterious. When the first mask was put on, Jack "looked no longer at himself but at an awesome stranger" (Golding page #). At the formation of Jack's tribe, all who join wear a mask from that time on and become a part of the savages. As three savages return to steal fire, they are driven because they are "demoniac figures with faces of white and red" (Golding page #) not individual boys. The mask becomes such an anonymous symbol that, towards the end of the story, Ralph "gazed at the green and black mask before him trying to remember what Jack looked like" (Golding page #). Whether stealing, fighting, or hunting, the savages found their courage because they "looked like something else" "hidden behind the mask of paint" (Golding page #).
This can be a good obsession Jack starts; as it protects their innocence from the beasts they become within the mask. However, it turns into a terrible catastrophe that ends in the boys hunting down each other. This is shown in the text when Jack applies the mask for the first time, “He looked in astonishment, no longer at himself but at an awesome stranger... He began to dance and his laughter became a bloodthirsty snarling” (66). The boys are also given too much power with the mask, power that can be used in a good way, but they chose to manipulate each other. The boys can change their personality in the mask by just washing it off and altering the colours and patterns: “He peered at the reflection and disliked it. He bent down, took up a double handful of lukewarm water and rubbed the mess from his face... Jack planned his new face” (66). The power each of the boys acquires from their masks is too much for 12-year-olds, each mask makes the boy a new person they can be bloodthirsty, murderous, killers or savage-lake cavemen that don’t communicate with one another. This happens in everyday lives and throughout this book the reader can experience what it’s like to live in third world countries. Many different ethnic groups and communities over the world use certain paint colours on their skin as a sign of difference from other ethnic groups; Jack’s aggregation does this to differentiate
Though a mask may just be a paper cut out, a molded piece of plastic, or in the Lord of the Flies, a painted face, they all have the same ability to create a feeling of freedom from responsibility. They may make they wearer feel more important or powerful and too good for work, leading to a lack of fulfillment of their responsibility. This belief in freedom from responsibility is best exemplified by Jack, the first one on the island to begin wearing a mask. He used a mask because he felt it gave him power and skill, giving him reason to take up hunting as a prime responsibility, opposed to keeping the fire going. In their...
Imagine a group of young boys who have just crash-landed on a deserted tropical island with no adults or supervision. William Golding showed in his ground breaking novel Lord of the Flies, what may happen in just those circumstances. In his very complicated and diverse novel Golding brings out many ideas and uses many literary devices. Above all others though comes symbolism of three main important objects being the conch, fire, and "Piggy's" eyeglasses. Through each of these three symbols Golding shows how the boys adapt and change throughout the novel. These symbols also help to show each of the boy's ideals on a variety of elements from human nature to society and its controls. All three of these symbols also change and are one of the most important elements of the story.
Lines 14 and 15, “But let the world dream otherwise, we wear the mask!” shows us that the worldly responsibilities of these people are just being brushed to the side and are being dreamed upon like it doesn’t matter. The speaker is showing us once again that it is easier for them to just accept the mask and avoid the truth rather than just facing them and accepting them as who they are unselfishly. Whereas the people wearing the masks are not dreaming at all, they are more so in a nightmare than a peaceful dream.